Matthew Wilder’s Inferno was the Linda Lovelace biopic we heard about first, but it seems like Rob Epstein and Jeffrey Friedman‘s Lovelace is the one that’s moving full speed right now. Amanda Seyfried and Peter Sarsgaard were cast as the titular porn star and her husband Chuck Traynor in early November, with Sharon Stone signing on to play Lovelace’s mother just a couple of weeks later. Then last month, Wes Bentley, Juno TempleHank Azaria, Bobby Cannavale, Chris Noth, Robert Patrick, and James Franco all boarded the picture as well.

Now Demi Moore, Adam Brody, and Eric Roberts have become the latest to join the drama, which is based on Eric Danville‘s book The Complete Linda Lovelace. More details after the jump.

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The cast of Lovelace, one of two competing biopics about porn star and eventual anti-porn crusader Linda Lovelace, has added four actors and might be getting a high-profile fifth. Rob Epstein and Jeffrey Friedman, who co-directed Howl, have already got Amanda Seyfried to play Lovelace and Peter Sasgaard for the role of her husband and accused pimp and abuser Chuck Traynor.

Now they have roped in Hank Azaria, Bobby Cannavale, Chris Noth and Robert Patrick to play various roles, and may have Howl headliner James Franco onboard to play Playboy founder Hugh Hefner. Read More »

Armie Hammer has been working his clean-cut golden boy looks to his advantage in The Social Network, J. Edgar, and the upcoming Mirror, Mirror, but the latest addition to his slate will see him transforming into a bit more of a “badass.” Hammer will bulk up and shave his head to star with Eric Bana in By Virtue Fall, a “gritty drama” about an ATF agent (Hammer) who gets framed for corruption and serves time into a maximum security prison. Once out, he’s determined to get revenge on his former partner (Bana), whom he blames for destroying his life.

The project marks the directing debut of Up in the Air co-writer Sheldon Turner, who also penned this script. By Virtue Fall is scheduled to start sometime in 2012, after Hammer wraps up Disney’s The Lone Ranger over the summer. [Deadline]

After the jump, Richard Jenkins becomes Adam Scott’s dad, while Juno Temple and Wes Bentley befriend Amanda Seyfried.

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The first trailer has dropped for Gone, Heitor Dhalia‘s thriller about a young woman named Jill (Amanda Seyfried) who comes home to find that her sister Molly (Emily Wickersham) has mysteriously vanished. Jill is sure Molly’s been kidnapped by the same serial killer Jill escaped from two years prior, but the police aren’t convinced — so Jill takes matters into her own hands to rescue her sister.

It’s a standard-issue thriller premise, and there’s not much about the trailer that really sets Gone apart from dozens of similar movies. (The utterly forgettable, SEO-unfriendly title doesn’t help matters, either.) Still, there’s always the possibility it’ll wind up a satisfying if not especially imaginative take on the genre, and Seyfried usually makes for a compelling lead. Watch the trailer after the jump.

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In true Hollywood fashion, after years of no biopics about Linda Lovelace, there are now two separate films in the works about the adult film star. We’ve known for months that Malin Akerman would be toplining Matthew Wilder’s take on the story, titled Inferno, and now Amanda Seyfried has entered negotiations to fill the role in Rob Epstein and Jeffrey Friedman‘s competing version, called Lovelace. Also considering the project is Peter Sarsgaard, who is in early talks to play Lovelace’s abusive pornographer husband Chuck Traynor. More details after the jump.

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I’ll say this for In Time, Andrew Niccol’s story describing a society driven into extreme class segregation by an economic system in which time is literally money: Niccol drives Justin Timberlake like a taskmaster. The singer-turned-actor runs like crazy, jumps, fights, and sweats his way through a movie that all too often feels more detached than a severed limb. It’s a very physical, very present performance that lends the movie some much-needed credit.

The detachment is due to the always on-the-nose, never close to subtle language used to wield the core concept as a club against economic disparity. I could never take the movie seriously because it was always so insistent about Making a Point. In Time, as written, is perhaps meaty and clever enough for a Twilight Zone episode. Stretched to feature length it is an unconvincing attempt at world-building and simply a deeply silly take on Bonnie and Clyde. Or Robin Hood. Or something. In Time wants to be a lot of things, but it never commits to any one.

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Walking around the set of the upcoming sci-fi action film, In Time, is a smorgasbord of physical perfection. Attractive guys and girls are everywhere and even during an interview with the film’s stars, it’s hard not to glance behind them at the veritable fashion runway parading to craft services.

The reason everyone on set is so beautiful is that, in the world of in the world of In Time, the human body stops aging at 25. At that point, a genetic clock on your wrist begins counting down your final year of life. Through various legal, or illegal means, you can accrue time on your clock and hypothetically live-forever looking 25. Or you can run out of time and die, leaving nothing but good-looking corpse.

Only in this world can can Olivia Wilde be the mother of Justin Timberlake, Vincent Kartheiser be the father of Amanda Seyfried or Cillian Murphy play a gritty, 70-year-old detective. And this conceit could only come the mind of Andrew Niccol, the brainchild behind The Truman Show, S1mone and Gattaca, which also dealt with mortality.

“I think of [In Time] as the bastard child of Gattaca because [when I was making it] I thought the holy grail of genetic engineering, of course, is to find the aging gene and switch it off,” Niccol said, “But then the implications are so huge that I thought ‘That’s another movie.’ And it turns out, it’s become another movie.”

In an era where movie fans consistently bitch about a lack of original ideas, In Time is just that and on day 44 of a 54-day shoot, /Film was lucky enough to be on the Los Angeles set of the October 28th release, speaking to the stars, director, producer and learning that this world might look great, but is anything but. Read the full set visit after the jump Read More »

Denzel Washington has reportedly been offered the lead role in the English-language remake of The Secret in Their Eyes, which is being helmed by Billy Ray (Shattered Glass). The original Argentinian version, by director Juan José Campanella, was a critical success that won the Oscar for Best Foreign Language Picture in 2010. In other words, no wonder someone in Hollywood’s decided to try and make it all over again.

The dramatic thriller centers around a retired criminal court investigator turned would-be novelist who’s struggling to get over a murder case and a romance that have haunted him for decades. Campanella’s film won raves for its unpredictable plotting, impressive camerawork, and excellent performances. I don’t think the American version sounds bad, so much as just pointless — but if it has to get remade, I suppose there are worse choices than Ray and Washington. [First Showing]

After the jump, Will Forte joins Ben Stiller and Vince Vaughn in Neighborhood Watch, and Isla Fisher lands magician heist flick Now You See Me.

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