After edging around the show for a long time I’ve finally come on board as a Community fan in a big way. The show’s two seasons have had very few whiffs (last week’s episode being a sad exception) and the cast of misfits stuck in community college (‘stuck’ in an increasingly willful fashion) has turned into a great comic ensemble.
Tonight’s episode sees the cast acting out a big Pulp Fiction riff, and while that sort of thing might be tedious from most shows, with Community it could well turn out to be both very funny and a way to further explore the bonds between the unlikely group. We’ve got a few photos from the show after the break, plus a video clip teasing the story. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 31 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Warner Bros have pre-emptively picked up the movie rights to Gregory McDonald‘s 11-book Fletch mystery novel series. Chevy Chase originally played Irwin “Fletch” Fletcher in Michael Ritchie’s 1985 film Fletch, and the 1989 sequel Fletch Lives. Heatvision is reporting that no writer or director has been attached but the studio is “aiming for a reimagining, not a remake, and hope to make an smart action comedy that plays out on a bigger canvas than the previous movies.” Hollywood has been trying to bring Fletch back to the big screen for the last decade.
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I wasn’t planning to write about Gallery1988’s first annual “Is This Thing On” art show as it really has little connection to movies or television (or so I thought… the above piece featuring Judd Apatow mashed-up with the infamous Star Trek Tribbles episode is a fine example of this). The show, co-sponsored by FunnyOrDie, features over 100 artists, each creating pieces that are portraits of their favorite funny people, both beloved comics of yesteryear and emerging superstars.
The line up of comedians depicted include: Chris Farley, Will Ferrel, Richard Pryor, Don Rickles, Paul Reubens,Tim & Eric, Nick Kroll, Demetri Martin, Chris Rock, Whitney Cummings, Jon Lovitz, Sam Kinison, Bill Murray, Woody Allen, Colin Quinn, Bill Hicks, Howard Stern, Judd Apatow, Chris Hardwick, Marc Maron, Scott Auckerman, David Spade, Andy Dick, Lenny Bruce, Adam Sandler, Amy Sedaris, Lisa Lampanelli, David Cross, Andy Kaufman, Christopher Guest, Mr. Show, Rob Corddry and Children’s Hospital, Gilbert Gottfried, Jeffrey Ross, Bill Cosby, Bobcat Goldthwait, Tracy Morgan, Roseanne, Patton Oswalt, Dave Attell, David Wain and Wet Hot American Summer, Will Forte, John Candy, Lilly Tomlin, Phil Hartman, John Belushi, Mel Brooks and Young Frankenstein, Chevy Chase, Louis CK, Norm MacDonald, Flight of the Conchords, Jim Carrey, Reggie Watts, Steve Martin, Larry David, Rodney Dangerfield, Mitch Hedberg, Ellen DeGenerous, Margaret Cho, Steven Wright, Conan O’Brien, David Letterman, Richard Lewis, George Carlin, UCB Theater LA, Upright Citizen Brigade (TV show), Human Giant, Sasha Baron Cohen, Gallagher, Dana Carvey, Jon Stewart and The Daily Show, Danny McBride, Carrot Top, Greg Giraldo, Donald Glover, Zach Galifiankis, Charlene Yi, Andrew “Dice” Clay, Chris Elliot, Jon Lovitz, Artie Lange, Doug Benson, Redd Foxx, Ben Stiller, Ricky Gervais, Dave Chapelle, Chelsea Handler, Aziz Ansari, Eddie Murphy, SF Sketchfest, Cheech & Chong, Sarah Silverman, Stella, Jerry Seinfeld, Robin Williams, Brian Posehn, Charlie Murphy and Kids In The Hall.
The show is ongoing until January 29th 2011 in the Melrose Gallery 1988 location. Hirt the jump to see some of my favorite pieces of art from the exhibition.
Here’s some music to enjoy while reading this article. You know, for ambiance! (Note: This isn’t just a ploy to get you to listen to songs from the Community soundtrack. Honest.)
There’s a kind of demented brilliance to Community. It’s something I’ve been accepting of since early in the show’s incarnation, but it wasn’t until the series’ wonderfully inventive, borderline disturbing, ultimately heartwarming stop-motion Christmas special—entitled Abed’s Uncontrollable Christmas—that I found myself capable of fully elucidating why that is. And I’m not just saying that because it delivered the ultimate burn on Lost.
