Looks like Tom Cruise is really going to star in Doug Liman‘s All You Need Is Kill, the film that has been given the shorthand description ‘Starship Troopers meets Groundhog Day‘ thanks to a plot that follows a soldier in a future war who is killed, but relives his final day like a gamer replaying a video game level over and over until he is able to think and fight his way out of the loop. For now it also looks like All You Need Is Kill will be the title going forward – there was a point when we thought the film might be retitled. (And that could still happen.)
That makes the second big futuristic story Cruise is set to anchor — the other is Tron: Legacy director Joseph Kosinski’s Oblivion. That one is likely to be Cruise’s next movie, with All You Need Is Kill following after. Doug Liman has insisted to Cruise that the two sci-fi films will be completely different from one another, and whatever you think of Cruise, the simple fact is that we’re getting two new sci-fi films that aren’t based on big existing franchises, thanks in part to his interest in them. Read More »
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Doug Liman is working to pull together a film based on the script All You Need is Kill, which tells the story of a young soldier in a future war who steps out into battle and is promptly killed, only to wake up hours earlier, alive once more. He relives that loop many times, dying over and over, until he builds the skills to survive. People keep calling the project ‘Groundhog Day meets Starship Troopers,’ and that’s pretty accurate. Just sprinkle in a bit of Col. Kassad’s story from Dan Simmons’ Hyperion novels and you’ve got the idea.
Last time we heard about the film WB was reportedly looking at Brad Pitt to star. Now the studio is talking to Tom Cruise about taking the lead. And the project might have a new title, either We Mortals Are or We Are Mortals. Read More »
Is this the Akira situation all over again? You might remember that a few months ago, when Warner Bros. was really trying to get the live-action version of Akira going under the direction of Albert Hughes, there were a great many stories about how the studio wanted to cast the film. The primary thrust seemed to be that the teenage characters in the original manga and anime were going to be significantly older in the live-action version. That all became a non-issue when Hughes bowed out and the film was slowed-down as it was re-budgeted and set up for Jaume Collet-Serra to direct, however.
The same thing could be happening again, however, with the adaptation of Hiroshi Sakurazaka‘s All You Need is Kill, for which Brad Pitt is reportedly being sought. Read More »
The Black List has been released. The annual list is compiled with a poll of 300 (up from last year’s 250) development executives and high-level assistants, and contains a ranking of the hot screenplays making the rounds in Hollywoodland, which were written in, or are somehow uniquely associated with, 2010 and will not be released in theaters during this calendar year. Basically, the black list contains the hottest projects in Hollywood that you haven’t heard of yet.
Note: The headline is a slightly inaccurate, because a lot of these screenplays have already been acquired (six of the top ten listed), a bunch are in production now, and some have even finished production. One of this year’s top ten screenplays, J.C. Chandor‘s Margin Call, about the last 24 hours at now-defunct investment bank Lehman Brothers is already in the can and set to premiere at the 2011 Sundance Film Festival with Chandor at the helm and Kevin Spacey and Paul Bettany star. The top screenplay om the list, College Republicans, already has Shia LaBeouf and Paul Dano attached to star.
Started in 2005 by a young executive at Leonardo DiCaprio’s production company Appian Way, who polled 90+ peers to send him their 10 favorite new unproduced screenplays to read over the holidays. The underground list was e-mailed around and quickly became a Hollywood phenomenon. To give you an idea, the top three entries of the 2005 list where Things We Lost in the Fire, Juno, and Lars and the Real Girl. However it should be noted that a warning appears at the beginning of the list:
“THE BLACK LIST is not a “best of” list. It is, at best, a “most liked” list.”
Also, it should be noted that many people in recent years have begun accuse participants for pushing their own/friends clients.
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Industry tracking boards are reporting a couple interesting items today:
- Ben Affleck has apparently been offered the lead role in Antoine Fuqua’s (Bait, King Arthur, Shooter, Training Day) upcoming adaptation of the Vince Flynn novel Consent to Kill which Lorenzo di Bonaventura (GI Joe, Transformers) is producing for CBS Films.
- Ryan Gosling has apparently been offered the role of “Private Billy Cage” in Doug Liman‘s sci-fi project All You Need Is Kill.
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In June, Doug Liman‘s name was attached to the Warner Bros. sci-fi project All You Need Is Kill. At the time I thought the pairing of Liman and a ‘Starship Troopers meets Groundhog Day‘ story was odd, given that Liman is known to be rather on the indecisive side when it comes to directing style. But something clicked between Liman and WB, because he’s now confirmed to direct the film. Read More »
Doug Liman may be moving from the adventurous romantic past to the technologically-obsessed future. While he’s been prepping The Three Musketeers for Warner Bros., it now looks as if he’ll skip that movie and take the directorial gig on the ‘Groundhog Day with aliens’ movie All You Need Is Kill. Read More »
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Dante Harper‘s film CV is a varied one: editing a documentary about Static-X; directing and acting in the surrealist black comedy The Delicate Art of the Rifle; a small mountain of production manager credits, very often on DVD supplements; a little role in The Onion Movie; scripting an adaptation of Charles Burns’ Black Hole. Add to this the not insignificant pay day he’s just scored for a spec-script adaptation of the Japanese novel All You Need is Kill. He certainly gets around, and I’m sure he’s destined for full-on cult status with a resume like that.
All You Need is Kill is a hideously Engrishy-y title, don’t you think? Hiroshi Sakurazaka’s original novel, published in English by the Manga-maestros at Viz, is about a young soldier sent out to fight an alien menace. When he gets killed in action, a time loop repeats the day, and he fights and dies again. And again. And again. Run, Soldier Run! This concept has been compared to Groundhog Day, of course, but to my mind the most obvious similarities in this case are to a video game. Especially as the soldier finds his combat skills increasing, slowly and subtly, in each iteration.
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