Posted on Saturday, April 12th, 2014 by Germain Lussier
Neil DeGrasse Tyson Criticizing the Titanic Stars:
I wasn’t particularly embarrassed because I think that’s an unbelievably specific nitpick and if that caused him to not enjoy the film, he may need to reevaluate his priorities. That said, because I’m such a perfectionist, I challenged him to provide me with the correct star fields and incorporated them into the future rereleases of the film. So, if you watch the film now, the stars are correct.
Couldn’t Jack have fit on the raft at the end of Titanic?
Mythbusters did an episode about this and proved that two people could have floated on the door in such a way that both could have survived, but it involved using both of their floatation vests rigged under the door in such a way that they wouldn’t detach. What they neglected to incorporate was the amount of time that they would have had to spend submerged in 28 degree water to attach them that way. Also, Jack is a 19 year old guy processing a problem in real time, in water, at night, and already hypothermic, so that’s a lot to ask of him.
Why do his characters always say “Go, go, go!”
Oh, it must just be the way I talk! In fact i just wrote a scene yesterday where a character says “Go Go Go!” The page is open on my computer right now.
First of all, people do that in the military. The reason for it, especially over radio comm, is that people can inadvertently stop a transmission, so if something is really important, you say it three times. Which is why when I do my deep dives, I would always say “Release, release, release” so there was no doubt in case the communications got stepped on by another transmission or interference.
I’m going to go change that scene now. Nobody wants to be predictable.
Favorite personal movie of his:
Well, I have 5 kids and I would never answer the question if someone asked me which one was my favorite. The same with my movies. Each film is a journey, you learn so much from it, and it’s a reflection of a different period in your life, a different snapshot of who you were at this time. The one I’m working on is always my favorite. Right now it’s Avatar 2, Avatar 3, and Avatar 4.
Biggest movie influence:
Well, I can point directly to the film that had the biggest early influence on me, 2001: A Space Odyssey. Even though it’s not necessarily my favorite film right now, it has a very special place for me developmentally, because when I saw it, I went from someone who enjoyed watching movies to wanting to make movies myself. So I started to experiment with creating that imagery.
Does he see Aliens as a slasher film:
I think I was following in the footsteps of the first film ALIEN, which was the classic “10 little indians” model where you start out with X number of beloved characters, and have one that prevails. In ALIENS, three characters prevail at the end. So I would say ALIENS is more about family bonds, even though it’s a pseudo-family in the film, and cooperation against an enemy….So it doesn’t exactly follow the slasher model.
Thoughts on Prometheus:
Interesting. I thought it was an interesting film. I thought it was thought provoking and beautifully, visually mounted, but at the end of the day it didn’t add up logically. But I enjoyed it, and I’m glad it was made. I liked it better than the previous two Alien sequels…And it was done in native 3D and I’m a big fan of Native 3D done by directors who embrace it as an art form, like Ridley, Scorsese, Ang Lee.
Does he still talk to Leonardo DiCaprio:
I think Leonardo, when I cast him in Titanic, he was well on his way. I think I helped him skip a rung or two on the ladder maybe, but he certainly would have gotten there on his own because he’s one of the most talented actors of his generation. Do I still talk to him? Yes, occasionally. We’re friendly but we’re not close friends.
Star Wars or Harry Potter:
For me personally, Star Wars. It had a lot of meaning in my life. The way I view the world, even if I were starting them together, I would like Star Wars better because I like hard science fiction more than I like fantasy. Which is not to say I don’t enjoy watching Harry Potter.
On criticism of green screen acting:
Well, different actors have a different tolerance for green screen work. usually theater trained actors have the confidence to work alone, or work in the absence of props and scenery and so on, because they are used to sort of black box theater and/or one person shows, and they know that part of an actor’s power and the magic is their ability to create when nothing’s there. Other actors simply just don’t like it. So it’s always good, if you’re making a green screen heavy film, to talk to the actors before you cast them about that issue. Because you don’t want to have to be buying someone’s talent, certainly actors are well-paid, but you also want them to want to be doing that.
Best directing advice he’s ever gotten:
As a film director, the best advice I ever got was from Roger Corman. He said “film directing is hard work, sit down as much as possible.” The funny thing is, I never followed it! I always come in on first day of production, and there’s a producer chair with my name on it, and I say “take it away! It won’t be used.”
Most memorable on set moment:
I think that there was a moment of magic– pure magic–, of coming together with the lens, when we shot the kiss at the bow of the ship during Titanic. The way the sun set, we were all inspired to run to get the shot and we had seconds to do it. There was no rehearsal, we didn’t have time, but the actors did beautifully. We did two takes, one that was out of focus and one that was half out of focus, and the one that was used was the one that was half out of focus. And it was beautiful.
On the last page, Cameron discusses nightmares, Entourage, his love of filmmaking and which of his characters would win in a fight.