Posted on Monday, March 5th, 2012 by Angie Han
Seeing as everything else from the ’80s has been dragged back to the movie theater, it probably really is just a matter of time before we get another Twins. Also after the jump:
- We now know who won’t be writing Scream 5
- Paramount’s Jack Ryan film hits money trouble
- Angelina Jolie rejects the script for Salt 2
- Ice Cube’s working on the Friday 4 script
- Iron Man 3 starts set work, code name revealed
- MIB3‘s massive, ballooning budget partially explained
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Posted on Thursday, December 1st, 2011 by Angie Han
Two projects based on world-famous properties you probably loved growing up are inching just a little bit closer to the big screen. MGM has tapped Todd Berger to adapt Martin Handford‘s children’s book series Where’s Waldo? into a feature, while over at Warner Bros., Invictus and Sherlock Holmes writer Anthony Peckham has entered talks to do a rewrite of Matt Reeves‘ The Twilight Zone. More details after the jump.
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The backstory of the new telling of Jack Ryan‘s origin story is becoming quite an origin story of its own. Paramount has been trying to kickstart the rebirth of the Jack Ryan franchise for two years — it stalled out in 2002 with the Ben Affleck-led The Sum of All Fears.
Now the latest screenwriter to try to stick an adrenaline needle in the franchise’s nearly-flatlined chest is David Koepp. But is he doctoring the script, or starting from scratch? Read More »
Briefly: Paramount has been working on a revamp of Tom Clancy‘s Jack Ryan character. Chris Pine is starring, making him the fourth actor in the role after Alec Baldwin, Harrison Ford and Ben Affleck, and Lost‘s Jack Bender is directing.
Hossein Amini wrote a draft, then the studio picked up Adam Cozad‘s spec script Dubai, which the scribe reworked into a Jack Ryan film called Moscow. He and Anthony Peckham have both done additional work after that Moscow draft came together. Now it looks like Steve Zaillian will do a pass on the draft, and hopefully leave it in shooting shape. Read More »
One of the great never-made films in action movie history is Yucatan, an epic treasure hunt/heist film concocted by actor Steve McQueen. The star of Bullitt and The Great Escape never got to make the film, but 1700 pages of notes on the film were found among Mr. McQueen’s possessions years after his death.
The film has been a possible project at Warner Bros. ever since that discovery, and now Sherlock Holmes screenwriter Anthony Peckham has been hired to mold it into a star vehicle for Robert Downey, Jr. Read More »
Anthony Peckham is one of the credited screenwriters on last year’s Sherlock Holmes reinvention and now he’s going to have his name on Paramount’s reinvention of Tom Clancy’s Jack Ryan character, too. Peckham has been hired to polish up the draft of the script that will put Star Trek‘s Chris Pine into Jack Ryan’s shoes. Read More »
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The Hughes Brothers have been absent from the big screen for far too long. Their last feature, the so-so adaptation of Alan Moore’s From Hell with Johnny Depp, was released way back in 2001. Since then, they’ve dabbled in docs and TV work, so I’m pretty astounded by my acute anticipation for Hughes Bros movies. I mean, the wild-eyed energy and knack for cool they displayed with Menace II Society and Dead Presidents made a stir in the industry more than 10 years ago.
Denzel Washington will star in the directors’ Book of Eli for mega-producer Joel Silver. Described by screenwriter Gary Whitta (upcoming Akira movies) as a “kind of post-apocalyptic Western,” here’s the logline…
A lone hero fights his way across the wasteland of post-apocalyptic America. He’s the protector of a sacred book that may hold the key to saving humanity.
A rewrite of Witta’s script was done by Anthony Peckham, who scribed Clint Eastwood’s planned Nelson Mandela biopic, The Human Factor, and Guy Ritchie’s Sherlock Holmes. I look forward to hearing more about this project because my kneejerk reaction is a blockbuster-drippy version of I Am Legend sans mutants rather than a dystopian nightmare-scape a la the buzz surrounding this winter’s The Road. But truthfully, Washington always lowers my hopes for grimly-sounding material. Too much the surface charmer. The writers’ credits are admittedly intriguing and Albert and Allen Hughes remain more hit than miss.
Discuss: Are you a Hughes Bros. fan? Based on the talent involved and the premise, what’s your gut intution for Book of Eli?