If you’re a huge fan of filmmaker Tim Burton and his collaborations with brilliant composer Danny Elfman, then sometime over the past couple of years you might have been able to catch the special concert running through a wonderful collection of music from their work together. But if you weren’t able to attend this incredible event, you can still watch it right now.
A recent episode of PBS series Live from Lincoln Center broadcast a nearly two-hour cut of the concert which features selections from Batman, Beetlejuice, Alice in Wonderland, Big Fish, Edward Scissorhands and more. But the real treat is the segment for The Nightmare Before Christmas which has Danny Elfman singing a few signature Jack Skellington songs, just as he did for the soundtrack. Read More »
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Screenprinted movie posters continued to explode in 2014. I drool over so many posters every year, it’s very difficult to pick favorites. With movies, at least you know what you like and you don’t like. Why something works and why something doesn’t. Physical art is more subjective. Some art just hits people one way and others another. Such it is with pop culture posters. Maybe I love one subject more than another and that makes the art seem better. Maybe the art is absolutely incredible but, if I don’t connect with the subject, it’s harder to appreciate. Long story short, ranking them in any definitive ways seems futile.
That said, we figured it would be fun to at least call out a few of coolest screenprinted movie posters of 2014. Fifteen personal favorites that stand out, for one reason or another, to me. Posters are are beautiful, unique and make me remember their subject in a new, vivid way. Check out my favorite screenprinted movie posters of 2014 after the jump. Read More »
Video remix artist Pogo has been remixing films into music for a four years now. He has done a number of live action film remixes, including: A.I., Lord of the Rings, Terminator 2, Groundhog Day, Pulp Fiction, and even Back to the Future. But he has mainly focused on animated films, including Disneya nd Pixar: the Up-inspired Upular, the Toy Story-inspired Toyz Noize and Buzzwings, the Monsters Inc-inspired “Boo Bass” and others. Pogo’s latest remix (with video made by Joshua Kershaw) combines a bunch of Disney movies, cutting the live action Mary Poppins with animated films like Peter Pan, , Alice in Wonderland, Aladdin and The Little Mermaid. Enjoy Pogo’s The Trouble video remix now embedded after the jump.
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In today’s edition of Theme Park Bits, I take a look at:
- A Peek Inside ‘Frozen Fireworks’ at Disney’s Hollywood Studios
- Universal’s Halloween Horror Nights Adds ‘From Dusk till Dawn: The Series’ Maze
- Disneyland’s new Legends of Frontierland: Gold Rush interactive game experience
- Alice In Wonderland Dark Ride Updated With New Effects
Read more about all these things after the jump.
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My mind just exploded. Every year, the Mondo Gallery in Austin, Texas hosts a massive art exhibit during South by Southwest but, this year they’ve outdone themselves. They’re teaming with Oh My Disney for a show called Nothing’s Impossible, and it’s all art based on Disney properties.
The show opens March 7 and remains open until March 11. It’ll feature new works by Ken Taylor, Martin Ansin, Kevin Tong, Tom Whalen, Aaron Horkey, Daniel Danger, JC Richard, Mike Mitchell, just a murderer’s row of amazing artists. Only one piece has been revealed, Alice in Wonderland by Ken Taylor, which you can see in part above. Check it out in full below along with all the info. Read More »
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Posted on Tuesday, August 27th, 2013 by Angie Han
Even casual Disney fans have likely noticed that the studio’s various animated features often contain subtle nods at each other. Rapunzel from Tangled has Disney fairy tale books in her collection, Nani from Lilo & Stitch has a Mulan poster, et cetera. But what if these aren’t mere sight gags from playful animators. What if, instead, they’re hard evidence that all of these movies take place in the same universe?
In an homage of sorts to Jon Negroni’s The Pixar Theory, Josh Butler posits that 30 of Disney’s animated features share a world. His thesis requires some suspension of disbelief — for one thing, it involves a lot of magic and time travel — but it’s fun to think about nonetheless. Hit the jump to see how Butler’s theory shakes out.
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Lewis Carroll wrote more than one adventure in Wonderland, so the notion of a sequel to Alice in Wonderland is hardly new. But the idea of a film carrying on the approach of Tim Burton’s superficial, action-oriented film from 2010 does sound a bit ridiculous. Nevertheless, Burton’s film made over a billion dollars, propelled in part by a post-Avatar interest in 3D. So a sequel was probably inevitable.
At least it won’t be called Alice in Wonderland 2; right now the working title is Into the Looking Glass. (Presumably to be presented as a subtitle, so we’ll likely be calling the film Alice in Wonderland: Into the Looking Glass.)
Now the film has a likely director in James Bobin. The veteran of Da Ali G Show and Flight of the Conchords directed The Muppets for Disney, and is finishing up The Muppets…Again! for the company. Seems like a big thumbs-up from Disney, which has decided that Bobin is a director who can create what the Mouse House wants. Read More »
Tim Burton’s 2010 3D version of Alice in Wonderland was a unexpected mega hit for Disney, grossing over $1 billion worldwide. Its success is credited with kickstarting the ongoing trend of live action adaptations of fantasy/fairy tale classics such as Mirror Mirror, Snow White and the Huntsman as well as the upcoming Maleficent, Oz the Great and Powerful and more. Surprisingly, after all that, it’s taken two years for Disney to finally get the ball rolling on a follow-up.
Linda Woolverton, a long time Disney writer who not only wrote the first film, but also The Lion King, Beauty and the Beast, Homeward Bound and more, has just been hired to write Alice in Wonderland 2. It’s a sequel to the 2010 film, which itself was a sort-of sequel to the original animated Alice in Wonderland. The story in Burton’s film took place after Alice’s first trip to Wonderland, even though they shared the same title. Read more after the jump. Read More »
Briefly: Earlier today we ran the completed banner created to advertise Sam Raimi‘s Oz: The Great and Powerful. Since the first footage of the film premiered this past summer at Comic Con, we’ve talked about the degree to which it looks like Tim Burton‘s Alice in Wonderland, which was a monster hit for Disney. The similarity is due in part to a common factor: production designer Robert Stromberg, who is now directing Disney’s Maleficent.
But it is also due to another common factor: those at Disney who very evidently hope the film will replicate the billion-dollar success of Burton’s movie. If you had any doubt, just check the image below, which shows they’re not taking any chances with the marketing.
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