Sunday on Twitter, former Simpsons consultant Brad Bird said “In The Simpsons universe, Christmas comes at Halloween; all stops are pulled, budgets are increased, no holds are barred.” He was referring to the show’s annual Treehouse of Horror event, which celebrated its 25th anniversary on Sunday. The highlight of the show’s three segments (all of which were pretty fantastic) was A Clockwork Yellow. The story reimagined Moe, Homer, Lenny and Carl as Alex and his droogs from Stanley Kubrick‘s A Clockwork Orange. It borrowed dialogue, settings, shots, and music; in the story things get weird, and eventually just nosedive down a Kubrickian rabbit hole. It’s a much-watch for fans of The Simpsons and Kubrick alike. Read More »
Posted on Tuesday, December 13th, 2011 by David Chen
This week, Dave, Devindra, and Adam discuss Louis CK’s bold new distribution strategy, ruminate on the greatness of Miller’s Crossing, explain why Jurassic Park III is terrible, and wonder why Ridley Scott is so invested in this whole Blu-Ray thing. Special guest Matt Singer, joins us from IFC.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Sunday (12/18) at Slashfilm’s live page at 10 PM EST / 7 PM PST, where we’ll be reviewing Sherlock Holmes: Game of Shadows, Young Adult, and Mission Impossible: Ghost Protocol.
CORRECTION: Miller’s Crossing was the Coen Brothers’ third film, not the second, as we accidentally state in this episode.
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Burbank-born artist Carlos Ramos (storyboard artist and writer on Dexter’s Labratory, ChalkZone, My Life as a Teenage Robot, The X’s, and Ni Hao Kai-lan) is presenting a solo exhibition of his Stanley Kubrick-inspired artwork at the Copro Gallery from July 10th until August 3rd.
11 years after the death of Stanley Kubrick, Ramos pays homage to the man who wrote and directed such films as A Clockwork Orange, Dr. Strangelove, The Shining and 2001: A Space Odyssey by transforming the galley into a retrospective space with graphic pieces celebrating the greatest and most respected filmmaker in history. Ramos faces his longtime obsession with Kubrick by painting interpretations of his films including the white-on-white habitations of 2001 to the Native American carpet patterns of The Shining to the matching white Droog uniforms in A Clockwork Orange. The emptiness and humanity of Stanley Kubrick’s subjects and characters and unique spacial design come to life thru Ramos’ unique eye.
I’m not sure if they will be releasing any limited edition prints of this art, but I hope so. You can see a preview of some of the art which will be on display at the show, after the jump. Warning, some of the art is NSFW.
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I’ve always loved reading and hearing what great filmmakers think of other great films and directors. You may have noticed that we ask some directors about their favorite films, from time to time, and I’ve even featured other websites and books that delve into this subject on the site from time to time.
Geoffrey Macnab and the British Film Institute have put together a book titled Screen Epiphanies: Filmmakers on the Films that Inspired Them collecting the stories of thirty-five leading international filmmakers focusing on “the film moments that stayed with them long after they left the movie theater” which inspired them to pursue a career in the movie industry.
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