Posted on Friday, October 14th, 2016 by Jacob Hall
When I left the theater after seeing The Autopsy of Jane Doe at Fantastic Fest last month, the first thing I did was try to find a way to steady my nerves because this movie is scary as hell. The second thing I did was wonder how IFC Midnight was going to market a movie that takes place almost entirely around an autopsy table, with an increasingly, uh, examined dead body being central to much of the plot. The easiest answer: a red band trailer, of course.
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The Autopsy of Jane Doe is the newest film from director André Øvredal, the man behind the very fun found footage movie Trollhunter. Øvredal returns to us with a new horror picture starring Brian Cox and Emile Hirsch, playing father and son in this story. The Autopsy of Jane Doe recently played at Fantastic Fest, where our own Jacob Hall called the film “scary as hell.”
Below, watch The Autopsy of Jane Doe teaser trailer.
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Posted on Sunday, September 25th, 2016 by Jacob Hall
The horror genre is so often dominated by stupid characters doing stupid things, so it’s refreshing to watch a film like The Autopsy of Jane Doe. Here is a frightening story about two intelligent men whose talents for science and deduction break against a wall of undefinable supernatural power. Here is a fascinating mystery where the pleasures are not only derived from a series of increasingly terrifying and impossible discoveries, but from watching these two men work down a checklist of every possible rational explanation before realizing they are beyond their limits.
The Autopsy of Jane Doe is a film as interested in process as it is in jump scares and the result is one of the most entertaining horror movies I’ve seen in a year that has had no shortage of great scary movies.
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If you are a slightly older actor from the United Kingdom capable of growing a fine beard and wearing a convincing scowl, there is a strong chance you have appeared on HBO’s Game of Thrones at some point. And if you haven’t appeared on Game of Thrones, it may be your fault for turning it down in the early days, before it was a gigantic hit that would put you in front of an audience of millions and millions of rabid fans who obsess over every episode.
Every so often, one of the actors who turned the show down speaks up, offering a glimpse at what could have been. Today, that slightly older actor from the United Kingdom capable of growing a fine beard and wearing a convincing scowl who turned down the show in its infancy is the great Brian Cox.
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UPDATE: We have been informed that this project isn’t a full TV movie but rather a half-hour comedy special for British television. However, that doesn’t make this sound any better. Our original story follows.
There’s a lot of controversy surrounding the lack of diversity among the Academy Award nominees this year, so much that The Academy is going to be making some changes to how membership and voting works. You would think that would be enough for filmmakers to start making better casting choices that allow for more diversity, but a certain production outfit across the pond doesn’t seem to care as evidenced by a recent casting decision.
A new report reveals that Shakespeare in Love and American Horror Story star Joseph Fiennes, a white actor, will be playing African American pop star Michael Jackson in a decidedly weird movie that takes place after the terrorist attacks of 9/11. Find out more below. Read More »
Does anyone read movie novelizations any longer? Before the Internet, before DVD and all the myriad other ways we consume movie stories, film novelizations were the quickest way to take a film home. Many featured extended characterizations and new scenes and concepts, some drawn from the original screenplays, some invented by the authors. At 10 years old, I loved the Poltergeist novelization as it featured scenes with Carole Anne wandering around in the realm of the Beast.
Here, Funny or Die both honors and (mostly) skewers the movie novelization in The Novelizationalist. The short film features Brian Cox as an author who specializes in the unique alchemy that joins film and the printed page. The novelizations for Raiders of the Lost Ark and E.T., written by Cox’s character, capture each film’s magic with shocking clarity. Read More »
Posted on Thursday, November 3rd, 2011 by Angie Han
Emma Stone has been moving into more dramatic territory lately with parts in The Help and Gangster Squad, but she may be returning to her comedy roots soon. The actress has entered talks to star in He’s Fuckin’ Perfect, a comedy by first time feature writer Lauryn Kahn. The film is being produced by Will Ferrell and Adam McKay‘s Gary Sanchez Productions, where Kahn has worked for the past several years as McKay’s assistant.
He’s Fuckin’ Perfect revolves around a pessimistic woman who uses her social media know-how to research her friends’ dates and help them weed out the losers. But when she stumbles across the ideal man, she convinces her friend to dump him so that she can claim him for herself, using her Internet savvy to turn herself into his perfect match. [Deadline]
After the jump, Michelle Monaghan is a sex-addicted FBI agent, Alice Eve is a homewrecker, and Brian Cox gives Zach Galifianakis some serious daddy issues.
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Posted on Wednesday, September 28th, 2011 by Angie Han
Good things keep coming for the stars of Animal Kingdom, as Jacki Weaver lands a role in David O. Russell‘s The Silver Linings Playbook. Weaver will play Bradley Cooper‘s mother in the film, based on Matthew Quick‘s novel about a former high school teacher (Cooper) who’s just been released from a four-year stint at a mental institution into the care of his mother. Upon his release, the protagonist initially tries to win back his ex-wife but eventually falls into a romance with an eccentric young widow (Jennifer Lawrence).
Also signed on for the project is Robert De Niro in an unnamed part. Chris Tucker was said to be in talks for the part of Cooper’s pal from the institution, but the latest reports don’t mention him, so I’m guessing he’s out. The Silver Linings Playbook is set to begin shooting this fall. [The Hollywood Reporter]
After the jump, Paul Bettany and Brian Cox team up for a film adapted from a BAFTA-nominated BBC series, and True Blood star Sam Trammell helps Virginia Madsen cope with her troubles.
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With his modern update of Shakespeare‘s Coriolanus, first-time director Ralph Fiennes earned quite the warm reception earlier this year at the Berlin film festival. Some of the most vocal adulation went to the supporting performance by Vanessa Redgrave. Indeed, even in this trailer her performance looks nuanced and impressive, with fierce notes that stand out even against the intense work from director/star Fiennes as Coriolanus. He’s a powerful general, she’s his controlling and power-hungry mother; when Coriolanus fails in a bid for greater power, he is expelled from Rome and allies with a former enemy (Gerard Butler) to take revenge.
This first trailer certainly makes the film look like a compelling piece of work and a persuasive translation of Shakespeare to a modern setting. Check it out below. Read More »
Andy Serkis’ work in Rise of the Planet of the Apes locks his position amongst legendary ‘monster’ actors such as Lon Chaney, Sr, Lon Chaney, Jr. and Boris Karloff. That might not seem to be the greatest compliment at first; that roster of actors shouldn’t be marginalized so. I think all would bristle at being considered as performers we take seriously only when they work behind makeup and prosthetics or their digital equivalents.
The fact, however, is that Andy Serkis’ best work has been done in conjunction with groundbreaking washes of pixels. Beginning with his portrayal of Gollum in The Lord of the Rings, continuing on through Peter Jackson’s King Kong and now culminating with Caesar, the ape at the center of Rise of the Planet of the Apes, the partnership between the actor and effects house WETA has done far more than most to advance the idea of what the nature of screen acting really is.
Serkis and WETA lend Caesar a moving depth of personality that goes beyond the bounds we’re accustomed to seeing in non-human characters. And, as many of his interactions with the other simian characters are necessarily devoid of dialogue, the film displays a spirit that cuts closer to pure cinema than I expect from the seventh film in the 40-year old franchise. Read More »