With all the streaming and subscriptions services out there for various movies and TV programming, it seemed that users were starting to gain an edge over the cable companies that have overcharged them for years. However, one of the more prominent streaming options may end up pulling the rug out from viewers, and it’s all thanks to one of the most sinister cable companies around.
News surfaced today that Time Warner is currently considering purchasing 25% of Hulu. That doesn’t sound bad right? Maybe that means their network HBO would start putting content on Hulu, and Warner Bros. Pictures and Television would start adding their movies and TV shows to the streaming service? Nope. Instead, Time Warner wants to buy part of Hulu so they can stop the service from steaming network and premium shows the day after they air on television. Shit just got real. Read More »
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Virtual reality is about to take off in a big way. Just recently we learned that Disney and Lucasfilm are developing new Star Wars stories, directed and written by big name filmmakers and screenwriters, for virtual reality, to connect with the upcoming films. Plus, VR showcases such as The Martian VR Experience from Ridley Scott have been getting quite the buzz and we’re a bit bummed we couldn’t check it out while it was at Sundance last month. Now another heavy-hitting filmmaker looks to be making the journey to VR as well.
Steven Spielberg previously signed on to be an advisor to Virtual Reality Company (VRC), and now he’s reportedly working with them on a project that is solely for VR. Find out more about the Steven Spielberg VR collaboration below. Read More »
Star Wars: The Force Awakens was shot on 35mm (with one sequence shot on 70mm IMAX film), but most of the over 4,000 screens showing the film this weekend will be presenting the movie via digital projection. So where can you go to see the movie projected on real 35mm film? There is only one theater in Los Angeles that you can see the film on the same format it was shot on.
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Woody Allen has directed around 50 movies. Manhattan, Annie Hall, Crimes and Misdemeanors, and even his most recent efforts have all been shot on film. For the first time in his career, the writer/director isn’t shooting on celluloid. Read more about the first Woody Allen digital movie after the jump.
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Ridley Scott‘s adaptation of The Martian sees Matt Damon playing a NASA astronaut stranded on Mars in a story of survival and hopeful escape from the deadly planet. This week NASA revealed new findings that reveals that potentially life-giving water still flows across the planet’s ancient surface. How does this discovery change what you will see on the big screen? How might The Martian be different now that NASA has released this new confirmation? What if there was water in The Martian? Find out, after the jump.
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Earlier this week we ran a trailer and information about a new book titled I Lost It At The Video Store. The book by Tom Roston features a compilation of interviews with filmmakers such as John Sayles, Quentin Tarantino, Kevin Smith, Darren Aronofsky, David O. Russell giving an oral history of the video store era of cinema history.
The Playlist published an excerpt from the book, but I wanted to highlight a few quotes from Pulp Fiction/Django Unchained filmmaker Quentin Tarantino and Requiem for a Dream/Noah director Darren Aronofsky talking about their relationships with streaming services like Netflix and the process of editing a film to be watched on an iPhone. Hit the jump to read the Quentin Tarantino Netflix comments and more.
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Just recently we learned that Epix would not be renewing their content deal with Netflix and would instead be heading to Hulu. But that’s not the only big change for the entertainment network.
Epix has just announced that subscribers will now have the ability to take advantage of offline playback, allowing users to download any of the movies in the Epix library for playback without needing to be connected to the internet. Read More »
Star Wars has long been a film series that helped push technology forward, beginning with the original 1977 film. That movie was a pioneer in visual effects, with the first large-scale use of motion-control camera systems, and also helped push Dolby Stereo into theaters. But one of the new Star Wars films might be using a fusion of old and new gear to create its own spectacle.
There are reports that Star Wars: Rogue One will be using the same anamorphic Ultra Panavision 70 lenses that Quentin Tarantino and Robert Richardson used on The Hateful Eight, lenses which prior to that movie hadn’t been used in decades. Rogue One probably won’t use 65mm film, as Tarantino’s movie did, but a union of those lenses and the new Arri Alexa 65mm digital camera to create the widest Star Wars spectacle we’ve yet seen. Read More »
If you’ve watched Walt Disney Animation‘s computer animated films in recent years and wondered how they’re able to make their characters and settings look so realistic, a new video explains the process in very simple terms.
Walt Disney Animation has posted a roughly 10-minute video diving into their image rendering engine called Hyperion, explaining how the software uses a technique called path tracing to calculate how light will bounce off any given object in a scene. It’s a very fascinating and well-explained technique that will have you looking at Disney movies in a whole new light (no pun intended).
Watch the Walt Disney Animation guide after the jump! Read More »