Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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I don’t know what to make of the trailer for The Big Bang. The way this thing is cut, it looks like a weird blend of neo noir, Frank Miller and early Guy Ritchie. Is that good, or bad? I really don’t know. What I do know is that Sam Elliott and William Fichtner have supporting roles, and I’ll watch them in almost anything. Check out the trailer after the break. Read More »

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