Posted on Friday, February 10th, 2012 by Germain Lussier
Over a decade since its release, Darren Aronofsky’s Requiem for a Dream remains a visceral and disturbing piece of modern cinema. The filmmaker’s gnawing portrayal of drug addiction coupled with a hyper stylized aesthetic can make even the most tough-stomached person squirm in their seat.
You’d think seeing the same images with puppets would soften the blow, but Brendan James Boyd‘s 60 -econd film for the 2012 Vancouver Fake Film Fest proves likewise. Hearing puppets say “tail to tail” in place of another famous line, watching a fuzzy arm get chopped off or puppet electroshock therapy is almost more disturbing when it’s non-humans. Check it out after the jump. Read More »