(Haven’t yet had a chance to see the episode? Watch it on Hulu, or embedded after the break.) Read More »
The Huffington Post has edited together a five minute video compiling all the best Caddyshack quotes. Bill Murray, Chevy Chase and Rodney Dangerfield are sure to brighten up your Friday. Watch it now, embedded after the jump.
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If the ’80s gave a sniffling speech at the Decade Achievement Awards, Harold Faltermeyer and his scores would be thanked somewhere after Shigeru Miyamoto and Super Mario Bros. and Magic Johnson’s Lakers. A classically trained German composer with an affinity for rock and disco, Faltermeyer got his start in Hollywood assisting mustachioed electro-don Georgio Moroder on soundtracks for Oliver Stone’s provocative Midnight Express and Adrian Lyne’s jail-bait fave Foxes. With the release of Beverly Hills Cop in 1984, everyone acknowledges how Faltermeyer’s theme song, “Axel F,” hopped into bed with America’s zeitgeist like few songs before or since. The track’s equation of urgent nightlife synths plus cool-black-dude drum effects, then buffered to an upbeat Cali finish, not only paralleled the confident, crowd-pleaser m.o. of sure-shot producers Jerry Bruckheimer and Don Simpson, it embodied and celebrated it.
Soon following “Axel F,” Faltermeyer crafted incredibly memorable and fun themes/scores for Fletch and Top Gun, rising to the occasion by sonically matching the unmatched charisma of Chevy Chase and Tom Cruise on screen in the mid ’80s. Reflecting on the three themes today, not to mention his work on actioners The Running Man and Tango & Cash, it’s difficult to express how Faltermeyer shaped the way audiences then and now remember the ’80s as a time of just-plain-exciting innocence and excess, a time when the buddy-cop formula and toothy superstar grins felt fresh. It’s this feeling and nostalgia Kevin Smith is paying pop-homage to with Cop Out, another bid for a mainstream hit from the ’90s slacker auteur starring Bruce Willis and Tracy Morgan. Smith personally requested Faltermeyer—who’s remained inactive on major soundtracks since the ’92 copper Kuffs—score the film with his signature sound. The catchy result is felt by several critics to be the best thing about the action-comedy. (Stream it here.)
In an interview with /Film, Faltermeyer talked about his creative process and about “crazy shit” including the late Don Simpson’s finesse with a Ferrari.
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You might recall that back in October we told you that New Line/Warner Bros had signed Wedding Crashers and Fred Claus director David Dobkin to produce and possibly direct a new film in the National Lampoon’s Vacation series which would follow Rusty Griswold, the son of Clark Griswold, who is now a father in his own right and takes his family on a, you guessed it, road trip vacation. Then came that the Super Bowl Commercial/Mini Movie (which can be watched here), which while it wasn’t nearly as good as any of the films (not even Vegas Vacation), garnered a lot of attention. Enough attention to convince New Line to order a screenplay for this new adventure.
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MGM has released a second green band movie trailer for Hot Tub Time Machine, a new sci-fi comedy starring John Cusack, Rob Corddry, Craig Robinson, Clark Duke, Lizzy Caplan, Crispin Glover and Chevy Chase. The film follows a group of best friends who’ve become bored with their adult lives:
“Adam (John Cusack) has been dumped by his girlfriend; Lou (Rob Corddry) is a party guy who can’t find the party; Nick’s (Craig Robinson) wife controls his every move; and video game-obsessed Jacob (Clark Duke) won’t leave his basement. After a crazy night of drinking in a ski resort hot tub, the men wake up, heads’ pounding, in the year 1986. This is their chance to kick some past and change their futures – one will find a new love life, one will learn to stand up for himself with the ladies, one will find his mojo, and one will make sure he still exists!”
Directed by Steve Pink, the director of Accepted and screenwriter of High Fidelity and Grosse Pointe Blank. I love the concept, I like the cast, and I even digg the screenwriter, but something about these trailers just isn’t doing it for me. Please leave your thoughts in the comments below.
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