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Thirty minutes into Visioneers—a high concept indie dramedy that is, well, brand new to the public—I was consumed by the thought that I, most likely, will never see the movie for sale in a really choice record store. (Don’t worry, this movie review will not serve as a wistful rant on the music industry courtesy of a wannabe Nick Hornby or Chuck Klosterman.) The realization got me down for a half-a-second. Nevertheless, calling Visioneers a “prized would-be staple of the ‘choice record store movie genre’” is a tidy complement that sums up how I feel about it.

In the mid/late ‘90s and early ‘00s, one could find a softly-curated section of DVDs in many independent record stores. Browsing the small selection was a welcome, habitual cool-down after hours spent listening to and considering albums. Generally, the selection amounted to: concert films like Ziggy Stardust, The Show, and Bill Hicks Live. Drug movies like Easy Rider and Neco z Alenky. Godzillas. Tromas. “OG”-flicks like New Jack City and Fresh. Usually a movie starring Natasha Lyonne that wasn’t American Pie. Docs like Grey Gardens and The Corporation. And odd movies starring great comedians like The Magic Christian and The Razor’s Edge. Right, Visioneers would be bunched in with those two.

Of course, “cult movies” is a broad umbrella term for these films, then and especially now, but their location under a roof housing infinite great music birthed the silent notion that the works belonged to a cinematic family. The odd symbiotic relationship is perhaps why the DVDs were rarely purchased; another reason is that, while the DVDs were new, the hands of countless gross nerds, junkies, and patchouli weirdos had flipped them over in states of blank studiousness and after many months of this they felt second-hand. Yet another reason is that most of the diehard culture addicts were shopping for music and…had already seen the majority of these films multiple times.

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Let’s make this movie a hit. Master of boiling, paralyzed rage and sorrow, comedian Zach Galifianakis, stars as the lead character, George Washington Winsterhammerman, in the true-blue indie, Visioneers, from first time director Jared Drake and writer Brandon Drake.

At this point, I’m supposed to shield the trailer from the words “quirky indie blah blah” and reassure you that even though the film dissects mundane office life in America (…yet again) it can still be a winner and spew originality like lava on a Tiki-themed putt-putt course. But I’m not. Because seeing Galifianakis reinvent the middle finger, rock a Founding Father wig/regalia, destroy paper towels during a perfunctory existential meltdown, and conjure John Belushi’s heady energy circa “Donuts of Champions” in a trailer to a feature film makes me very freaking happy.

[flv:http://bitcast-a.bitgravity.com/slashfilm/trailers/visioneers.flv 470 260]

Visioneers just played CineVegas and the buzz is thick. Click here for further info, and here for info on the film’s fictitious Jeffers Corp.

Discuss: Anyone lucky enough to have seen this at CineVegas or the SIFF? Here’s a “Between Two Ferns” clip with Galifianakis vs Michael Cera.

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