It can’t be easy watching a movie about your life. Some people get extremely agitated when pivotal parts of their favorite book aren’t in the film adaptation, so imagine what’d be like for those people seeing an unfaithful or highly dramatized version of their own life shown on the big screen. The movie, especially if it’s popular, is going to be associated with their image forever. Not all audience members leave a theater saying, “I bet that one scene was dramatized for storytelling purposes,” so, if the portrait of its subject is unflattering or inaccurate, that can’t feel great for the subject.
Many folks featured in bio movies have felt left the theater not feeling so hot on how they’ve been depicted, while others have been pleased with the results. Learn about a few biopic reactions from the subjects after the jump.
Read More »
The man who did more than any other to influence the entire art of cinematography through a single film was Gordon Willis. The Godfather broke every classical “rule” in the book, and much of its impact can be attributed to the unusual but intuitive approach Willis took to photographing the film. In many scenes Willis used as little illumination as possible. In doing so he invited us to lean forward, to peer into the eyes of characters with blackened souls. We may have recoiled when we saw what was truly in the heart of Michael Corleone, but we could never look away. Willis painted with shadow, and for it earned a loving nickname that was better suited to Michael Corleone: the Prince of Darkness.
Now Gordon Willis has died at the age of 82. A cause of death has not been released, but Willis’ passing has been confirmed by American Society of Cinematographers president Richard Crudo. Read More »
The Seventies provided some of the greatest dramas of all time. Films like The Godfather, Taxi Driver, One Flew Over the Cuckoo’s Nest and Network remain as dramatic today as they were then. In that time, though, film historians have uncovered much of the behind the scenes drama that happened on these classic films and, in some cases, it’s better than what happened on screen.
The latest case of this is a claim by Robert Redford that legendary, Oscar-winning screenwriter William Goldman didn’t actually write All The President’s Men, Alan J. Pakula‘s multiple Oscar-winner starring Redford and Dustin Hoffman as Bob Woodward and Carl Bernstein, two Washington Post reporters who eventually blew the lid off the Watergate scandal.
In Michael Feeney Callan‘s new biography on Redford called Robert Redford: The Biography, Redford tells a story of how he and Pakula spent a month rewriting Goldman’s script before shooting. Is he telling the truth? Another piece of investigative journalism says “No.” Read More »
The Daily What brings us a creepy cosplay photo of the day, featuring Nemo from Finding Nemo (and what is that near his legs?)
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 40 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
Read More »
Since 1989 the National Film Registry has preserved films in the Library of Congress that are determined to be “culturally, historically, or aesthetically significant.” This year’s crop of additions has been announced and it’s a pretty varied group that seems to recognize lasting value of ‘new’ classics (The Exorcist, Grey Gardens, All the Presidents Men) and some of the achievements of people who passed this year (Airplane!, The Empire Strikes Back, The Pink Panther). Read the full list after the break. Read More »