What do you do after spending five years creating one of the lead characters on a TV show commonly cited as among the best to ever air? For Aaron Paul, whose breakout role as Jesse Pinkman on Breaking Bad launched his career to new levels of popularity, the choice was simple: do something different. Asked if his lead role in the video game adaptation-turned-car action film Need for Speed was intended as a break from the show, Paul said “Yes, absolutely.” He went on to say “with ‘Breaking Bad’ I lived and breathed every moment as Jesse. I loved the kid. I miss him so much, but … you know.”
So what about Need for Speed? The film puts Paul in the role of a guy whose friend dies as a result of the douchebaggery of rich racing enthusiast Dino (Dominic Cooper). Paul’s character ends up in jail, and upon release is determined to have his revenge. He takes to the roads accompanied by a young woman (Imogen Poots) with multiple law enforcement agents on his tail. Or, as Paul recounts the story, “This movie stems from a lot of revenge. My character gets blamed for the death of one of his best friends. He spends some time in prison so revenge is on his mind and it’s a race against time. But he’s a good guy who’s trying to right a wrong, so I don’t know if he’s an antihero, but he is out to get that bastard.”
Act of Valor director Scott Waugh, the son of a stunt man, directed the film with the intention to make a modern film packed with practical effects and legit stunts. A couple months back we sat in on a 20-minute footage presentation, and spoke with Paul and Waugh. Below, they talk about how the film came together. Read More »
Posted on Monday, January 27th, 2014 by Angie Han
Nick Hornby‘s books have long been popular with filmmakers. To date, his bibliography has inspired Stephen Frears’ High Fidelity, two Fever Pitch movies, one About a Boy film, one failed About a Boy TV show, and one upcoming About a Boy TV show. Now the latest of his novels to get adapted is A Long Way Down, a heartwarming tale that begins with four attempted suicides.
Adapted by Jack Thorne and directed by Pascal Chaumeil, the dramedy follows four very different people who meet by chance when they each decide to commit suicide by jumping off of a London skyscraper on New Year’s Eve. As they get to talking, however, they form a bond and ultimately make a pact to live, at least for a little while longer.
The group includes Martin (Pierce Brosnan), a disgraced TV personality; Maureen (Toni Collette), a desperate single mother; Jess (Imogen Poots), a troubled teen; and JJ (Aaron Paul), a failed musician. Watch the first trailer after the jump.
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Posted on Tuesday, January 21st, 2014 by Angie Han
Ron Howard‘s ambitious adaptation of The Dark Tower has been through plenty of ups and downs over the year, but as of last fall it was coming along slowly but surely. Although Howard declined to offer a specific timetable, he said that he was “continuing to work” on the project.
Now it may be about to take a step forward in the casting department. Former Breaking Bad star Aaron Paul revealed that he has met for the role of Eddie Dean, going so far as to sit down with Howard. Hit the jump to read his comments.
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Posted on Thursday, November 21st, 2013 by Angie Han
Before Jesse Pinkman ever fell under the sway of Mr. White, Aaron Paul had already made an impression on TV audiences as Scott, gentle suitor to Sarah (Amanda Seyfried) on Big Love. The cute couple made their last appearance in the show’s 2011 finale, but the actors are now set to team up on the big screen for Fathers and Daughters.
Directed by Gabriele Muccino and written by Brad Desch, the Black List drama stars Russell Crowe and Seyfried as a father and daughter with a difficult relationship. Hit the jump for more details on the project.
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Posted on Wednesday, November 20th, 2013 by Angie Han
As a 71-year-old man who’s played both Han Solo and Indiana Jones, Harrison Ford ought to be pretty tough to amaze. Sure, it’s not like he was battling real space aliens or actual Nazis, but he’s been a rich, powerful icon of Hollywood long enough to see some crazy stuff. And yet, apparently not even he is immune to the charms of an expertly executed card trick.
Magician David Blaine has been stopping by celeb homes to perform illusions for his recent TV special David Blaine: Real or Magic. Most have responded with great enthusiasm, but arguably the best reaction is Ford’s. Watch the clip after the jump.
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Need for Speed director Scott Waugh comes from a stunt family; his father was best friends with Hal Needham, the stuntman who directed Smokey and the Bandit and Hooper, and Waugh grew up around some of the most famous stunt work on film. During a visit to Waugh’s Bandito Brothers office to see some footage from his new movie, Waugh explained “My viewpoint is [the time] when car movies were amazing, in the ‘70s and ‘60s to the ‘80s. It was great, because it was all real, it was in-camera, the dudes really did it, I was there to witness it.” So his whole motivation with Need for Speed was not to create a CG-heavy video game movie, with unbelievable action, but to create a stunt movie with visual ties to the game.
“I’m all about practicality,” he said, “because I believe that, if you break the rules of physics of physics in stunt work, you break the rules of character jeopardy. If a car can jump off a moving train that’s 40 feet high and land and keep going, then a person can take a bullet and keep going, too.”
All of which to say is that, when making Need for Speed, nearly everything was done via practical means, with real drivers in the cars. “If a car crashes, it’ ain’t going anywhere” laughs Waugh. And as often as possible, it was Aaron Paul doing the driving. Watch a new trailer and read more about the making of the film below. Read More »
Like Anthony Hopkins said, the level of quality maintained over five seasons of Breaking Bad was “awesome.” This is on every level: acting, writing, directing, cinematography, production design, costumes, effects. However, over the course of five seasons, the actors, writers and directors got most of the accolades. Those people, such as Bryan Cranston, Aaron Paul, and Vince Gilligan, would be the first to tell you it’s impossible to have such a great show without talented people in every position. One such position has just come to light, as it were.
Breaking Bad camera operator Andy Voegeli took to Twitter recently to share a bunch of behind the scenes photos from various seasons of the show, and it’s a treasure trove of “awesome.” That’s just one image above. We’ve got a dozen more below. Read More »
Breaking Bad creator Vince Gilligan likes the world he and the show’s producers, cast, and writers created so much that he doesn’t want to leave. So he’s just like a lot of viewers, who also want to spend some more time in the show’s slightly tweaked version of Albuquerque, New Mexico.
And so there’s the plan to create a spin-off show, Better Call Saul, which will focus on the lawyer Saul Goodman, played by Bob Odenkirk. Like Breaking Bad, the new show will be an hour-long drama, but with heavy comic overtones — in fact, Gilligan says the balance of drama and comedy in this one will be more like 25% to 75%, as opposed to the more drama-heavy original show.
Below, Gilligan explains the approach to making the show, and says that cameos from Bryan Cranston and Aaron Paul are very likely.
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Posted on Monday, September 30th, 2013 by Angie Han
Breaking Bad finished shooting months ago, which means that while the rest of us have been formulating elaborate theories on how the show would end, the cast and crew have just been sitting back and smiling knowingly at our guesses. But there was a time when they didn’t know what to expect, either.
A recently uploaded video shows stars Bryan Cranston and Aaron Paul preparing to read the “Felina” script over a couple of beers at Cranston’s place. “I’m so unbelievably depressed that this is happening right now!” Paul wails at one point. Check out the video after the jump.
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As we promised in “The Ones Who Knock” Kickstarter, I did weekly recaps here for each episode of Breaking Bad. For those of you unfamiliar with my recapping style, it’s less of a straightforward plot summary and more a distillation of the most interesting elements of each week’s episode. The recaps will spoil everything up through the current episode (S5E16 “Felina”), but won’t spoil any future episodes or even scenes from the “Next Time” segment of the show..because that’s all over now. So hold on to your pork pie hats, because here we go.
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