A couple weeks back I got a chance to chat briefly with director Brad Bird and talk about his newest film Tomorrowland. I asked for an update on the long-rumored Iron Giant blu-ray release, what it means and doesn’t necessarily mean to be a live-action Disney film, the super slick modern look of Tomorrowland vs. the retro-futurism of ray-guns, how Space Mountain ended up in the movie, and Bird’s earliest memories of Disneyland.
We also talked about how the Space Shuttle Endeavor flying over the Disney Animation building had a huge impact on the film’s story, as well as my favorite sequence in the film (an amazing long “one shot” that lets us explore Tomorrowland for the first time), and I jokingly ask if Brad plans to reprise his role as Edna Mode in Incredibles 2. Read a transcript of my Brad Bird Tomorrowland interview, after the jump.
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Posted on Monday, September 15th, 2014 by Angie Han
This fall brings the release of Gone Girl, David Fincher‘s first theatrical release since 2011’s The Girl With the Dragon Tattoo. In between the two films, he was circling several others including the Dragon Tattoo follow-up The Girl Who Played with Fire and Disney’s Jules Verne adaptation 20,000 Leagues Under the Sea.
The latter is definitely dead at this point, with Fincher even offering up an explanation as to where things went wrong. The director sounded a bit more optimistic about The Girl Who Played With Fire, however, predicting that Sony would do “something” with the project. Hit the jump to read his comments on 20000 Leagues and the Dragon Tattoo sequel.
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Posted on Thursday, July 18th, 2013 by Angie Han
The recent flurry of activity surrounding Gone Girl seems like a pretty good indication of where David Fincher‘s attention is focused right now. But that leaves the question of what’s going on with all those other projects he had brewing as his possible follow-up to 2011’s The Girl With the Dragon Tattoo.
That includes the sequel to The Girl With the Dragon Tattoo, titled The Girl Who Played With Fire, as well as Disney’s long-gestating 20,000 Leagues Under the Sea. Well, as it turns out, the good news is that the former isn’t dead, or at least not entirely. The bad news is that the latter is. Hit the jump for details.
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Posted on Monday, May 20th, 2013 by Angie Han
Progress on David Fincher‘s 20,000 Leagues Under the Sea has been pretty slow going. He’s been set to direct since before his last film (The Girl With the Dragon Tattoo) even opened, but Disney’s been hemming and hawing about what it wants to do.
As of today, it looks like they’re still not quite ready to move forward. The Jules Verne adaptation has been stalled yet again, which means we likely won’t see it until 2015 at the earliest. Find out what the holdup is after the jump.
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Briefly: David Fincher‘s 20,000 Leagues Under the Sea hasn’t yet been given the green light by Disney, but if that ever happens, Australia is waiting with open arms to welcome the production. The country has offered Disney $22.5m to shoot the film there — that’s a flat payment to bring the production down under. It’s the biggest incentive ever offered by Australia, and even bigger than the offer originally reported as likely to be on the table.
Deadline reports that the green light remains elusive while Fincher and his crew put together a cast for the film. Reportedly, if a good cast comes together, the film will be able to move forward. Having that tax incentive from Australia can’t hurt, and with this news getting out don’t be surprised to hear casting for the film in the next week or so.
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Posted on Friday, February 15th, 2013 by Angie Han
David Fincher has been attached to 20,000 Leagues Under the Sea for almost three years now, but Disney’s been waffling on whether or not it actually wants to move forward with the project. Last we heard in October, the studio had decided only to give itself more time to decide.
But now Fincher’s not the only one eager to get things going. The Australian government is offering Disney an eight-figure rebate to shoot Down Under. If all goes well, the project could enter pre-production this year. However, it may do so without previously rumored star Brad Pitt. Contrary to some reports, he is not set to star, or at least not yet. Hit the jump to keep reading.
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Disney can’t decide whether or not it wants to make David Fincher‘s 20,000 Leagues Under the Sea. That’s not so difficult a position to understand, really. While his fans hold him up as one of the current masters, Fincher’s box office track record is spotty: Benjamin Button and The Girl With the Dragon Tattoo weren’t exactly the hits their respective financiers hoped for. And Fincher has a reputation for making expensive films over which he has utter control.
Disney, having just written down the failure of John Carter, and with big hopes placed on Gore Verbinski’s expensive The Lone Ranger, might not be willing to commit to a risky sea venture with Fincher. But what if Brad Pitt was on board? Read More »
As revealed exclusively here on /Film, Mondo has three Disney posters left to be released. Here’s one of them. It’s a gorgeous rendition of the 1954 live film 20,000 Leagues Under The Sea by artist Ken Taylor. The detail has to be seen to be believed. Check it out below. Read More »
One of the perks of being a film fan is there’s always something to look forward to. We wait and wait for a project to come together and, once the credits roll, we’re immediately looking forward to the next thing. Sometimes it’s what’s coming out next week, other times it’s a sequel and in the case of our favorite directors, it’s whatever they choose to do next. Two directors who fit into that category, who’ve both recently finished films, have just dropped significant hints of which projects they plan to tackle next.
David Fincher‘s The Girl With the Dragon Tattoo came out last month and talk almost immediately began about the sequel, The Girl Who Played With Fire, being greenlit. And while that’s likely the case, it’s looking less and less likely that Fincher will return. Reports are that he’ll finally make a movie he’s been attached to and developing for some time, a 3D remake of 20,000 Leagues Under the Sea.
Joe Carnahan‘s latest, The Grey, opens in two weeks so he too is eyeing his next project. Like Fincher, his name has been attached to a bunch of different projects but in a new interview he suggested he’ll do the Pablo Escobar drug-drama Killing Pablo next, possibly followed by the crime noir White Jazz.
Read more about all these projects and more after the jump. Read More »