Over a decade since its release, Darren Aronofsky’s Requiem for a Dream remains a visceral and disturbing piece of modern cinema. The filmmaker’s gnawing portrayal of drug addiction coupled with a hyper stylized¬†aesthetic¬†can make even the most tough-stomached person squirm in their seat.

You’d think seeing the same images with puppets would soften the blow, but Brendan James Boyd‘s 60 -econd film for the 2012 Vancouver Fake Film Fest proves likewise. Hearing puppets say “tail to tail” in place of another famous line, watching a fuzzy arm get chopped off or puppet electroshock therapy is almost more disturbing when it’s non-humans. Check it out after the jump. Read More »

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