Next month will bring a new chapter of the Alien franchise to the big screen with Ridley Scott back behind the camera for Alien: Covenant. The film is both a sequel to Prometheus and a prequel to Alien, and there are apparently several more stories left to tell in between.
The new line-up of Alien films forced Neill Blomkamp to cancel his alternate sequel that would have brought back Sigourney Weaver as Ellen Ripley, but that movie seems to be on the backburner indefinitely. Thankfully, someone else was able to give us our fix of Ellen Ripley, albeit in the form of a comedy sketch where she has some trouble getting proper healthcare from The Late Show host Stephen Colbert after all the xenomorph encounters she’s had over the years.
Watch The Late Show with Stephen Colbert Alien sketch after the jump. Read More »
The Toy Box is a weekly feature at /Film that will round up some of the newest and coolest collectibles, decorations, gadgets and other memorabilia that you nerds might want for your shelves.
As usual, there are some new Star Wars and Star Trek items, a bunch of Funko exclusives coming to Comic-Con this summer, some action figures for A Clockwork Orange and 2001: A Space Odyssey, an Evil Dead 2 video game, a special Saga action figure two-pack and much more.
Check out everything in this edition of The Toy Box after the jump.
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Posted on Tuesday, April 26th, 2016 by Angie Han
Alien Day may be a fake holiday cooked up to promote Alien-related products and projects, but that doesn’t mean we can’t celebrate and enjoy it. Director Neill Blomkamp, for one, got in on the festivities by unveiling a bit of concept art from his delayed Alien sequel that Sigourney Weaver says is still happening. It’s especially intriguing because it shows an adult Newt, fitting with earlier reports that the film would ignore the events of Alien 3 and Alien: Resurrection. Check it out below. Read More »
David Fincher began his directorial career making music videos for some of the biggest talents in pop music. Beginning with Alien³ in 1992, his work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a consummate craftsman, but one with an uncanny ability to lay his finger right on the cultural pulse. Together, those talents result in films which have gone beyond reflecting cultural attitudes, to defining them.
With the release of his latest film, Gone Girl, we’ve taken the opportunity to revisit the director’s narrative works on film. (And, briefly, in television.) Below is a list of the films of David Fincher ranked by achievement. It’s a highly subjective effort, we realize. Where does Gone Girl fit in alongside Fight Club, Se7en, The Social Network, and Zodiac? What stands out as the best film in his career to date, and what virtues can we find even in his least successful efforts? As you’d expect with Fincher, the answer to that last question is a lot more detailed than it would be for many other filmmakers. Compare our list with your own after reading further.
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This week, Dave, Devindra, and Adam offer some faint praise for Snow White and the Huntsman, discuss the pleasures of getting into Dr. Who, reflect on the Blu-Rays for Alien and Breaking Bad, and try to make sense of Ridley Scott’s Prometheus.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. We’ll be reviewing Moonrise Kingdom next week.
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