Director Brian De Palma has lined up a few promising projects for himself since making his last directorial effort, 2012’s Passion. De Palma and his Scarface and Carlito’s Way star, Al Pacino, both became attached to Happy Valley and Retribution. Happy Valley, a biopic about the disgraced and deceased Penn State head football coach, Joe Paterno, ran into budget issues at HBO and was placed on hold. As for Retribution, we’ve heard little about that thriller since it was announced.
Now, De Palma has signed up to direct The Truth and Other Lies adaptation. Learn more about the project below.
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Brian De Palma has been attached to quite a few promising projects over the years. Most exciting of all, the director was going to reunite with his Scarface and Carlito’s Way star, Al Pacino, for a film about coach Joe Paterno. Whether De Palma is still involved with Happy Valley is unknown, and the same can be said for The Key Man and Heat. But we do know the director is now moving forward with Lights Out, a thriller set in China.
Learn more about Lights Out after the jump.
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The opening crawl from Star Wars is familiar to most of our readers by now — even the people who don’t know it by heart would recognize the text immediately. But that crawl, like any other part of a film, took some editing and whittling to knock into final shape. Brian De Palma helped George Lucas trim down the opening crawl after seeing a rough cut of the original film. Now the text of the first draft crawl has been revealed, thanks to a draft of the script from the film’s script supervisor Anne Skinner. Read More »
Brian De Palma is responsible for two of Al Pacino‘s many iconic roles: the leads in Scarface and Carlito’s Way. Now, after a long break from one another, the two are reportedly shopping a new movie at the American Film Market called Retribution. It’s a remake of the 2003 Belgian film, The Memory Of A Killer, which is about a hitman with Alzheimer’s who is on the trail of a child prostitution ring. Read more about Brian De Palma and Al Pacino’s Retribution below. Read More »
Brian De Palma returns with Passion, starring Rachel McAdams and Noomi Rapace as a successful exec and a new junior player, who become embroiled in sex and violence as corporate power games lead to intense personal manipulation.
In reality, Passion has been kicking around for a while, as it started doing festival rounds last year. Response has been middling, with many reviews painting it as a thing likely to be best appreciated by devoted fans of the director. Speaking as one of those people, I’m still very curious to see how Passion plays out. While we’ve featured a couple trailers for the film in the past, here’s a US-specific cut meant to promote the film’s August opening. Read More »
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Posted on Wednesday, January 16th, 2013 by Angie Han
Twenty years after Carlito’s Way and thirty years after Scarface, Brian De Palma and Al Pacino are reuniting to tell the tale of a very complicated man. The pair have just signed on for Happy Valley, a drama about late, disgraced Penn State coach Joe Paterno. Dave McKenna (American History X) is nearing a deal to write a script based on the bestselling biography Paterno, by Joe Posnanski. Hit the jump for more details.
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Posted on Thursday, August 23rd, 2012 by Angie Han
After an uneven decade that included Redacted and The Black Dahlia, Brian De Palma is heading into the 2010s with this fall’s Passion. A remake of Alain Corneau’s Crime d’amour, the erotic thriller centers around a ruthless corporate executive named Christine (Rachel McAdams) and her bright but timid assistant Isabel (Noomi Rapace). Christine delights in manipulating her innocent protege, but when she goes a step too far, Isabel begins plotting her revenge. Watch the trailer after the jump.
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Draw a Venn diagram of film that has both mass appeal and is of interest to movie website editors and, dead center, you’ll have Prometheus.
Never in my sixty-eight years of writing professionally online have I banged out so much copy about one title. There is absolutely nothing left to scrutinize – that is, until, the general public sees it and starts floating their own interpretations. This gives us a window (here in the US, anyway) of about one day.
As such, I figured this week’s TBMYPHS should be about the one thing Prometheus-related that hasn’t been overly analyzed – its title. (Prometheus, Greek titan, tied to a rock, hit Wikipedia for more.)
So light yourself a plate of saganaki, it’s time to explore our Greek titular heritage. Read More »
I like the fact that the band is still called Sonic Youth, even though they’re all in their 50s. Similarly, there’s the term New Hollywood, which represents a very specific time in which the studio bosses gave free reign to independent-minded, radical filmmakers looking to push the artistic boundaries of film. It is a cinema movement that came out guns blazing in 1967 with Bonnie and Clyde and suffered its first wound from Jaws in 1975, then sank into the mud under its own weight by 1977 with Sorcerer. (Yeah, that’s right, Roy Scheider represents the end of New Hollywood from both directions.)
But these movies still feel “new.”
These were films made by a generation influenced by European Art Cinema, reacting against big studio bloat and, in many cases, taking advantage of new technical advances. There are a hundred books you can read about this movement, and the safest bet it to check out Peter Biskin’s “Easy Riders, Raging Bulls” as a primer.
Like most people my age, New Hollywood is a sweet spot – and it was a real chore to limit myself to just eight underrepresented gems. My initial brainstorm had twenty-five titles that all fit the “obscure” and “great” parameters. Maybe I’ll revisit this column with a Volume II if there are calls for it in the comments. (The people have the power!)
Hats off to Twitter’s @MoviesByBowes for the suggestion. Read More »