Movie mash-ups are a dime a dozen on the web, and sometimes even though they can be good fun, they bring together two movies that fit together pretty easily. But did you ever think that a mash-up of Christopher Nolan‘s gritty, grounded Dark Knight Trilogy and Edgar Wright‘s fantastical, energetic Scott Pilgrim vs the World would make the perfect combo?
The YouTube channel Inventor Headquarters has taken footage from all three films in The Dark Knight Trilogy and spiced them up by editing them in the style of the trailer for Scott Pilgrim vs the World, complete with little animated fighting effects and onomatopoeias. This could be the most fun thing you watch today. Read More »
Eventually, someone is going to write the comprehensive book about the superhero movie boom of the past fifteen years and it’s going to be a fascinating read. In the meantime, all we can do is pick through the rubble, dredge up trivia, and examine the broader strokes of how this genre, and the people making these movies, have changed.
And sometimes, an interesting nugget of information bubbles to the surface. In this case, it’s a quote from Batman v Superman: Dawn of Justice screenwriter David S. Goyer, who called the mere idea of a Batman vs. Superman movie terrible. Over a decade ago. While promoting Batman Begins. Which he also wrote.
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Before you head off to see the first nationwide showings of Batman v Superman: Dawn of Justice tonight, why not revisit all the contemporary DC Comics movies leading up to this point from the past decade? Starting with Batman Begins in 2005 and running all the way through Suicide Squad later this year, this retrospective covers the good (The Dark Knight), the bad (Superman Returns) and the ugly (Green Lantern). Watch the DC Comics movies retrospective after the jump. Read More »
Posted on Tuesday, December 1st, 2015 by Jacob Hall
Fandom is a group of people united by a shared passion. They all love something enough to follow it, to memorize it, to criticize it, and to get genuinely angry when it lets them down. Fans tend to feel a smidgen of ownership over the movie or TV show or book series that has appropriated so much of their time. In other words, fans tend to overreact. A lot.
And can you blame them? After all, you surely know the feeling. You know what it’s like to watch from outside the bubble as something you love is put through the wringer by creatives who have no idea what the hell they’re doing. When you’re not in the room, when you don’t know the reasoning for a certain casting choice or a certain creative decision, it can be nerve-wracking. What are they doing to the thing that you love?
However, not ever knee-jerk fan reaction has been accurate. Movie fans have recoiled against some truly great ideas and they have recoiled against aspects of films that, in the end, simply didn’t matter. You may very well remember these movie fan controversies. You may have tried to do the wise thing and forget these controversies. As these examples show, sometimes movie fans are the absolute last people you actually want making decisions in the moviemaking process.
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Posted on Wednesday, November 25th, 2015 by Jacob Hall
It’s time for our monthly tragedy. It’s time to take a deep breath and see what movies and television shows are departing Netflix in December, so we can throw together a must-watch-now list and try to see everything before it goes. The films leaving Netflix this month include a few bonafide cinematic classics, a vital superhero movie, two Jim Henson favorites, and two of the best horror movies ever made.
Read on for our recommendations for the shows and movies leaving Netflix that you need to watch right now.
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Earlier this month, June 15th marked the 10th anniversary of Batman Begins, the franchise reboot from director Christopher Nolan that launched the most acclaimed film franchise adaptation of The Caped Crusader to date. So what better time is there to dive behind the scenes of the film that gave Gotham the hero it deserves?
A feature-length assembly of special features from the Blu-Ray release of the film is available online to explore various facets of the film at nearly all stages of production, from early development to principal photography and even the final release. Plus, there are some good quotes from Nolan after the jump about how Batman Begins came to be.
Check out the makeshift Batman Begins behind the scenes documentary after the jump! Read More »
Want to read some content about Batman Forever, which came out twenty years ago this week? Why is Bryan Singer channeling Katniss on the set of X-Men Apocalypse? How did Jon Bernthal describe getting the role of The Punisher? Is James Wan already getting ready for Aquaman? What’s in a new clip from Batkid Begins? Will the Thing wear pants in Fantastic Four? And what’s happening on the set of Captain America: Civil War? Read about all this and more in today’s Superhero Bits. Read More »
Kan Bonfils, an actor who appeared in Star Wars Episode I: The Phantom Menace, Batman Begins and Skyfall, died earlier this week while rehearsing for his latest play. He was prepping a show called Dante’s Inferno in London when he collapsed and was unable to be revived. The cause of death was unknown.
Bonfils appeared as Jedi Master Saesee Tiin in The Phantom Menace, as well as a member of the League of Shadows in Batman Begins (above) and a henchman in Skyfall. He was 42 years old. [BBC]
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For as many fans as Christopher Nolan has, he has plenty of detractors as well. Who knew some were so closely tied into him, though. In a new interview Christopher Priest, who wrote the novel The Prestige which Nolan adapted, had lots to say about the director and his movies. First of all, he does like The Prestige as a movie but admits the two only met when Nolan finished the film. Since though though, Priest thinks Nolan has gone downhill, going so far as to call his Dark Knight Trilogy “boring and pretentious.” And that’s just part of it. Read more of Christopher Priest’s thoughts on Christopher Nolan’s Dark Knight films below. Read More »
“I think audiences get too comfortable and familiar in today’s movies,” said writer/director Christopher Nolan in 2002. “They believe everything they’re hearing and seeing. I like to shake that up.”
In nine films, Nolan has crafted a mathematician’s approach to luring audiences into realities only to question their very makeup. The films invariably follow similar characters: white guys of middle-age who have been deprived of family by violent means. These men deny truths about themselves and/or struggle to connect with the people closest to them. The term “auteur” is debased and often justly dismissed, but Nolan is one of the few who might earn the term — and even then there are big influences to factor in, such as his brother Jonathan Nolan, working partners David Goyer and Wally Pfister, and most importantly his wife and producing partner Emma Thomas.
On the eve of the release of Nolan’s latest film Interstellar, we’ve taken a look at it along with the other eight feature films that make up the bulk of his work. Read on for one examination of the films and find out how Christopher Nolan films ranked amongst his filmography.
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