Eli Roth‘s fake trailer for a horror film called Thanksgiving was one of the highlights of both the omnibus feature Grindhouse and Roth’s own career. And for years since the debut of Grindhouse Roth has discussed making a feature version based on the idea. But we’ve heard of little forward momentum on the project in quite some time.

Now Roth says that he and other writers have broken the story idea, and will shortly be cranking out a script. Perhaps by fall 2013 we’ll finally be able to dig into a little horror feast. Read More »

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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