The summer season is almost upon us and you know what that means: movies are about to get bigger, louder, and more expensive. And, if we’re lucky, they’ll also be pretty great!
The /Film team examined the list of every single major wide release (our indie and streaming preview arrives next week) hitting theaters this summer and argued, debated, and occasionally agreed on which 25 movies we’re most looking forward to watching over the coming months. The staff then voted, ranking them from “movies we want to see” to “movies we want to see right now.” So here’s our 2017 summer movie preview, which features superheroes, evil dolls, talking cars, pirates, sharks, dead strippers, World War II, and so much more.
Read More »
Last month, Edgar Wright‘s latest film Baby Driver played SXSW and received plenty of rave reviews, including one from our own Jacob Hall. The critical acclaim and the buzz that followed was enough to convince TriStar Pictures to bump the film from its initial August release date all the way up to the end of June. They’ve got a lot of confidence in this one, and after seeing the first trailers, so do we.
Now another Baby Driver trailer has surfaced, this one set entirely to the Golden Earring tune “Radar Love,” which was featured in the theatrical international trailer that was released last month, but is used a little more effectively in this quick new trailer. Watch it below! Read More »
Every year in March, movie theater exhibitors gather in Las Vegas for CinemaCon, a convention spotlighting the newest advances in multiplex technologies and presentations from most of the major movie studios showcasing their film slates for the next year and beyond.
Tonight, CinemaCon kicked off with a presentation from Sony Pictures, showing off new footage and trailers for Spider-Man: Homecoming, Blade Runner 2049, The Dark Tower, Jumanji, Baby Driver, Flatliners, Cadavers and Rough Night. Read on for our Sony CinemaCon 2017 presentation recap to learn what was screened and to hear our first impressions and reactions.
Read More »
Here’s some good news for you movie fans out there. Edgar Wright‘s Baby Driver, once scheduled to his theaters at the tail-end of this summer, has been bumped up a few months. So yeah, you’ll be able to see the next movie from the director of Shaun of the Dead and Scott Pilgrim vs. the World earlier than expected. And let me tell you this much: this is great news.
Read More »
With Dave on vacation, Devindra and Jeff review the sequel we didn’t know we needed, T2 Trainspotting. They also chat about this year’s SXSW, the prospect of new Matrix films, and the downsides of good shows on streaming platforms nobody is subscribing to (looking at you, CBS).
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Also, like us on Facebook! Read More »
The 2017 SXSW Film Festival is over, and it was an exceptional year for an always exceptional film festival. It’s rare to attend a movie fest and leave every single screening with something to talk about, but even the movies that I didn’t love have stuck with me in some way or another. This year’s line-up was a lot of things, but boring was certainly not one of them.
So let’s recap everything we saw. Let’s run down the best films and the best performances, the movies that almost worked and the movies that barely missed the mark, the bad movies you should see for yourself and the bad movies you really have to see.
Read More »
Edgar Wright makes movies for movie fans, first and foremost. Is there a wide audience for a zombie comedy that upends the genre while also delivering one of the most affecting horror tales of the 21st century? Maybe not at first, but Shaun of the Dead exists and it is spectacular. It took too many people too long to fall in love with a stylized rom-com martial arts adventure that appropriates video game language to provide commentary on how relationships evolve, but Scott Pilgrim vs. the World has rightfully become recognized as a one-of-a-kind pop masterpiece.
And speaking of pop masterpieces, Wright’s latest film, Baby Driver held its world premiere at the SXSW Film Festival over the weekend and it’s remarkable for two reasons. First, Wright’s unique voice remains intact, even as he plunges into a genre that is new to him and a story that takes away some of his more familiar crutches. Second, he’s made a movie that feels like it has the capacity to win over the average moviegoer as quickly as it wins the hearts of his fellow cinephiles.
Read More »
Last night, attendees of South by Southwest were lucky enough to see the world premiere of Baby Driver, the latest film from Shaun of the Dead and Scott Pilgrim vs the World director Edgar Wright. The first trailer debuted just before the screening was over (watch it along with a much different international trailer over here), and if you’re somehow not convinced to see the movie, maybe the early buzz from the first reactions to the movie will help.
We have a round-up of some brief reactions to Baby Driver after the jump. Read More »
Cool Posts From Around the Web:
UPDATED: A much different international trailer for Baby Driver has been added. Our original post follows below.
This weekend brings the premiere of Baby Driver to the South by Southwest Film Festival. We’ll have a full review from our own Jacob Hall who is down in Austin, Texas for the film’s premiere (among other things), but until then, fans can satiate their appetite for a new film from the director of Shaun of the Dead and Scott Pilgrim vs the World with the trailer for this new film.
Baby Driver follows a young getaway driver named Baby (Ansel Elgort) who is nearly mute and suffers from a condition that leaves a constant ringing n his ears, so he relies on his own personal soundtrack to drown out the noise so he can do what he does best. Edgar Wright promised a movie that was powered by music, and the first trailer certainly gives us that.
Watch the Baby Driver trailer after the jump. Read More »
Audiences heading to South by Southwest will be treated to the premiere of Baby Driver, the latest film from Shaun of the Dead and Scott Pilgrim vs. the World director Edgar Wright. It’s one of my most anticipated films of 2017 (it’s on Jacob Hall’s list too), and I can’t wait to see what Wright has in store for us this time.
For those who don’t know, Baby Driver follows The Fault in Our Stars leading man Ansel Elgort as a young getaway driver who is nearly mute, suffering from a condition that leaves a constant ringing n his ears. He relies on his own personal soundtrack to drown out the noise so he can do what he does best. Now Edgar Wright has revealed the first page of the Baby Driver script, illustrating just how important music will be to the movie, even more than usual. Read More »