Horror movies are a dime a dozen. Good ones are much more valuable, and a good one just hit VOD today. It’s called V/H/S, and is an anthology film featuring creepy, gory segments from filmmakers Adam Wingard (You’re Next), Glenn McQuaid (I Sell The Dead), Radio Silence, David Bruckner (The Signal), Joe Swanberg (Hannah Takes the Stairs)and Ti West (The Innkeepers).
The premise is simple. A group of criminals are hired to break into a house and steal a secret VHS tape. Not knowing which specific tape is their target, they pop in several and are subjected to some seriously scary shit. Peter and I saw the film at Sundance, loved it, and now you can enjoy it on demand. Or, if you prefer, wait until it hits theaters October 5.
Either way, after the jump, we have an awesome 5-minute featurette on the making of the film. Read More »
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The horror anthology film V/H/S teams up a good handful of film talents: Radio Silence, Adam Wingard (You’re Next, A Horrible Way to Die), Simon Barrett(You’re Next, Dead Birds), Ti West (The House of the Devil, The Innkeepers), David Bruckner (The Signal), Joe Swanberg (Silver Bullets), and Glenn McQuaid (I Sell the Dead), with each of the group contributing a creepy low-fi horror story to the collection.
We’ve seen one red-band trailer for the film, which showed off a good bit of violence, but now there is a more tame green-band trailer. It’s still edges towards the intense side of the trailer tone spectrum, but it probably won’t get you fired if you sneak a look at work. Read More »
The horror anthology is making a comeback, and at Sundance this year a five-story film called V/H/S scared the crap out of many viewers. (Including Peter.) Combining the talents of of Adam Wingard (You’re Next, A Horrible Way to Die), Simon Barrett (You’re Next, Dead Birds), Ti West (The House of the Devil, The Innkeepers), David Bruckner (The Signal), Joe Swanberg (Silver Bullets), and Glenn McQuaid (I Sell the Dead), V/H/S uses a wraparound story to frame several low-fi tales of horror.
Now a red-band trailer has been released, and it gives a great impression of what festival audiences have been seeing for the past few months. There’s some weird stuff in here.
This is a real red-band trailer, with blood, language and nudity, and probably what people who’ve seen the film would call spoilers as well. But not having seen V/H/S, it’s difficult to put all these images into context, and it doesn’t feel like it is showing too much. Read More »
V/H/S is the return of the horror anthology film. The subgenre used to be a very regular thing during the 1970′s and 1980′s thanks to films like Tales from the Darkside, Creepshow and Dead of Night, but has dropped out of the mainstream in recent years. (Michael Dougherty’s Trick ‘r Treat being the latest anthology of note.) BloodyDisgusting head Brad Miska came up with a novel way to bring back the anthology concept — mashing it with the found footage subgenre. (Paranormal Activity, Cloverfield, etc.)
This might sound questionable on paper, but the result is genius.
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Though Fantastic Fest still has three days left packed with movies, the best of the best have been revealed. Monday night, the awards for the best films, actors, writers and directors of the festival were announced in several different categories. Some of the winners are films I’ve already reviewed and loved. The Audience Award went to A Boy and His Samurai by Yoshihiro Nakamura, the AMD Dell Next Wave Spotlight Competition winner was Bullhead directed by Michael R. Roskam (review coming soon) and You’re Next by Adam Wingard swept nearly all the horror awards. Read all the winners after the jump. Read More »
After an much buzzed about world premiere in Toronto, Adam Wingard‘s action horror film You’re Next had its U.S. Premiere early Sunday morning at Fantastic Fest 2011. In its most basic terms, You’re Next is about a family reunion gone horribly wrong when a gang of animal-masked men invade a home and Lionsgate just purchased the rights for domestic distribution. So, sometime next year, everyone will get a chance to see it. Some people who won’t get a chance to see it just yet, though, are the majority of Fantastic Fest attendees because Lionsgate pulled one of the two scheduled showtimes making the late night screening one of the festival’s hottest tickets.
So did it live up to the hype? What makes You’re Next so different from other home invasion movies? Is this the next Scream? Watch a video blog featuring myself and Erik Davis of Movies.com for the answers. Read More »
This is why we always give a lot of attention to the Midnight Madness program assembled each year for the Toronto Film Festival: it generates some of the most fun in the fest, and some of the quickest sales. (If not always the quickest releases: don’t bring up the All the Boys Love Mandy Lane.)
The Raid was sold before Toronto started, so the biggest Midnight Madness sale is undoubtedly the horror flick You’re Next, directed by Adam Wingard and written by Simon Barrett. The two were TIFF vets thanks to their previous film A Horrible Way to Die, and Barrett’s script for the 2004 film Dead Birds. Now we’ll all get to see You’re Next sometime in 2012 thanks to Lionsgate. Read More »
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The horror anthology The ABCs of Death, inspired in part by early kids’ books and bearing a real resemblance to Edward Gorey’s The Gashlycrumb Tinies, is a who’s-who of current horror and genre stars and up and comers. The film will be divided into twenty-six segments in which a letter of the alphabet corresponds to a method of death. The segments will be short, but given that they’ll be directed by people like Nacho Vigalondo, Jason Eisener, Noburo Iguchi and many more, they might pack a punch.
Two more directors were added to the list today, bringing the total number of signees to twenty-five. Xavier Gens (Frontier(s), Hitman) and Christopher Smith (Severance, Triangle, Black Death) are now on the roster. Details of a contest to choose the final director are after the break. Read More »