Oculus

These days it feels like every horror movie can be easily categorized. Either it’s a possession movie, a found footage movie, a slasher movie or some inane combination. Finding something different is rare. Mike Flanagan‘s Oculus, at the very least, strives to be different. Combining elements from several subgenre columns into something that feels new and fresh, Oculus is the story of a brother and sister who try to destroy a haunted mirror that drives people to wild hallucinations, blurring lines between what’s real and what’s not.

Flanagan’s script is a psychological jumping bean as it hops wildly between multiple timelines, putting the audiences in the shoes of the characters, everyone totally unaware of precisely what’s going on. The whole thing has a fluid feeling that’s not exactly innovative, but exciting enough to potentially kick off a new franchise. Read more of our Oculus movie review below. Read More »

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The Goats is not a story about Val Kilmer‘s coming of age, sadly. It could, however, be part of the evolution of Eagle Eye and I Am Number Four director D.J. Caruso. The director has meandered from well-liked cult film The Salton Sea to youth-Hitchcock thriller Disturbia to the big budget schlock of Eagle Eye and I Am Number Four. He also worked on The Shield and has some other resume entries, but overall it isn’t

Now he’s getting cameras rolling on The Goats, based on Brock Cole‘s young adult novel, with Knowing‘s pre-teen Chandler Canterbury and Annalise Basso in the lead roles of two kids who run away together after a summer camp incident, and Val Kilmer, Radha Mitchell and Kate Maberly. Read More »

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