The term “America’s Sweetheart” is too reductive to apply to someone like Sandra Bullock, but there’s no question that we see Bullock as a positive figure, even a hero. But she voices a villain in Minions, the film spun off from the Despicable Me franchise. We’ll see a trailer for the film tomorrow. For now, get your first look at Scarlet Overkill, the Sandra Bullock Minions character, along with some info about the role she plays. Read More »
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Briefly: Ron Howard and Jim Carrey’s live-action version of How the Grinch Stole Christmas, from 2000, isn’t the most beloved movie out there — why watch that one when the original Chuck Jones animated version is so much more charming? — but it does have fans, and it made money.
But The Lorax made more money, and so now Universal, Chris Meledandri, and Illumination Entertainment are going to make a new 3D animated version of the Dr. Seuss classic How the Grinch Stole Christmas, to follow up on Illumination’s other Seuss adaptations. Deadline says that Meledandri is producing with Pete Candeland set to direct. There’s no writer on board yet. Expect to see the film for Christmas 2014 at the earliest.
Posted on Thursday, March 15th, 2012 by Angie Han
Dr. Seuss’ The Cat in the Hat proved a critical and commercial disappointment for Universal back in 2003 — so much so that Audrey Stone Geisel declared she’d never let Hollywood make a live-action adaptation of her late husband’s work again. But now, emboldened by the box office dominance of its Dr. Seuss’ The Lorax over the past couple of weeks, the studio is getting the pieces together to revisit the classic children’s tale in 3D, CG-animated form. Rob Lieber, who previously adapted the upcoming Alexander and the Terrible, Horrible, No Good, Very Bad Day, is set to write the script. Hit the jump for more details.
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Posted on Thursday, October 20th, 2011 by Angie Han
Anyone who read Dr. Seuss‘ The Lorax as a kid is undoubtedly familiar with the title character, the mustachioed orange grump who speaks for the trees. The villainous Once-ler, on the other hand, has always remained more of a mystery. Seuss’ books showed only a pair of long, spindly arms, leaving readers to guess at the rest of his appearance.
We’ll never know exactly how Seuss pictured him, as the writer and illustrator passed away in 1991. But Universal has unveiled its take on the character in a new image from the upcoming animated adaptation of Seuss’ tale. Directed by Chris Renaud and Kyle Balda and produced by Christopher Meledandri (Horton Hears a Who), The Lorax features the voices of Danny DeVito as the eponymous creature and Ed Helms as the Once-ler. Take a look at the Once-ler, and a couple of other images, after the jump.
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It’s award season, and The Hollywood Reporter has begun posting their series of roundtable discussions with the contenders. Earlier this month they posted an one-hour discussion between screenwriters Aaron Sorkin (The Social Network), Simon Beaufoy (127 Hours), Michael Arndt (Toy Story 3), John Wells (The Company Men), Todd Phillips (Due Date) and David Lindsay-Abaire (Rabbit Hole).
Today we get to watch/listen to the Animators roundtable, which includes Bonnie Arnold (producer, How to Train Your Dragon), Roy Conli (producer, Tangled), Bob Last (producer, The Illusionist), Tom McGrath (director, Megamind), Chris Meledandri (producer, Despicable Me) and Lee Unkrich (director, Toy Story 3).
Unfortunately, unlike the screenwriters roundtable, THR has decided not to put the entire video online. Instead they have given us three clips and have a full transcript of the roundtable online only for subscribers. You can still watch over ten minutes of the roundtable in selected clips embedded after the jump.
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Illumination Entertainment’s first feature Despicable Me earned 56.3 million domestically in its first weekend of release, nearly double what analysts had predicted. It seems like everyone got lured to the theater to catch a glimpse of those cute little yellow minions. Of course, a sequel is already in development.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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