In 2002 Warner Bros was developing a new Superman movie with then screenwriter JJ Abrams called Superman: Flyby, with Brett Ratner hired to direct. Abrams’ screenplay for the film would have reinvented Superman, incorporating a bunch of new ideas that angered fans when a negative script review was posted on the internet. The film was abandoned and never went into production. Mr. Sunday Movies has created a video essay giving the complete history of Superman Flyby. Watch that now after the jump.
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Before Bryan Singer’s X-Men: Days of Future Past was released and became one of the biggest films of the summer, there was lots of talk about what we wouldn’t see. Scenes with Anna Paquin as Rogue, in particular, were famously cut. But if the film’s $750 million worldwide gross has anything to say, maybe that was the right decision. Still, fans enjoy seeing more from films they love and it seems like 20th Century Fox is happy to oblige.
A few weeks ago, producer Lauren Shuler Donner hinted on Twitter about an extended edition of the movie. Now one of Fox’s executives has suggested it’ll be out next year. Check out Days of Future Past extended edition tweets below. Read More »
Posted on Thursday, June 26th, 2014 by Angie Han
Bryan Singer was confirmed as the director of X-Men: Apocalypse before X-Men: Days of Future Past even made it to theaters. Then the sex abuse scandal broke, and Singer pulled out of the DOFP publicity tour. Rumors soon spread that Fox wanted to take him off of Apocalypse.
In a new interview, Fox president Emma Watts indicates that’s not the case. “It’s always been the intention for him to do it,” she said. Hit the jump to read her comments.
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It is standard procedure for a comic book movie to end with a post-credits scene that points toward the next film to come. Once the full credits roll has gone by at the end of X-Men: Days of Future Past, there’s a big one. But the scene doesn’t feature anyone that casual audiences are likely to recognize, and it isn’t set in a location that is familiar to the X-Men films. So what’s it all about? We’ve got the Days of Future Past post-credits scene explained below. (Consequently, full spoilers for Days of Future Past are after the break.)
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X-Men: Days of Future Past is not only the latest chapter in the cinematic life of the X-Men. It is an attempt to rectify some mistakes made in previous films, particularly X-Men: The Last Stand. It is a Charles Xavier origin story of sorts, and also a Wolverine movie; no matter how many mutants Fox splashes on the posters, this is the continuation of Wolverine’s evolution from animal to man. And for a film that ranges from 1973 to future decades hence, it is also a rather contained, character-oriented story.
As Wolverine (Hugh Jackman) travels into the past to help Charles Xavier (James McAvoy) realize his potential, Wolverine also truly comes into his own. As a character piece, there’s a bit of a cheat, as Wolverine has the benefit of tremendous foresight. But while he knows where he has to go, he doesn’t know how to get there. Despite the myriad ways in which Days of Future Past is unlike the X-Men comics, it plays out as a solid special issue, a rip-roaring tale of power and old-fashioned good versus evil. It is an unusual summer “blockbuster,” and stands among the better X-Men movies. Read More »
Fans are sure to have many questions after they see Bryan Singer‘s X-Men: Days of Future Past, but one they have going in can now be answered. At the end of Matthew Vaughn’s X-Men: First Class, Magneto (Michael Fassbender) sends a bullet into the spine of Charles Xavier (James McAvoy). We then see Charles in a wheelchair, and we know he stays there for pretty much the rest of his life.
Fast-forward to the first footage from the sequel, Days of Future Past, in which Charles Xavier is walking again. How could that be? Well, 20th Century Fox has just released a new clip that explains. The clip also has some fantastic screaming between Magneto and Charles, putting the acting of Fassbender and McAvoy on display. Find out how Xavier can walk below. Read More »
This week, a civil suit named director Bryan Singer as one of several defendants in allegations of sexual abuse that took place in 1999. Now details have emerged that the producers of a film about sex abuse in Hollywood have reached out to the plaintiff in that suit about participating in the film. Amy Berg, director of Catholic church sex abuse doc Deliver Us From Evil and the West Memphis Three movie West of Memphis, has been working on the Hollywood sex abuse film for two years, but details on the project are scarce.
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Posted on Wednesday, April 16th, 2014 by Angie Han
As of last year, it looked like Anna Paquin‘s Rogue was going to be one of the few mutants not returning for X-Men: Days of Future Past. Though she’d already shot some footage, director Bryan Singer ultimately didn’t have room for her one and only scene, and so Rogue ended up on the cutting room floor.
Or so we thought. Now it appears that Rogue was never out of the movie and, in fact, that Singer couldn’t have taken her out if he’d wanted to. Find out why after the jump.
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