Posted on Friday, February 22nd, 2013 by Angie Han
Like the last couple of TV Bits, this one is also chock full of casting news. Also after the jump:
- Downton Abbey adds a new series regular
- Patton Oswalt will stop by Parks & Recreation
- The Newsroom‘s version of Team Romney expands
- Michael C. Hall might be done with TV after Dexter
- Chris Lilley‘s new show starts shooting in Melbourne
- FX renews The Americans for a second season
- Are Mindy Project and New Girl moving to Thursdays?
- Watch four deleted scenes from Game of Thrones
- … and find out when we’ll get the Season 3 trailer
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Posted on Tuesday, February 12th, 2013 by Angie Han
Whoever asked the universe for a Brett Ratner-produced Farmville TV series, your prayers have been answered. Also after the jump:
- Director Barry Sonnenfeld signs on for Beverly Hills Cop
- Ridley Scott sets up a Philip K. Dick-based miniseries at Syfy
- HBO gives pilot order to Damon Lindelof‘s The Leftovers
- Zombieland casts Maiara Walsh as its new Emma Stone
- Frances Conroy will return for American Horror Story
- Vince Gilligan will direct the last episode of Breaking Bad
- Is that a corpse we see in the new Breaking Bad set photo?
- Check out a new picture from the set of ABC’s S.H.I.E.L.D.
- Watch an intense new trailer for Game of Thrones Season 3
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Posted on Wednesday, February 6th, 2013 by Angie Han
I am going to assume that the Futurama crew, like the rest of the Internet, is cheering in celebration of Community‘s return. After the jump:
- Dean Norris says Breaking Bad‘s final run is “Hank-centric”
- Roy from The Office is Beverly Hills Cop‘s new Judge Reinhold
- George R.R. Martin could develop more shows for HBO
- See the real-life models for the staff of ISIS on Archer
- Marc Maron‘s IFC series, titled Maron, unveils a first teaser
- Syfy has a new trailer for its upcoming series Defiance
- Mother and son are creepy in Bates Motel‘s new teaser and poster
- Comedy Central offers a peek at the next season of Futurama
- Get ready for Community‘s long-awaited return with a new trailer
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Eddie Murphy and the powers that be decided against going the big-screen route for a new Beverly Hills Cop outing, and instead have chosen to take the character to TV. But this won’t merely be Murphy’s return to television; rather, we’ll see a sorta-sequel, sorta-reboot of the character, with the son of Muphy’s character Axel Foley getting into his own crime-fighting shenanigans.
Now, as we previously suspected, Brandon T. Jackson of Tropic Thunder (and of Lottery Ticket, Big Mommas: Like Father, Like Son, and Percy Jackson & the Olympians: The Lightning Thief) looks like he’s got the nod to play the younger Foley. Read More »
Posted on Thursday, October 25th, 2012 by Angie Han
Eddie Murphy tried for years to get a Beverly Hills Cop IV off the ground, but when that failed to come together he switched gears to focus instead on a TV series about Detroit cop Axel Foley’s son. It already seems like he’s having much better luck with the new approach. CBS gave a pilot production commitment to the series last month, beating out several other interested networks in order to do so.
Now development on Beverly Hills Cop the TV show continues to roll along smoothly as casting gets underway. The first role being filled is that of protagonist Aaron Foley, with Brandon T. Jackson reportedly close to landing the part. Read more after the jump.
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Posted on Tuesday, September 4th, 2012 by Angie Han
CBS has emerged victorious in the “very competitive” bidding war over Eddie Murphy and Shawn Ryan‘s small-screen Beverly Hills Cop reboot, giving a pilot production commitment to the Sony TV-produced project. Murphy and Ryan will executive produce, with Ryan also serving as showrunner. Murphy is set to reprise his role as wisecracking Detroit cop Axel Foley in the pilot, and may guest star on future episodes if the pilot goes to series.
As reported last week, the project will center around Axel Foley’s son Aaron. A blue-collar cop, he serves in ritzy Beverly Hills while trying to get out from under his dad’s reputation. More details after the jump.
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The film series that helped launch Eddie Murphy to superstardom is likely coming to TV and Murphy will be a big part of it. He and Shawn Ryan, the creator of the hit TV show The Shield, are currently pitching a rebooted version of Beverly Hills Cop to television stations.
Murphy hinted at this last year when he described the show as the story of Axel Foley’s son with Foley himself as the chief of police. Initial reports suggest that Murphy will indeed be reprising his role (on a limited basis) as the wise-cracking, letter jacket-wearing Detroit cop solving crimes in the whole new world of Beverly Hills, CA. Read more after the jump. Read More »
With very few exceptions (like Dreamgirls), the career of Eddie Murphy has been dominated in the last fifteen years by broad family comedies and sequels to same. Murphy is still making broad comedies, such as Tower Heist, but one thing he evidently won’t be doing is a fourth Beverly Hills Cop film. Instead, he wants to make a Beverly Hills Cop spin-off TV show. Read More »
If the ’80s gave a sniffling speech at the Decade Achievement Awards, Harold Faltermeyer and his scores would be thanked somewhere after Shigeru Miyamoto and Super Mario Bros. and Magic Johnson’s Lakers. A classically trained German composer with an affinity for rock and disco, Faltermeyer got his start in Hollywood assisting mustachioed electro-don Georgio Moroder on soundtracks for Oliver Stone’s provocative Midnight Express and Adrian Lyne’s jail-bait fave Foxes. With the release of Beverly Hills Cop in 1984, everyone acknowledges how Faltermeyer’s theme song, “Axel F,” hopped into bed with America’s zeitgeist like few songs before or since. The track’s equation of urgent nightlife synths plus cool-black-dude drum effects, then buffered to an upbeat Cali finish, not only paralleled the confident, crowd-pleaser m.o. of sure-shot producers Jerry Bruckheimer and Don Simpson, it embodied and celebrated it.
Soon following “Axel F,” Faltermeyer crafted incredibly memorable and fun themes/scores for Fletch and Top Gun, rising to the occasion by sonically matching the unmatched charisma of Chevy Chase and Tom Cruise on screen in the mid ’80s. Reflecting on the three themes today, not to mention his work on actioners The Running Man and Tango & Cash, it’s difficult to express how Faltermeyer shaped the way audiences then and now remember the ’80s as a time of just-plain-exciting innocence and excess, a time when the buddy-cop formula and toothy superstar grins felt fresh. It’s this feeling and nostalgia Kevin Smith is paying pop-homage to with Cop Out, another bid for a mainstream hit from the ’90s slacker auteur starring Bruce Willis and Tracy Morgan. Smith personally requested Faltermeyer—who’s remained inactive on major soundtracks since the ’92 copper Kuffs—score the film with his signature sound. The catchy result is felt by several critics to be the best thing about the action-comedy. (Stream it here.)
In an interview with /Film, Faltermeyer talked about his creative process and about “crazy shit” including the late Don Simpson’s finesse with a Ferrari.
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