Posted on Tuesday, December 6th, 2016 by Angie Han
For the most part, we know roughly what to expect from Pixar’s upcoming slate. Of the four films they’ve announced for the next three years, three are sequels — Cars 3, The Incredibles 2, and Toy Story 4. The sole exception is Coco, first announced back in 2012 and first named back in 2015. Details have been pretty sparse, aside from the fact that it’s being directed by Lee Unkrich (Toy Story 3) and centers around the Mexican holiday of Día de los Muertos. But that changes today.
With about a year to go until Coco hits theaters, Pixar has unleashed a torrent of new info about their original adventures. For starters, we now know that the voice cast includes Benjamin Bratt and Gael García Bernal, and that the story centers around a little boy with forbidden musical ambitions. There’s much, much more where that came from so click through to get all the latest on Pixar’s Coco, including a new look at some art from the movie. Read More »
Mondo, best known for being the limited edition poster boutique of the Alamo Drafthouse, is well on its way to becoming a big limited edition vinyl boutique as well. It has only released a handful of scores so far, but more are coming and each has been more beautiful than the last. The biggest release so far was last month’s Drive release with hot pink vinyl and artwork by Tyler Stout.
Next up is their first new release, the score for Joseph Kosinski‘s Oblivion. Much like Kosinski did with his first film, Tron: Legacy, he employed a very talented, but very non-traditional composer for his sci-fi film: Anthony Gonzalez of M83. Gonzalez, along with Joseph Trapanese (who worked on Legacy, The Raid: Redemption and more) has created a unique, exciting and pulse-pumping score combining electronics and orchestra. It’s score that you’ll soon be able to pick up on vinyl the gorgeous artwork of Killian Eng thanks to Mondo. Check it out below. Read More »
The first track released from the Oblivion score, crafted by Anthony Gonzalez of M83 and Joseph Trapanese, was a big layered cake of swelling synth sounds powered by a slow but rising drum beat. The new track is the title tune, which will likely play over the end credits. Like that first track, it features Norwegian singer Susanne Sundfør, and is a more upbeat track right off the bat.
This one doesn’t do as much for me, as has the tenor of a lot of end credit songs that are tailored to be broadly appealing. Your mileage may vary, however, so have a listen below — it’ll send a lot of people dancing out of the theater, at the very least, and Sundfør’s voice is quite pretty.
Along with that tune, we’ve a new featurette, on the film’s Sky Towers. (We’ve also embedded one on the Bubble Ship that we hadn’t highlighted before, just to give you more from Joseph Kosinski‘s new film.) Read More »