The first weekend has finally hit at the 2010 Cannes Film Festival, which means bigger crowds, longer lines, and more hub-bub about the star studded premieres on the red carpet. It also means that some of the more anticipated films of the festival have begun to premiere. The photo above shows the crowd of people waiting to get into the new Woody Allen film, as taken from the top of the red carpet stairs. Over the last 48 hours, I’ve screened new films from Oliver Stone, Woody Allen, Mike Leigh and Hideo Nakata. I wish I could rave about any of these films, but so far I’ve been unimpressed.
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There’s been a pair of stories in Screen Daily that tell us of two different films to have just cast Imogen Poots in lead roles. There’s Chatroom, an internet inspired thriller from Hideo Nakata, director of the Ring films, and there’s also Cordelia, a spin-off from Shakespeare’s King Lear that revolves around the life of Lear’s daughter after her exile to France.
Chatroom‘s origins are also theatrical, in fact, having been adapted by Enda Walsh from his stage play of the same name. Walsh also scripted Hunger, Steve McQueen’s much loved film about the hunger striker Bobby Sands. One scene in that film is realized as an unbroken shot of around seventeen minutes, providing essentially an extended dialogue from a single camera position. You might be forgiven for wondering if Walsh can break his theatrical style, or if he’d want to.
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