If you can see the header image, you probably already know exactly what’s coming next. A new viral video has been released for DreamWorks’ Shrek spinoff Puss in Boots, and yup, it’s a fairy-tale spin on Old Spice’s The Man Your Man Could Smell Like ad, with the feline adventurer standing in for Isaiah Mustafa.

Directed by Chris Miller, the movie goes back in time to tell a story from Puss’ pre-Shrek days, in which he joins forces with Humpty Dumpty and Kitty to steal the Goose that laid the Golden Eggs. Banderas lends his voice once more to the character of Puss, with Salma Hayek, Zach Galifianakis, Billy Bob Thornton, and Amy Sedaris contributing their vocal talents as well. Watch the video after the jump.

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‘The Skin I Live In’ US Trailer and Poster

Reviews out of Cannes might have been mixed at best, but the images and footage we’ve seen so far from The Skin I Live In, aka the reunion of Pedro Almodovar and Antonio Banderas, are just too weird to allow me to write the film off completely. The film is about experimentation, control, and sex, and at the very least it looks as visually lush as you’d hope to see from a deliberately genre-informed outing from Almodovar.

We saw an international teaser for the movie not long ago that made it appear to have an unusually sexy/creepy/cool vibe. And now the US trailer has made its way online. It comes complete with the same strange/sexy tone, thanks in part to an infectious and bouncy music track. But then Antonio Banderas turns a hose on some poor guy and you have to wonder what’s really happening. Check it out below. Read More »

Last month, Nicole Kidman came in as a replacement for Sofia Vergara on The Paperboy, after Vergara and Tobey Maguire dropped out of the project due to scheduling issues. Now, a new actor has stepped up to fill Maguire’s role: John Cusack. Based on a 1955 novel by Pete Doctor, The Paperboy follows a reporter and his brother as they investigate a murder that put the suspect on death row. Cusack will play the part of the prisoner. Kidman, as previously reported, will be a woman who writes letters to inmates on death row.

The Paperboy marks Lee Daniels‘ follow-up to 2009′s Precious, which was nominated for six Academy Awards. The film will also star Zac Efron; Matthew McConaughey is currently in advanced negotiations. [Variety]

After the jump, Antonio Banderas, Steve Coogan, Elliot Gould, Chris Messina, and Deborah Ann Woll sign up for the Little Miss Sunshine team’s new project.

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Would it be so bad if the first official image from all of our most anticipated films for the next year involved a prominent cast member firing a rifle with some massive muzzle flash, would it? We saw an image like this featuring Bruce Willis from Looper, and now here’s the first official still from Steven Soderbergh‘s Haywire.

It’s a little weird that an action film starring MMA fighter Gina Carano would come out of the gate with an image of her brandishing a weapon other than her fists and feet, but what the hell, I’ll take it. She plays a character out to get revenge on the people who double-crossed her, and what better way to do that than blowing them to hell? See the full image after the break. Read More »

Reviews at Cannes painted Pedro Almodovar‘s new film, The Skin I Live In, as a muddled but sometimes effective thriller. A new international teaser for the movie has landed, and it certainly hypes up the ‘effective’ part, even while suggesting the same all over the map tone of which some complained at Cannes.

I got a kick out of this teaser because it makes the film look like it has the camp playfulness and style of Mario Bava’s wild comic book classic Danger: Diabolik, only filtered through the more intensely psycho-sexual and self-aware viewpoint of Peddro Almodovar. If I saw this without knowing anything else of the film I’d walk away pretty keen to see the film. See what you think, after the break. Read More »

‘Puss In Boots’ Theatrical Trailer

Kids and cat lovers are going to find it hard to resist the new trailer for DreamWorks’ Shrek spin-off Puss In Boots. Directed by Chris Miller (Shrek the Third) and featuring the voices of Antonio Banderas, Salma Hayek, Zach Galifianakis, Billy Bob Thornton and Amy Sedaris, the film opens November 4th in 2D, 3D and IMAX 3D.

After the jump, check out the new trailer, new poster and read more about the film. Read More »

There have been some conflicting, or perhaps we should say contended, reports about when and how Steven Soderbergh‘s new film Haywire will be released. Relativity financed the film and originally made a deal with Lionsgate to distribute in the US and worldwide, but when Relativity’s domestic distribution arm was formed, a long process of bringing the rights back to the company took place. There have been multiple possible release dates reported (January ’11, April ’11, then August ’11) and now the film will go out to the US via Relativity on January 20, 2012. Lionsgate will still distribute in foreign markets. Read More »

Another of our most-anticipated Cannes premieres was shown to press early today, Cannes time, and reviews are hitting the web. Pedro Almodovar‘s The Skin I Live In represents his first collaboration with actor Antonio Banderas in twenty years, and also marks a break in subject matter for the director.

Based on Thierry Jonquet‘s novel Tarantula (aka Mygale), the story follows an ambitious plastic surgeon (Banderas) whose wife was burned in an accident, leading him to attempt to synthesize a new, superior form of human skin. The picture seems like a weird medical horror/thriller story, and indeed, at the film’s press conference, the director said, “It’s a thriller indeed because it fits in with my life at present. Throughout my career as a director, I’ve worked in different genres—comedy, drama and now I’m in a thriller period. Through thrillers, you can touch on other types of genre. I don’t think it’s completely necessary to stick to the rules of a type of genre like people naively did in the ‘50s.”

Reviews so far praise elements (Banderas’ performance) while clucking a bit over the fact that the film isn’t supremely focused. That seems to be par for the course at Cannes this year, where there has been little overwhelming critical consensus about any film other than Lynne Ramsay’s widely-praised We Need to Talk About Kevin. We’ve got three clips and a small review sampling for The Skin I Live In, after the break. Read More »

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