When the cameras turn off, a movie isn’t even close to finished. These days, post-production is just as important, if not more so, than principal photography. Yes, capturing the images and performances are absolutely crucial to a film. But figuring out the pacing, making the story cohesive, adding emotion with music, depth with effects, are what really make a movie a movie.
David Fincher‘s Gone Girl is no different. Fincher and director of photography Jeff Cronenweth captured stunning images on the Red Epic Dragon 6K camera but when that was done, the editors, led by Kirk Baxter, took over. For Gone Girl, they used a new workflow that blurred the line between digital effects and editing in a way that’s pretty new and unique. Check out a video about the Gone Girl editing and post-production below. Read More »
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Christopher Nolan is such a big draw and an advocate for IMAX, the company is going above and beyond for his latest feature. /Film has exclusively learned IMAX will be specially installing a 15perf/70mm film projection system inside the company’s flagship TCL Chinese Theater IMAX in Hollywood, CA, just for Interstellar.
Normally, the theater uses an IMAX xenon dual digital projection system, but Nolan wants Interstellar projected on IMAX film wherever possible. IMAX officials have confirmed they’re doing this specifically for this film, in this important location. Read more about the Interstellar IMAX 70mm projection below. Read More »
At some point, movie theaters found themselves in the unfortunate position of playing catch up. Where theaters were once the epicenter for entertainment, rising ticket prices and the exponential improvement of home theater technology have all but pushed them to the endangered species list.
Innovation was needed. IMAX was a good start. A screen so big no home can duplicate it. 3D is a mixed bag. It’s more expensive and, frankly, better in the home setting. Sound systems such as Dolby Atmos are great, but most of what makes it special is very nuisanced.
So what’s next? Well, it might be Barco Escape, a technology influenced by the super Cinerama craze of the 1960s, where an additional screen is placed on either side of your normal screen, giving a massive panoramic experience. The first film to be presented in Barco Escape is this week’s release, The Maze Runner. Five theaters across the country are offering the film in Barco Escape and myself and Peter Sciretta just had to try it out for ourselves.
Below, read more about Barco Escape and watch a video blog of our thoughts, criticisms and praise for what the company is calling “a little taste of the future.” Read More »
Following the Apple announcements last week, Apple head Tim Cook was interviewed by Charlie Rose. (The first hour aired last week and can be watched after the jump, the second part premieres tonight.) During the conversation, Rose brought up the often-talked about Apple television that has been in development at the Cupertino company for years. Tim Cook always knows how to phrase his answers so that they aren’t too revealing, but his response to this question might tell us something about the direction Apple is taking in developing a television.
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Rumors exploded all over the internet Tuesday that the legendary HBO series, The Wire, was being remastered into high definition for an upcoming marathon. Well, sorry to burst the bubble of all you Bubbles fans out there, but the statement is only half true. HBO has confirmed that, yes, the David Simon series – which originally aired and was released on DVD in standard definition, full screen – is in the process of being remastered for high definition widescreen. Unfortunately, that process is still ongoing and will most certainly not begin airing later this month as rumored. Read More »
UPDATE: ScreenCrush points out these domains were actually registered over 10 years ago.
Though Zack Snyder wowed San Diego Comic-Con earlier this summer with footage from Batman v Superman: Dawn of Justice, fans were expecting something else. They were expecting an outline of what Warner Bros. has in store for their DC Comics movies over the next few years. Instead, a version of that announcement came a few weeks later when the company announced release dates for nine upcoming DC Comics movies. Unfortunately, those dates were all for untitled films.
If we’re to believe the wonderful world of domain registration, those titles should be coming soon. Warner Bros. just registered websites for four DC Comics movies we’re all been pretty sure are coming: Justice League, Wonder Woman, Aquaman and Shazam. Read More »
A new panoramic process, the modern version of Cinerama, is on the immediate horizon. The ultra-wide screen projection process Cinerama had a brief heyday in the ’50s, when the 146° arc of the Cinerama screen was one of several challenges to television mounted by studios and theater owners. Now, giant-screen exhibition is limited to IMAX, a few dome projections, and special event setups such as the Warner Bros. domination of Hall H at Comic Con, where fully half the hall was wrapped in projection screens.
A company called Barco is now pushing a display tech it calls Escape, in which two additional screens are positioned on either side of a primary cinema screen to create a panoramic image. Now, the first Escape auditoriums are being finished, and The Maze Runner will be the first film to take advantage of them, starting September 19. Read More »
You would need an encyclopedia to know how many different versions of the original Star Wars Trilogy are out there. From obvious changes made to create the Special Editions, or the addition of “Episode IV” to the first film, to more subtle ones like color correction or audio tweaks, there are dozens of different versions of each film. All fans want, though, are the original negatives, with no “special” additions, but corrections to make them look and sound as good as modern technology will allow.
Unfortunately, that’s probably never going to happen because of rights issues and George Lucas’ wishes. So a group of fans made the Star Wars Despecialized Edition, a painstaking project that’s still in progress. The Despecialized Edition removes all the additions and tweaks slathered onto the films over the years, while simultaneously upgrading the sound and picture to modern standards. The results are pretty incredible and a new featurette shows the jaw-dropping changes and work put into the project. Read More »
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