Posted on Thursday, June 23rd, 2016 by Angie Han
2014’s Ouija was a waste of a halfway decent idea, a lazy cash grab cobbled together from bits and pieces of other, better movies. But it cost $5 million to make and grossed over $100 million worldwide, so you know what that means: we’re getting a sequel. Or rather, a prequel.
As the title suggests, Ouija: Origin of Evil goes back to earlier times. Specifically the 1960s, even though Ouija boards were actually invented in the late 19th century and evil definitely goes back way further than that. Anyway, the trouble begins when a fake medium (Elizabeth Reaser) and her two daughters (Annalise Basso and Lulu Wilson) accidentally summon a very real and very nasty spirit. Watch the Ouija: Origin of Evil trailer after the jump. Read More »
Even though the horror flick Ouija, inspired by the spirit board that has been said to allow users to speak to people in the afterlife, wasn’t a massive hit at the box office last year, it still pulled in $100 million worldwide on a budget of just $5 million. That made it profitable enough for Universal Pictures, Blumhouse Productions, Platinum Dunes and Hasbro to move forward with a sequel, which was announced back in January.
The first movie was absolutely terrible, and the paltry 7% on Rotten Tomatoes reinforces that. However, now there’s a chance that the sequel could be better with with Oculus helmer Mike Flanagan directing Ouija 2. Plus, one of his stars from the aforementioned superior psychological horror flick is coming with him. Read More »
These days it feels like every horror movie can be easily categorized. Either it’s a possession movie, a found footage movie, a slasher movie or some inane combination. Finding something different is rare. Mike Flanagan‘s Oculus, at the very least, strives to be different. Combining elements from several subgenre columns into something that feels new and fresh, Oculus is the story of a brother and sister who try to destroy a haunted mirror that drives people to wild hallucinations, blurring lines between what’s real and what’s not.
Flanagan’s script is a psychological jumping bean as it hops wildly between multiple timelines, putting the audiences in the shoes of the characters, everyone totally unaware of precisely what’s going on. The whole thing has a fluid feeling that’s not exactly innovative, but exciting enough to potentially kick off a new franchise. Read more of our Oculus movie review below. Read More »
The Goats is not a story about Val Kilmer‘s coming of age, sadly. It could, however, be part of the evolution of Eagle Eye and I Am Number Four director D.J. Caruso. The director has meandered from well-liked cult film The Salton Sea to youth-Hitchcock thriller Disturbia to the big budget schlock of Eagle Eye and I Am Number Four. He also worked on The Shield and has some other resume entries, but overall it isn’t
Now he’s getting cameras rolling on The Goats, based on Brock Cole‘s young adult novel, with Knowing‘s pre-teen Chandler Canterbury and Annalise Basso in the lead roles of two kids who run away together after a summer camp incident, and Val Kilmer, Radha Mitchell and Kate Maberly. Read More »
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