Bryan Singer and the Wachowskis are back behind cameras this week as their new films, X-Men: Days of Future Past and Jupiter Ascending, have begun shooting. Singer announced the start his production with a tweet featuring Patrick Stewart as Professor X. Warner Bros. issued a press release about the Wachowskis’ sci-fi film, which stars Channing Tatum and Mila Kunis. Both films will be released in July 2014. Read More »
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Late last year, Andy and Lana Wachowski (The Matrix, Speed Racer, Cloud Atlas) announced the development of their first television project, called Sens8. Working with J. Michael Straczynski (Babylon 5), the two were putting together a TV series that would potentially see the Wachowskis in the director’s chair(s) for an episode or two.
Now the show is described as “a gripping global tale of minds linked and souls hunted.” We have that description because Netflix has given the show a 10-episode order, and Sens8 will debut on the streaming service in late 2014. Read More »
Posted on Friday, March 15th, 2013 by Angie Han
Warner Bros. has taken a bit of time to shift around its release schedule, and there’s both good news and bad news for film fans. On the plus side, the studio has set Andy and Lana Wachowski‘s Jupiter Ascending for a coveted summer 2014 release date, which reads as a vote of confidence in the film.
Not looking so hot, however, is the Sylvester Stallone–Robert De Niro team-up Grudge Match, which has been pushed from a respectable fall 2013 slot to a less auspicious January 2014 one. Hit the jump to read more.
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Universal recently revealed that plans to open Joseph Kosinski‘s Oblivion early in IMAX theaters has been scuttled, but other plans for the movie are going forward at full speed. Anthony Gonzalez of the electronic/dance band M83 has been recording the score for the film with Joseph Trapanese, and the first track from that effort is now online. Check it out below, and you’ll find that the feeling conveyed by the track is just as big and sweeping as you’d hope.
In addition, we’ve got news of the composer Michael Giacchino working again with Andy and Lana Wachowski. This time he’ll be scoring their new film, Jupiter Ascending. Read More »
Briefly: The latest addition to the cast of Andy and Lana Wachowski‘s new film Jupiter Ascending is Sean Bean. He’ll play a Han Solo-like character named Stinger, says Deadline. He’s now part of a cast that also includes Channing Tatum, Mila Kunis, and Eddie Redmayne.
We don’t have a lot of info on the movie at this point, but the description currently making the rounds says it is “set in a time where humans are at the bottom of the evolutionary ladder and follows a woman who has been targeted for assassination by the queen of the universe.”
Bean’s most recent screen appearance was in Silent Hill: Revelation 3D, but he’ll soon be seen in Percy Jackson: Sea of Monsters. Yes, that sequel exists. So… we can now reasonably assume that at least one character will meet a bad end in the film, right? (Hint: It will probably be Bean’s.) [Deadline]
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Posted on Friday, December 28th, 2012 by Angie Han
The Alamo Drafthouse brand is beloved among moviegoers for their plush theaters, but it’s revered for their impeccable taste in movies. Whether programming a film festival or picking up indies for distribution, they’ve demonstrated an eye for films that aren’t just good, but unique.
With 2012 on its way out, the company has just released its list of their ten favorite movies from the year. Some of the titles were as successful at the box office as they were with critics, while others are more off the beaten track, but all are well worth checking out. Read their picks after the jump.
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Here’s my full interview with the writers and directors of Cloud Atlas: Andy Wachowski, Lana Wachowksi and Tom Tykwer.
Last week, we broke up this long interview into four parts to make it both more digestible and to keep in spirit with the film, which comprises six radically different, but related, stories. The film jumps from story to story to story, with the last scene informing and enlightening the first, even though they’re set in totally different time periods and genres. Actors portray upwards of six roles each giving the viewer an hint of how these beings relate to each other, only to effect the others – and human history – in radical and exciting ways.
While the Wachowskis have done little to no press since the release of The Matrix, it was my honor (and horror) to be able to sit down with them, and Tykwer, for thirty minutes to discuss the movie. I was frightened, nervous, intimidated but in the end all three filmmakers not only enhanced my (immense) enjoyment of the movie, but were themselves fascinating and brilliant subjects. I wish I could have talked for an hour more.
I can’t recommend Cloud Atlas highly enough. You may not emotionally connect to it as much as I did, but it’s such a different, expertly crafted experience, you’d be doing a disservice to yourself, and big budget, risky films in the future, by not seeing it.
After the jump, read a full transcript of my interview with Tom Tykwer, Andy Wachowki and Lana Wachowski, the writers and directors of Cloud Atlas. Read More »
With six stories spanning nearly three hours, told by an ensemble cast and three directors, the sheer amount of information presented by and discussions one can have about Cloud Atlas is staggering. Co-writers and directors Tom Tykwer, Andy and Lana Wachowski took David Mitchell‘s novel, which nests six stories within each other, and broke it down into one forward-flowing mosaic. Set in several time periods from the 1800s through the 2300s, the film blends genres and tones to show the human soul moving from century to century, and explore how our actions in one life might affect the next.
And that’s just a very superficial interpretation. There’s much, much more to the movie, which is why it’s one of the year’s best.
As one might expect on a production so massive, there are tons of bits of behind the scenes trivia and on-screen secrets. Were there additional stories meant for the film or novel? Were the directors ever on set together? How did characters get cast? Which actress thought she’d be fired? And what exactly happens at the end of the film? We’ve complied 15 things you probably didn’t know, or notice about Cloud Atlas. After the jump, read all about them. Read More »
Editor’s Note: This is the fourth and final part of /Film’s interview with Andy Wachowski, Lana Wachowski and Tom Tykwer, the writers and directors of Cloud Atlas. Read part one here, part two here and part three here. The full interview will be published tomorrow, the day the film opens.
All of the major actors in Cloud Atlas play at least four roles. A few play as many as six. Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Ben Whishaw, Doona Bae, Hugh Grant, James D’Arcy and Keith David all have multiple personalities to portray. Some significant, others less so, and they’re not always the same race or sex as the actor in the role.
So in the film, you’ll get to see Halle Berry as an Asian man and a white German woman. Hugo Weaving is a hulking female nurse; Jim Sturgess is a Korean crime fighter; and Ben Whishaw is a loving wife. In doing this, co-writers and directors Andy Wachowski, Lana Wachowski and Tom Tykwer were able to visually display the movement and evolution of the human soul across eternity and also play against segregated acting conventions Hollywood has employed for years. They believe actors should not be pidgeonholed by their race or sex and, after the jump, the three filmmakers discuss not only that, but how the process was liberating for their actors.
After the jump, read the fourth part of my interview with the team behind Cloud Atlas. Read More »