Posted on Friday, December 7th, 2012 by Angie Han
It’s no exaggeration to say Alejandro González Iñárritu has built his career on human misery. Amores Perros, 21 Grams, Babel, and Biutiful were thoughtful, inspiring, even beautiful in their own ways, but one thing they weren’t was cheerful. But apparently there’s only so much gloom and doom even he can take. The renowned Mexican filmmaker is switching gears completely with his next picture, which will be an honest-to-God comedy called Birdman. More details after the jump.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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