Could it be career rehab time for Gerard Depardieu? Abel Ferrara, who made audiences see Harvey Keitel in a harsh new light when he made the original Bad Lieutenant, has cast Depardieu as a vague analogue of embattled IMF chief Dominique Strauss-Kahn. Ferrara scripted with Christ Zois, and Jacqueline Bisset co-stars. While it’s difficult to pull too much story out of this Welcome to New York trailer, the edit is definitely not safe for work as it is a parade of partying, partial nudity, and shadowy dealings. Watch after the jump. Read More »
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Posted on Thursday, January 9th, 2014 by Angie Han
There was a moment around the turn of the decade when Dan Fogler seemed ubiquitous, popping up in everything from Fanboys to Kung Fu Panda to Take Me Home Tonight. But for the past couple of years, he’s kept a somewhat lower profile with roles on TV shows like Hannibal and indies such as Scenic Route and Europa Report.
His latest appearance is an indie, too, but this time around he’s much more involved. He’s the co-writer and co-director (with Michael Canzoniero) and also the star of Don Peyote, a trippy comedy about an ordinary man who either achieves enlightenment or goes nuts, depending on how you want to look at it. Anne Hathaway, Abel Ferrara, Jay Baruchel, Josh Duhamel, and Wallace Shawn co-star, or at least cameo. Watch the first trailer after the jump.
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The latest film from Abel Ferrara, one of the most dedicated indie filmmakers working, is 4:44 Last Day on Earth, which presents a story in which the world is about to end. Willem Dafoe and Shanyn Leigh play a couple living in New York, and we watch as they live through what may be their last hours, as the world is supposedly going to end at 4:44 AM the next day. Reviews of the movie weren’t great when it premiered at festivals last year, but this trailer is fairly convincing.
It’s taking me a minute to get past one thing in this trailer, which is that it seems to feature a new song from Tom Waits. That’s not the case, though — the score, and the trailer song are by a guy named Francis Kuipers, who sounds a whole hell of a lot like Waits.
Hit the jump to check out the trailer and a video for the song contained therein. Read More »
Hot on the heels of the release of a massive batch of films that will appear in the Toronto Film Festival, we’ve got the main lineup for the 68th Venice Film Festival, which runs from August 31 to September 10.
We knew that George Clooney‘s The Ides of March would open the fest (the trailer premiered last night and you can see it here) and this list confirms quite a few films that we imagined would be playing Venice. Our very much anticipated spy thriller Tinker, Tailor, Soldier, Spy from Let the Right One In director Tomas Alfredson is on the list, as is Roman Polanski‘s tense closed-room drama Carnage, starring Kate Winslet, Jodie Foster, John C. Reilly and Christoph Waltz. And there is Alps, the second film from polarizing Greek director Yorgos Lanthimos, whose film Dogtooth shocked, entertained and angered festival audiences in 2009.
The full list is after the break. Read More »
Some few years ago the Coen Brothers scripted a remake of the ’60s romantic caper comedy Gambit (originally starring Michael Caine and Shirley MacLaine) and the remake is finally shooting now under the direction of Michael Hoffman (The Last Station). Colin Firth and Cameron Diaz star in the key roles, and Stanley Tucci and Cloris Leachman have joined Alan Rickman and Tom Courtenay in the supporting cast. The first image of the leads is out now, and you can see a larger version after the break.
Also lurking below the jump is the first image from Abel Ferrara‘s new film, 4:44 Last Day on Earth, which stars Willem Dafoe. Neither of these images are quite earth-shaking, but they’re minor teases of what is to come. Read More »
One of the most unappealing film projects being assembled right now is the comedy version of the baby-birthing manual What to Expect When You’re Expecting. The book is frequently called out as being alarmist and a poor lesson plan for expectant mothers, but why not use the very recognizable title (recognizable to the target audience, at least) to sell a movie? Not much different from what’s happening with Akira, really.
Cameron Diaz is now looking like the lead for this particular movie, which Kirk Jones will direct from a swcript by Heather Hach and Shauna Cross. The picture is meant as a Love Actually-style film in which five couples experience the joy and surprises of impending parenthood. The film will hit on Mother’s Day weekend next year — in other words, a year from today. [Deadline]
After the break, Kelly Preston becomes a mob wife and Willem Dafoe is in a mystery movie directed by Abel Ferrara. Read More »
It’s a crazy, mixed up world and we are thankful for movies, excluding The Tooth Fairy starring The Rock, that offer proof. /Film’s Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review or…”what do you mean Merlin wasn’t real?!“ Attention hosers: it’s the return of FUBAR! And much more after the jump in this double-deep installment…
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UPDATE: According to a publicist who represents the producers and emailed me regarding the rumor.: “No – we have a slow 35 city roll out.” So, it appears many people beyond NY/LA will have a chance to dance in the moonlight with a cracked out Nicolas Cage.
It’s hard both to deny and describe the crazy cinematic potion that has flowed off the marketing materials and clips for Bad Lieutenant: Port of Call New Orleans thus far. I cannot align these entertaining yet toxic vibes with another recent film, and many critics who see it—and like it—seem to share the task. It’s as if the voodoo weirdness that floats throughout pockets of the troubled region seeped into the dailies and into the gainfully employed skin of star Nicolas Cage. Much of this can be chalked off to the film’s publicized equation of iguana hallucinations, wild-man director Werner Herzog, and crack rocks, the math of which has stirred up semi-ironic anticipation for the film within movie culture. Unfortunately, it may be that a wide theatrical release for this anomaly is no longer happening; First Look Pictures, the film’s U.S. distributor looks to rush the film to DVD/Blu-ray for a February 2010 release.
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