We’ve previously featured a video essay that dove into the history of aspect ratios in cinema and how they’ve changed in the relatively short history of filmmaking. But beyond the technical changes and differences, varying aspect ratios are now used to not only change the aesthetic of any given film, or even a specific scene or sequence, but to also create a different emotional effect within the viewer.
A new aspect ratio video essay takes a look at some of the different thematic effects that come from changes in aspect ratio, illustrating how they are used to invoke certain feelings or perspectives. This ranges from transporting viewers back in time to a more old fashioned way of life in The Grand Budapest Hotel to glamorizing a memory in (500) Days of Summer to giving an epic scope to action happening on screen in Interstellar. Read More »
As part of the screening put together in relation to the SXSW Title Design Competition, Ian Albinson from the website The Art of the Title Sequence put together a nice two and a half minute compendium of excellent film titles. (That features an occasional piece of television, too.) For any long-time film lover, this little video will probably elicit quite a few responses simply on the strength of the title cards on display. I queued several films to re-watch after exposure to just a few seconds of their titles.
Check out the collection after the jump. Read More »
/Film reader Derek Stettler has compiled a video titled “Reel Wisdom: Lessons from 40 Films in 7 Minutes,” which does just what it claims. Here is more from the editor:
I made this video because I love films and I think there is great wisdom inherent in the film medium. This video represents some of the best wisdom from films, edited together as a single coherent piece of advice on everything from life, death, and purpose, to anger, regret, and destiny. In creating this video, I tried to feature a broad array of films, from action/adventure and sci-fi films, to dramas and traditional/CG animated films in order to show how all genres of film have something important to say.
Watch the video embedded after the jump.
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Unless there’s a Spider-Man or Evil Dead musical to write about, Broadway really doesn’t come up too much here at /Film. Well, another big time film is getting the song and dance treatment as Catch Me If You Can is now officially coming to Broadway on April 10, 2011 with previews starting March 7, 2011.
Most people know the story of famous con man Frank Abagnale Jr., one of the most successful check forgers in history who also posed as a doctor, lawyer and Pan Am pilot all before his 19th birthday, because it was adapted into a film directed by Steven Spielberg, starring Leonardo DiCaprio and Tom Hanks. That movie, not the original book by Abagnale Jr., will be the source material for the show with a book by Terrence McNally (Ragtime) and music and lyrics by Marc Shaiman and Scott Wittman, who worked together on Hairspray.
Hit the jump for some possible info on casting and videos from the show. Read More »
Restless authority-types and newscasters have referred to him as “the Teen Houdini,” “the Boy Who Loved to Fly,” and “the Barefoot Bandit.” Over a two year period, he’s allegedly stolen and crashed a handful of cars and aircraft, having taught himself to fly from video games and a flight manual purchased using a stolen credit card. Citizens of western Washington State say he lives in the woods, where he catches animals for food with a pair of illegally obtained night-vision goggles. Others say he risks capture due to a weakness for ordering pizzas.
And now Fox and Rough House Pictures, the new production company founded by David Gordon Green, Jody Hill, and Danny McBride, own the movie rights to a book proposal about his life. We think a bitchin’ congratulations is in order to the precocious teen rebel in question, Colton Harris-Moore, the D.B. Cooper of a new generation. Run kid. Run hard.
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