August: Osage County, a Pulitzer Prize and multiple Tony award winning play, is hoping to become a multiple Oscar-winning film. Directed by John Wells (The Company Men), the film has one of the most impressive dramatic casts in recent memory: Meryl Streep, Julia Roberts, Ewan McGregor, Benedict Cumberbatch,Margot Martindale, Chris Cooper, Dermot Mulroney, Juliette Lewis, Abigail Breslin, and Sam Shepard. They’ll bring to life a story about a group of young women forced to go home and deal with their parents. A simple story to be sure, but a powder keg for emotion and drama.
Don’t believe me, though. Check out the trailer and poster for the November 8 release. Read More »
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If you’ve been wondering whether or not Norman Osborn would end up as the Green Goblin in The Amazing Spider-Man 2, the film’s latest casting will really fuel speculation.
Chris Cooper has come on board to play Norman Osborn, played in the Sam Raimi films by Willem Dafoe. We don’t know if Cooper will end up in the suit as the Goblin — if he does, expect it to be a small appearance in this sequel — and if he does, what that will mean for the villain landscape of the third film. Maniacal laugh! Read More »
It’s weird to see a trailer for a film that feels like it has to throw out a recap definition of the Weather Underground, that group of radical leftists who in the early ’70s embraced violent tactics (riots, bomb attacks on banks and government buildings) in order to protest government actions and argue for revolution. But time marches on, and audiences don’t remember everything.
That said, the trailer for The Company You Keep actually argues that time does not march on, as it follows the efforts of a dogged young newspaper reporter (Shia LaBeouf) as he tracks an at-large WU member (Robert Redford) after the arrest of another formerly free suspect (Susan Sarandon). Redford directed based on a script by Lem Dobbs (The Limey, Haywire) and the trailer makes it look like a pastiche of classic Redford political thriller hits All the President’s Men, and Three Days of the Condor.
There’s an appeal to that classic thriller style, however, and the large cast (Julie Christie, Sam Elliott, Brendan Gleeson, Terrence Howard, Richard Jenkins, Anna Kendrick, Brit Marling, Stanley Tucci, Nick Nolte, and Chris Cooper also appear) lends a real prestige feel to the proceedings. Check out the first trailer below. Read More »
Posted on Tuesday, May 1st, 2012 by Angie Han
After a decade of false starts on the big screen, an adaptation Jonathan Franzen‘s The Corrections looked to finally be making some headway on the small screen. HBO began developing it as a series with producer Scott Rudin last fall, and quickly signed director Noah Baumbach as well as a high-profile cast including Ewan McGregor, Rhys Ifans, Maggie Gyllenhaal, Chris Cooper and Dianne Wiest. The novel, which won the National Book Award in 2001, centers around an elderly couple and three adult children as they gather for “one last Christmas” near the turn of the millennium.
But alas, it seems this incarnation of the project isn’t going anywhere, either. After viewing the pilot, the premium cable has chosen to pass on the series. While HBO apparently liked the episode and the performances, it was concerned about the long-term sustainability of the premise. The book’s plot jumps back and forth through time, filling in the characters’ backstories, and HBO worried that it would be difficult for viewers to follow. The decision was not related to this week’s straight-to-series order of True Detective; with Luck off its plate, HBO would have had the resources to do both. [Deadline]
After the jump, the West Wing gang prove they’ve still got their walk-and-talk skills.
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Posted on Friday, January 20th, 2012 by Angie Han
I know already I’ve gone on and on about how excited I am by HBO’s adaptation of Jonathan Franzen‘s The Corrections, but considering the talent signed on — Noah Baumbach, Ewan McGregor, Chris Cooper, Dianne Wiest — can you blame me? Today the good news continues with the report that Maggie Gyllenhaal and Rhys Ifans could be up for parts in the series as well. More details after the jump.
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After a long promotional runup that included a never-ending string of parody trailers, photo shoots and gleeful audio experiments, The Muppets is finally in theaters. Jason Segel‘s loving ode to Jim Henson‘s puppet troupe combines some winking modern showmanship with a whole lot of love for the Muppets and what they have always represented in pop culture. Because the Muppets mean a lot to many of our readers, it is possible that the film has a difficult standard to live up to.
So the question is: did director James Bobin, co-writers Segel and Nicholas Stoller, songwriter Bret McKenzie, co-stars Amy Adams, Jack Black, Chris Cooper and all the Muppet puppeteers manage to craft a modern Muppet vision that jibes with the classic image of the characters? Tell us what you thought in the comments after the jump. As always, spoilers are fully cleared to go in this discussion. Read More »
Posted on Tuesday, November 22nd, 2011 by Angie Han
Hollywood’s had a long history with botched adaptations of beloved novels, but from here it looks like fans of Jonathan Franzen‘s acclaimed book The Corrections have nothing to worry about. After years of attempting to bring the story to the big screen, producer Scott Rudin eventually turned to HBO — and things have been shaping up nicely from there.
The Squid and the Whale writer-director Noah Baumbach signed on to helm and (with Franzen) pen the drama pilot earlier this fall, while Chris Cooper and Dianne Wiest joined the project several weeks later. Now Ewan McGregor has boarded the series as well, in the role of Cooper and Wiest’s screwup middle child. More details after the jump.
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Posted on Monday, November 21st, 2011 by Angie Han
For those who came of age any time between the ’50s and the ’90s, the Crayola-colored felt faces of the Muppets hold a certain unshakeable allure. Kermit’s familiar green visage is a face I grew up with, and I still have a knee-jerk tendency to break out in a smile whenever I see him or his pals. While the Muppets have never entirely left the public consciousness, they’re hardly the ubiquitous powerhouse they once were. This year’s The Muppets marks the first real introduction for a whole generation of kids who were born too late to remember 1999′s Muppets in Space, let alone 1979′s The Muppet Movie.
So if The Muppets coasts just a tiny bit on the goodwill that people like me still reserve for them, I’m pleased to say it’s still a solid enough film to appeal to the uninitiated while also pleasing old(er) fogies who recall them fondly from past decades. Which, not coincidentally, is also the characters’ goal within the storyline itself.
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