Twenty-four frames per second has served us just fine for almost a hundred years. Modern technology, however, always strives for more, and filmmakers recently began to experiment with a higher frame rate. Shooting at higher frame rates would, in theory, make a moving image more realistic (because more info is being fed to us) and make it much more open to manipulation.
James Cameron is considering making the Avatar sequels in a higher frame rate and we all know Peter Jackson shot The Hobbit trilogy in 48 frames per second. That experiment is considered a failure because of the public outcry against the result, but I’m sure Jackson himself is happy with the raw results, even if audiences never saw it the way he intended.
Now, another filmmaker who has been flirting with high frame rate is taking a dive into that world. Sony executives confirmed that Ang Lee will shoot his next project, the Iraq war film Billy Lynn’s Long Halftime Walk, at 120 frames per second. Read the Ang Lee 120 frames news below. Read More »
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Most people would agree the best theatrical movie experience is 70mm IMAX film projection. With IMAX Laser, the company’s aim was to try and replace – and hopefully even surpass – that experience. They’ve succeeded.
Earlier this month, IMAX debuted the first IMAX Laser projection system in the United States at the TCL Chinese Theater in Hollywood, CA. This system is 60% brighter than traditional film projection, with darker blacks and whiter whites creating a contrast that is exponentially better than 70mm IMAX projection. “You haven’t seen a movie until you’ve seen it in IMAX Laser at the TCL Chinese,” said Alwyn Hight Kusher, the president of the theater. That might be a slight overstatement, but IMAX Laser is definitely another evolutionary step in the theatrical experience.
Below, watch a video about IMAX Laser projection and read some more details. Read More »
There are few things more frustrating than the speed with which the Internet posts spoilers. The second a character dies on TV, there are hundreds of online articles about it, and thousands of tweets. If there’s a surprise in a movie? Good luck holding that for the opening. The second something is seen, avoiding the spoiler is like navigating a mine field. Your Twitter, Facebook, and daily conversations all become potential places to be spoiled.
Now, in their continuing bid for world domination, Google has created a software to protect you from that. It learns what shows, books and movies you watch and then will blur out social media spoilers until you are ready to read them. Find out more about the Google spoiler software below. Read More »
Hollywood and the movie theaters have finally figured out a system they agree on to screen first run movies in your house. It costs $35,000 for the hardware and a $500 per rental.
A company called PRIMA Cinema has created a system that allows people to watch movies opening in theaters in their homes. The $35,000 hardware includes multiple failsafes to ensure the film looks and sounds great. It also includes a separate biometric security system so only the person who is authorized to watch the movie is watching the movie. After that, each rental is $500 but you are required to pre buy 10 movies at the start, so the whole system costs $40,000. Read More »
When a THX intro plays in front of a movie, you know you’re in for a treat. The movie may be terrible but you know that it’s going to look and sound great. That knowledge made the old school THX intros a sort of comfort blanket for film fans. A guarantee of quality in an industry where crap is often good enough.
Now, a new intro is out there and it’s a bit more ethereal than we’re used to. There aren’t any mechanical flowers or flying robots; it’s just a journey into deep space. Check out the new THX intro below. Read More »
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For several years, IMAX has been working on a revolutionary new laser projection system. Projection technology that blows away digital and film in terms of clarity and contrast. Well, out of nowhere that technology is now. Literally.
IMAX will publicly debut laser projection at Wednesday world premiere of Furious 7 at the TCL Chinese Theater in Los Angeles, California. It’ll remain in the venue indefinitely. Read more about IMAX laser projection below. Read More »
35mm film continues to fight for its life. Last year, a few high profiled filmmakers vowed to continue to use film stock on their films. Now the last remaining manufacturer of film, Kodak, has just signed deals with Disney, Fox, Paramount, Sony, NBC Universal and Warner Bros. – basically every big studio in Hollywood – to “purchase undisclosed amounts of film over ‘a few’ years that would be enough to extend Kodak’s film manufacturing business.” So will 35mm film survive? Read more about the answer below. Read More »
Annapurna Pictures is well-known for releasing some of the most engaging movies out there today. So in a way, it makes sense that they’d embrace a technology that itself is literally engaging. The company is opening a new virtual reality division called VRSE.FARM along with artist Chris Milk. Together, they’ll offer filmmakers the opportunities to explore virtual reality outlets and concepts for their movies like nowhere before. Read more about the Annapurna virtual reality division below. Read More »
We started to get bent out of shape earlier this week when HBO announced that the aspect ratio of The Wire HD remasters would be set at 16:9 rather than the original 4:3 broadcast ratio. Series creator David Simon quickly weighed in to provide a great deal of information on the remaster process, and we learned that in most cases these remasters would be using more information from the original camera negative, rather than cropping information from the top and/or bottom of the original presentation.
The gif above shows the basic result of this process, thanks to a couple example videos Simon has provided on his own site. Below, we’ve got a couple more examples, and some larger images you can check out to see the differences between the show’s original presentation and the new HD remasters. Read More »