Mike Newell will follow up Prince of Persia, not quite a modern classic, with a new take on a genuine classic and perennial enemy of disinterested English classes across America. He’ll direct a new version of Great Expectations as part of a year-long celebration of the 200th anniversary of Charles Dickens‘ birth, in 2012. Read More »

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There is little doubt in the minds of many critics and cultured viewers that any single season of The Wire would be perched near or atop the best films of the decade if it qualified. In a new eight-page interview with Vice, the writer and creator behind all five seasons of the HBO series, David Simon, offers characteristically solid, amusing no-bullshit insight into how The Wire was created.

Even post-finale, any casual conversation about The Wire is akin to slitting open the belly of a five-headed Jaws, and Simon dives in afresh. The series’ overarching theme, he says, is that, “Human beings—in [America] in particular—are worth less and less.” He also extends on why Charles Dickens “punked out” and why seasons weren’t set aside to tackle immigration and health care. What’s the main thematic difference between The Wire and his new, New Orleans set HBO series, Treme? Simon’s impassioned explanation, after the jump…

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