Posted on Wednesday, August 3rd, 2016 by Angie Han
The folks behind the Papillon remake faced the massive challenging of finding an actor worthy of succeeding Steve McQueen in the lead role, and eventually they decided Charlie Hunnam was the guy to do it. Now they’ve moved on to filling the Dustin Hoffman role, and this time they’ve got their eyes on a small-screen standout. Mr. Robot‘s Rami Malek is reportedly looking to join the film being directed by Michael Noer (Northwest) from a script by Aaron Guzikowski (Prisoners). Read More »
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Posted on Thursday, December 3rd, 2015 by Angie Han
Once upon a time, Paramount had ambitions of opening a new Friday the 13th reboot in spring 2015. When that didn’t work out, they decided to release the film in fall 2015 instead. Fall 2015 became summer 2016, and then early 2017. A less persistent person (or studio, rather) might have given up by now, but not Paramount. They’re going to reboot Friday the 13th, damnit, no matter what it takes.
As of now, that means starting at square one again. Prisoners scribe Aaron Guzikowski has been tapped to write a new script, while previously attached director David Bruckner (V/H/S) has dropped out. More about the new Friday the 13th reboot writer after the jump. Read More »
It’s like something out of a mad scientist movie: Universal is building its own brain trust like a Frankenstein’s monster version of the Pixar brain trust. We know that two key players in this team are Chris Morgan (Fast/Furious) and Alex Kurtzman (Star Trek), with Kurtzman writing and directing a new Mummy picture. Aaron Guzikowski (Prisoners) was recently confirmed to be on board to write a new Wolfman movie. Now Noah Hawley (Fargo TV series creator/writer) and Ed Solomon (Men in Black, Now You See Me) are confirmed as part of the group as well. We’ve got more details on the evolving Universal Monsters franchise plan below. Read More »
Posted on Wednesday, November 12th, 2014 by Angie Han
Universal has been working hard to get a Marvel-style Monsters franchise off the ground. Their efforts kicked off this year with Dracula Untold, which included a hastily tacked-on epilogue to fit in with the rest of the universe, and will continue in 2016 with the Mummy reboot.
Now it looks like the Wolf Man could be the next to get a 21st century makeover. The studio is reportedly courting Prisoners writer Aaron Guzikowski to pen the script. More details on the Wolf Man reboot after the jump.
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The Sundance Channel is getting into the prestige TV game, and is following up Jane Campion’s Top of the Lake with six-episode series The Red Road, which has James Gray directing the first episode. (Not to be confused with Andrea Arnold’s 2006 film Red Road; this isn’t a remake of that movie.)
The show stars Martin Henderson, Jason Momoa, Julianne Nicholson and Tom Sizemore, and follows “a sheriff struggling to keep his family together while simultaneously policing two clashing communities: the small town where he grew up and the neighboring Ramapo Mountains, home of the Ramapo Mountain Indians.” In other words, yep, this covers some of the same geography as the film Out of the Furnace, and features the same population that wasn’t all that psyched about Scott Cooper’s film.
Check out a trailer below. Read More »
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Summer only officially started a few days ago, but for those who don’t want a long procession of super-powered tentpoles, summer movie fatigue is here in full force. If you’re in that crowd the fall festival season may seem like a great promise on the horizon, and one of the first films in that season is Denis Villeneuve‘s Prisoners. The story follows a family (Hugh Jackman and Maria Bello) whose daughter is kidnapped; Terrance Howard and Viola Davis play another couple whose child is also missing. Melissa Leo, Paul Dano, and Jake Gyllenhaal factor in to the plot, too.
We just saw one fairly heavy trailer for the film a few weeks ago, but now there is already a second. Like the first look at the movie, this positions Prisoners as a tense and very promising fall entry. Read More »
Posted on Monday, June 11th, 2012 by Angie Han
It’s been a while since we’ve received any significant updates on Timur Bekmambetov‘s action-oriented Moby Dick adaptation, but the project’s apparently still simmering over at Universal and has just brought in a new writer to help with one specific stumbling block: the budget.
Over the past year, we’ve seen several big action adaptations get scrapped or put on hold for financial reasons, including Disney’s Lone Ranger, Warner Bros.’ Akira and Arthur & Lancelot, and Legendary’s Paradise Lost, and it seems Universal is also treading carefully. Aaron Guzikowski, who previously wrote Universal’s Contraband, is in negotiations to rewrite the Moby Dick script with the specific aim of trimming costs. More details after the jump.
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The revenge film Prisoners is in a weird position: it seems like very familiar territory to those who closely follow projects in development, but for those who don’t get too interested in films until they’re shot, it might be a total unknown.
In short, Aaron Guzikowski‘s script landed on the Black List in 2009, after which it was briefly set to be a Bryan Singer film with Mark Wahlberg and Christian Bale, before those two actors dropped out and it even more briefly became an Antoine Fuqua and Hugh Jackman movie. Leonardo DiCaprio was interested in it, too, and Michael Fassbender was rumored at one point. In 2011 Incendies director Denis Villeneuve was attached, and he’s finally going to get the movie made, it seems. And he’ll do so with Hugh Jackman in the lead, as the actor just signed on. (Again.) Read More »
The trailer for Contraband put me to sleep. How many times have we seen an action movie where a former crook is drawn back into the life he left to save his family? That, coupled with the January release date, usually a kiss of death, had me going into the Baltasar Kormákur-directed film with expectations suitably low. As it turns out Contraband, which stars Mark Wahlberg, Kate Beckinsale, Ben Foster and Giovanni Ribisi, has plenty of entertaining elements. It’s noticeably flawed but those problems aren’t fatal and you get exactly what you paid for. Two hours of forgettable, forgivable entertainment. Read More »