Posted on Friday, October 14th, 2016 by Jacob Hall
When I left the theater after seeing The Autopsy of Jane Doe at Fantastic Fest last month, the first thing I did was try to find a way to steady my nerves because this movie is scary as hell. The second thing I did was wonder how IFC Midnight was going to market a movie that takes place almost entirely around an autopsy table, with an increasingly, uh, examined dead body being central to much of the plot. The easiest answer: a red band trailer, of course.
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The Autopsy of Jane Doe is the newest film from director André Øvredal, the man behind the very fun found footage movie Trollhunter. Øvredal returns to us with a new horror picture starring Brian Cox and Emile Hirsch, playing father and son in this story. The Autopsy of Jane Doe recently played at Fantastic Fest, where our own Jacob Hall called the film “scary as hell.”
Below, watch The Autopsy of Jane Doe teaser trailer.
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Posted on Sunday, September 25th, 2016 by Jacob Hall
The horror genre is so often dominated by stupid characters doing stupid things, so it’s refreshing to watch a film like The Autopsy of Jane Doe. Here is a frightening story about two intelligent men whose talents for science and deduction break against a wall of undefinable supernatural power. Here is a fascinating mystery where the pleasures are not only derived from a series of increasingly terrifying and impossible discoveries, but from watching these two men work down a checklist of every possible rational explanation before realizing they are beyond their limits.
The Autopsy of Jane Doe is a film as interested in process as it is in jump scares and the result is one of the most entertaining horror movies I’ve seen in a year that has had no shortage of great scary movies.
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Hello. Allow me to introduce myself. My name is Jordan Hoffman and I’m an old man. Well, not THAT old, but, let’s just say that for me the phrase “VHS or Beta?” was more than just an indie band, it was an actual decision.
After film school I worked in the development offices of a New York-based production company for a few years, then did some solid Web 1.0 work at About.com. Then I made two independent films, both of which are good, neither of which made me any money. Eventually I got back into the writing game, working at Hearst’s UGO.com for over four years and now I’m having a blast reviewing and writing about film for a number of different publications.
The fine folk here at /Film have allowed me this weekly column to put on my bifocals, peer into the rich history of cinema and make some recommendations that may be unknown to you.
Since the big release this weekend is the extremely entertaining Chronicle I thought it might be a good idea to think back to a time before Cloverfield or go deeper than The Blair Witch Project. Read More »
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This week is the 27th anniversary of the opening of the Chris Columbus-scripted film Gremlins (June 8, 1984 was the big day) so perhaps we can blame this one on an aging impish green guy. 1492 Pictures, the company owned by Chris Columbus, has taken the remake rights to the André Øvredal film Troll Hunter, and hired Marc Haimes to script an English-language remake. This is only the latest chapter in Troll Hunter‘s path to a remake, however. Read the history, and see what Chris Columbus has to say, after the break. Read More »