Posted on Monday, September 10th, 2012 by Angie Han
A mostly lighthearted Sequel Bits covers everything from fish- and family-friendly animated adventures to R-rated wolf pack shenanigans. After the jump:
- Andrew Stanton‘s next project is Finding Nemo 2
- The Hangover Part III is now shooting in Los Angeles
- Heather Locklear and Molly Shannon join Scary Movie 5
- David Thewlis will play The Frog in Red 2
- Olga Kurkulina is Mother Russia in Kick-Ass 2
- The Rock destroys a ceiling in new Fast Six pic
- Silent Hill: Revelation 3D has a new poster
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Andrew Stanton has always said if he finds the right idea for a Finding Nemo sequel, he’ll do it. That idea must have come to him. Deadline reports that Stanton has now “officially come on board” a sequel to the 2003 Oscar winner and “has a concept the studio loves.” Read more after the jump. Read More »
In the Summer of 1994, while deep in production on their first feature film Toy Story, the key Pixar creatives (including John Lasseter, Andrew Stanton, Pete Docter and Joe Ranft) had a now famous lunch in a diner called Hidden City Cafe in Point Richmond. During this lunch meeting they ended up brainstorming the ideas that eventually became the films A Bug’s Life, Monsters Inc, Finding Nemo and WALL-E. The story has become mythical, a part of film animation legend and a cornerstone moment in Pixar’s history. It was even featured in the teaser trailer for Andrew Stanton‘s WALL-E.
Sadly, the cafe has closed its doors after over 20 years of service, with unconfirmed reports that it was shut down for rats (Ratatouille anyone?).
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As you know, John Carter went through a set of extensive reshoots. One of the big changes to the film involved the movie’s opening. When I saw this alternate opening on the Blu-ray I was actually kind of disappointed that it wasn’t used. The scene opens with Lynn Collins as Princess Dejah Thoris giving a lecture on the current events of the Barsoomian wars. I believe it to be a much better beginning to the movie, and a much better introduction to the geography of Mars and the all consuming war on the red planet.
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Everyone loves M-O. The adorable, tiny, cleaning robot (or Microbe-Obliterato) on the Buy N Large Axiom in Andrew Stanton‘s Oscar-winning film WALL-E was a breakout character for his determination, charm and of course that voice. “Mo.” While the film was in production, Stanton’s team had a real life statue of the character and one day, on a whim, took him to Sears to get a bunch of family portraits taken. That was years ago and, since then, the photos have remained safely on Andrew Stanton’s iPhone. Nowhere else.
Then at last weekend’s Hero Complex Film Festival (read the full recap here) Stanton told the above story and said he’d send out the images for the world to see. He has and they’re awesome, as you can see above. If you’re a Pixar fan, this gallery is insane. Check it out below. Read More »
Featuring a line up that included Dawn of the Dead, Shaun of the Dead, RoboCop, A Clockwork Orange, Super, Wall-E and Serenity, the 3rd annual Los Angeles Times Hero Complex Film Festival was held this past weekend. Each film was accompanied by one or two prominent guests who all gave fascinating behind the scenes facts about their films as well as info on some upcoming projects.
It was a great weekend to be a fan of movies in Los Angeles and, after the jump, you can read dozens and dozens of behind the scenes facts from all those movies as well as Zack Snyder‘s update on Man of Steel, Simon Pegg talking The World’s End and Star Trek 2, Peter Weller‘s feelings on a RoboCop remake, Malcom McDowell‘s thoughts on The Avengers, James Gunn‘s thoughs on the similarites between Super, Kick Ass and God Bless America, Andrew Stanton‘s statement on possible Pixar sequels and Nathan Fillion‘s casting choices for Uncharted. Read More »
Posted on Tuesday, May 22nd, 2012 by Angie Han
Selling a 3D movie through 2D technology (like our computer screens) always presents a bit of a challenge, but even more so when it’s a 3D converted movie of a 2D film that first came out nine years ago. After all, there’s no new dialogue or footage to pick over, and little insight to be gained by watching a new cut of the trailer.
Fortunately, in the case of Pixar’s re-release of Finding Nemo, the tale is already so charming in any number of dimensions that it’s still a treat to watch Marlin (Albert Brooks) and Dory (Ellen DeGeneres) navigating the wild waters, even if we’ve seen it all before. Watch the trailer after the jump.
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The third annual Hero Complex Film Festival, presented by the Los Angeles Times, is as star studded as ever. Taking place from May 18-21 at Regal Cinemas L.A. LIVE Stadium 14, this year’s line up goes from zombies, to cult classics, animation and superheroes. It all begins with Zack Snyder and Robert Kirkman presenting Dawn of the Dead followed by Edgar Wright and Shaun of the Dead. Saturday starts with a digitally remastered version of RoboCop with Peter Weller, A Clockwork Orange with a Malcolm McDowell Q&A and finally the hugely underrated Super with star Rainn Wilson. Then on Sunday, Andrew Stanton will present the Oscar-winning WALL-E, Nathan Fillion will present Serenity and finally there will be ‘An Evening With Stan Lee,’ which will feature a screening that is yet to be announced.
After the jump, find out how you can get tickets and more. Read More »
Cool Posts From Around the Web:
There was so much talk of John Carter‘s budget before the film was released that, after not winning its opening weekend and dropping 55% in its second weekend, Disney is already doing damage control. Despite the fact that Andrew Stanton‘s film has made almost $200 million internationally since its release, Disney just released a pre-emptive strike admitting the film will likely equate to a lost of about $200 million for the company. Read the statement and more below. Read More »
For some onlookers, John Carter‘s opening weekend box office take of $30 million in the US earmarked the film as a failure. No one can be 100% sure about the movie’s financial future until the upcoming second weekend returns but it would take a Moses-size miracle for the $250-$300 million film to become profitable in the United States. (To be fair, its $70 million international opening weekend gross is far more encouraging.)
If you saw the film, however, you might agree that, no matter how you feel about its first two hours, the finish is phenomenal and a great cliffhanger for a possible sequel. It has inspired fans to assemble like the armies of Barsoom to tell Disney that, yes, we want to see more John Carter, even if the numbers aren’t too promising. Read more after the jump. Read More »