Posted on Thursday, March 24th, 2016 by Fred Topel
There may be an unprecedented number of television shows based on movies on the air simultaneously: Limitless, Fargo, Bates Motel, Damien and the just ended Minority Report and Hannibal with the upcoming Uncle Buck and shows like Lethal Weapon, Rambo and The Expendables in development. Add to that Rush Hour, based on the Jackie Chan/Chris Tucker series.
CBS’s Rush Hour stars John Foo and Justin Hires as Detectives Lee and Carter. The pilot tells how Lee comes to Los Angeles and works with Carter at first grudgingly, but ultimately agrees to stay as partners. A new development is Carter’s chief (Wendie Malick) flirting with Lee. The series was developed by Bill Lawrence and Blake McCormick, with Steve Franks joining the team as producer. We go to speak with the trio after their panel for the Television Critics Association. Rush Hour premieres March 31 at 10PM on CBS.
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The Rush Hour TV show that Brett Ratner and Arthur Sarkissian have been developing at Warner Bros. TV, with Bill Lawrence and Blake McCormick as creative leads, has now taken another step towards realization. CBS has given a pilot production commitment to the series, which means we’ll start to hear about the casting phase pretty soon. Read More »
Here’s a concept: we’re going to run one article with the headline “that movie you’ve probably seen is now being turned into a TV series.” TV is the new revenue stream, it seems, for companies that can no longer rely on a steady stream of home media revenue. The latest development concerns a Rush Hour TV series, which film director Brett Ratner and producer Arthur Sarkissian will exec produce for Warner Bros. TV. Read More »
Posted on Monday, December 17th, 2012 by Angie Han
Just as we’re enjoying the last of 2012’s cinematic offerings, the latest edition of the Black List has hit the web. The annual survey highlights the hottest unproduced screenplays of the year, as based on the votes of hundreds of executives.
The term “unproduced” is used rather vaguely here. Some of these scripts (like Ivan Reitman‘s Draft Day and Wally Pfister‘s Transcendence) already have a director or star attached, while others are still floating around in search of the right studio or producer. The subjects and honorees range greatly as well. Nazi hunters, Hillary Clinton, the NFL, and time-traveling teens are among the subjects of this year’s winners, and the screenwriters run the gamut from industry newcomers to seasoned pros.
Hit the jump to read the full list.
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