We’re mere weeks away from the craziest genre films in the world invading Austin, Texas for Fantastic Fest 2011. They’ve already announced not one, but two waves of films that’ll screen at the festival and now the third and final wave has been revealed. It includes the opening night, world premiere of The Human Centipede 2: Full Sequence, the closing night U.S. premiere of Morgan Spurlock’s new documentary Comic Con Episode IV: A Fan’s Hope, the much anticipated Juan of the Dead, Sundance darling Take Shelter, a 30th anniversary screening of An American Werewolf in London with Rick Baker in person and poster by Olly Moss and more.
Plus, Drafthouse CEO Tim League will be fighting bare-knuckle brawler James Quinn McDonagh to usher in the a screening of the documentary Knuckle.
Read the full third wave of films and see some hype videos for the fight after the jump. Read More »
Last year it was announced that the Weinstein brothers had acquired the rights to remake An American Werewolf in London, and my heart sank. Since then, there’s been no news of any progress on the project, and I promptly forgot about it.
That was a happier time. And a relatively short-lived one.
Alas, looks like the remake is starting to kick into gear, with the studio looking to Fernley Phillips, the writer of The Number 23, to tackle the screenplay. Learn more about what direction they plan to take the film after the break. Read More »
It looks suspiciously like somebody has slipped Bob Weinstein a shot of truth serum because he’s just spilled enough Dimension dirt to keep me blogging for a week. Buckle up, however, because I’m going to blast through it all in one big burst. After the break: Scream 4 casting and director news, Spy Kids 4 details, promises of a string of remakes and sequels set to be shot in 3D and even a little reveal about the release strategy for The Road.
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The world premiere unveiling of a freshly remastered digital print of John Landis‘ An American Werewolf in London was arguably the highlight of the Film 4 Frightfest last weekend. To accompany this, the festival also premiered Paul Davis‘ long awaited, self initiated American Werewolf retrospective documentary, Beware the Moon. Settling in for this double bill was like watching the new Werewolf Blu-Ray in the best possible circumstances: on a huge screen, wonderfully projected and in the company of over a thousand ardent horror fans.
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In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley share their feelings on an Uncharted movie; get excited about a Facebook film based on Ben Mezrich’s new book; try not to think about the American Werewolf in London remake; mourn the passing of an influential pop star; and find there’s a lot less to Transformers: Revenge of the Fallen than meets the eye. Special guest Eric Vespe (AKA Quint) from Aint It Cool News joins us.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review Public Enemies.
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According to Bloody Disgusting, the Weinstein Brothers have purchased the rights to remake An American Werewolf in London from original writer/director John Landis. Dimension Films already has a Hellraiser remake in the works (which can’t seem to keep a director on board) and has the second new Halloween film hitting theatres soon. The news that a cash-strapped Landis has sold rights to the Weinsteins (who have been reported to be equally cash-strapped, ironically) will probably cue the question that has cropped up a lot lately: is nothing sacred? The perpetual answer is: not in Hollywood, no. And that’s OK, because we’ll always have the original. Read More »