One of the few internet trends that constantly makes me smile is the one where people give 8-bit makeovers to well-known properties. Tron: Legacy and Watchmen are two of the many that come to mind. Now we have Blade Runner. The team at CineFix has taken the Ridley Scott 1982 classic and given it a distinct, Nintendo feel. Check it out below. Read More »
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Posted on Thursday, August 8th, 2013 by Angie Han
If the idea of a Taxi Driver 2 sounds stupid to you, know that Paul Schrader agrees. As a matter of fact, he thinks the concept pitched to him by Robert De Niro in the ’90s was “the dumbest idea that I’ve ever heard.” Also after the jump:
- Keanu Reeves offers a small Bill & Ted 3 update
- Sean Young calls for a Blade Runner 2 boycott
- James Cameron is finalizing multiple Avatar scripts
- Bravo kills development on their Heathers TV show
- Bruce Willis was too expensive for Expendables 3
- 300: Rise of an Empire gets rated R by the MPAA
- See an early version of the Fast & Furious 7 poster
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After a few years of fans getting understandably frustrated with an inability to get cool, pop culture posters from the likes of Mondo and Gallery 1988, things have begun to change. In the past year or so, many of these venues have begun offering timed editions. That means, for a certain period of time, anyone who wants to buy a poster can. The edition size is determined by how many people purchase. This decreases the collectibility (in some cases) but eases the stress of obtaining one, a trade-off many fans are more than happy to make.
The latest timed edition is from the Hero Complex Gallery and artist Craig Drake, a combo that has done this in the past. This time fans can choose not one, but two different versions of a piece called “Spinner” inspired by Ridley Scott‘s sci-fi classic, Blade Runner. (There’s a third version that is not timed, and very limited.) It’s on sale right now through July 7. Check out both images and more below. Read More »
The notion of a Blade Runner sequel wasn’t something a lot of sci-fi fans wanted to think about even before Ridley Scott made Prometheus. And now that we have that semi-prequel to Alien to take into account, it seems more than ever that Blade Runner might be better left alone.
The new film is happening, however, based on a first draft by Blade Runner writer Hampton Fancher. So let’s try to look on the bright side, shall we? How about considering what the newly announced rewrite screenwriter might bring to the table? Michael Green has been hired to script, and since he’s one of the credited writers on Green Lantern… oh, crap. Read More »
Just yesterday I said “Los Angeles film fans, April and May is a great time to live in the City of Angels.” There’s the Hero Complex Film Festival, EW’s CapeTown Film Festival, the Turner Classic Movies Film Festival and now Target Presents AFI Night at the Movies.
It’ll take place April 24 at the Arclight Hollywood in Los Angeles, CA and feature the following line-up:
- Kathy Bates presenting Misery
- Cher presenting Moonstruck
- Sally Field presenting Norma Rae
- Peter Fonda presenting Easy Rider
- Harrison Ford presenting Blade Runner: The Final Cut
- Samuel L. Jackson presenting Pulp Fiction
- Shirley MacLaine presenting Terms of Endearment
- Demi Moore presenting Ghost
- Mike Myers presenting Shrek
- Sidney Poitier presenting In The Heat of the Night
- Kurt Russell presenting The Thing
- Kevin Spacey presenting The Usual Suspects
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Posted on Friday, March 15th, 2013 by Angie Han
Few people nowadays would debate Blade Runner‘s position in the sci-fi classics pantheon, whether they like the movie or not. But when the film first opened three decades ago, not everyone was so sure what to make of it. Plenty of critics praised its looks, but criticized the slow pacing, and its overall $6 million opening weekend gross was considered a disappointment.
Among the many who weren’t so hot on the film at first were the very execs who funded it, Tandem Productions’ Jerry Perenchio, Bud Yorkin, and Robin French. The company compiled a list of notes following a screening in January 1982, in which they blasted the film as “deadly dull” and complained about the voiceover, the dialogue, the music, the pacing, and much more. A copy of that document has just hit the web, and you can see it for yourself after the jump.
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Have you ever flipped your TV to a movie and been delighted it was one of those presentations with facts that pop up on the screen? If so, you might want to know about a new site just launched that provides that sort of presentation all the time.
The site is called Yeah! and is run by AMC Networks, which own AMC, IFC, Sundance Channel, WE tv and IFC Films. Basically, the site allows you to stream movies like Scream, Reservoir Dogs, 300, The Terminator, Clerks, A Nightmare on Elm Street, Pulp Fiction, and This is Spinal Tap. Along with each film are 400-500 pieces of new, original context and facts that appear on the screen during the film. Check out a video and read more below. Read More »
No matter how simple or elaborate a piece of art is, chances are the artist behind it made twenty different versions before arriving at what you see. Other times, they work on something and are forced to scrap it for one reason or another. This happens with everything: music, movies, posters, books. Most artists would never let the public see their unfinished works, but in the case of pop culture artist Olly Moss, he decided to let us in on the process.
Moss recently blogged about several projects he was working on during 2012 that either were either cancelled, scrapped or completely reimagined. Projects that weren’t even close to complete, just ideas and simple sketches. Normally, you’d think, “who cares?” But Moss was working on some truly incredible stuff: A Lawrence of Arabia poster, an Akira poster, a Blade Runner poster, Dr. No, Mad Men and more. It leads one to wonder why most of this stuff didn’t happen.
We asked Mr. Moss for comments on all of these posters and he was happy to oblige. After the jump, check out Moss’s incomplete work and read his comments on each. Read More »
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