When the comedy Major League was released in 1989, little did we know how perfectly Charlie Sheen would personify the Wild Thing moniker he portrayed in film. He was crazy at the time, but in recent years Sheen has been better known for coke, hookers, million dollar paychecks and Jon Crier than making movies. Still, the Wild Thing has been our reality for years and, in an interview with TMZ, Sheen said he’s doing “everything in his power” to once again make our heart sing on the big screen. If the powers that be greenlight a script, Sheen wants to make another Major League movie. Read more details after the break. Read More »


It’s a crazy, mixed up world and we are thankful for movies, excluding Valentine’s Day starring every safe, boring white actor ever, that offer proof. Slashfilm’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review or an interview.

In 1986, a supernatural moto-fantasy about a murdered bro who returns via a phantasmic, black stealth race car to kill his killers was released on Earth and no one gave a shit. More than two decades later, The Wraith, though forever without a wet ‘stache lick from Peter Travers, is cult-minted for being memorable-enough ’80s-ploitation. Next month sees the release of a Special Edition DVD that adequately recognizes and explores the movie’s legacy and history with commentary courtesy director Mike Marvin and featurettes on the film’s semi-iconic Dodge racer and co-star Clint Howard (who, if not semi-iconic himself, sported a semi-iconic wig inspired by Eraserhead for the film).

Revisiting The Wraith, what’s interesting is how this derivative hybrid of genres and classic revenge films—Marvin references High Plains Drifter and The Road Warrior—remains sublimely adolescent but in an inherently cold and detached way. Stranger still is how this suits the film’s undead hero, vehicle, and hints of an afterlife with a decidedly mechanical bent. And before viewing the S.E. I had no idea a crew member died and many others were injured in a chase scene gone awry. One stunt coordinator recounts how a grip fell 60-feet down a rocky embankment and was only found knocked-out but okay hours later. Nor did I know (or need to) that a sunbathing scene with lead star Charlie Sheen as the titular, ghostly hero and co-star Sherilyn Fenn (Twin Peaks, Wild at Heart) was shot on a “near-freezing” day. Hearing these stories, I wonder now if the troubles of the production didn’t contribute to the overall tone. And looking back at the film itself, which was released the same year as Top GunFerris Bueller, and Blue Velvet, might The Wraith, however unintentionally, deserve to be called Lynchian?

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With the release of Oliver Stone‘s Wall Street 2: Money Never Sleeps set for April, its publicity game is just starting to ramp up. Fitting then that Vanity Fair, former mag-home of the late Dominick Dunne, has a new photo shoot for this sequel of modern greed and murder courtesy of flashy, money-strapped photog Annie Leibovitz. After the jump is a new image of Michael Douglas‘s Gordon Gekko, a vacant behind-the-scenes vid of the shoot, and thoughts on Gekko’s lease on life post-prison.

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Major League 4 In The Works

major league

Will Wild Thing return to the plate for another at-bat? Bob Uecker revealed while chatting up the game at Wrigley stadium last week that he’s recently had contact from the creative team behind the first three Major League films, and that they’re developing a Major League 4.

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