Star Wars has long been a film series that helped push technology forward, beginning with the original 1977 film. That movie was a pioneer in visual effects, with the first large-scale use of motion-control camera systems, and also helped push Dolby Stereo into theaters. But one of the new Star Wars films might be using a fusion of old and new gear to create its own spectacle.
There are reports that Star Wars: Rogue One will be using the same anamorphic Ultra Panavision 70 lenses that Quentin Tarantino and Robert Richardson used on The Hateful Eight, lenses which prior to that movie hadn’t been used in decades. Rogue One probably won’t use 65mm film, as Tarantino’s movie did, but a union of those lenses and the new Arri Alexa 65mm digital camera to create the widest Star Wars spectacle we’ve yet seen. Read More »
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If you’ve watched Walt Disney Animation‘s computer animated films in recent years and wondered how they’re able to make their characters and settings look so realistic, a new video explains the process in very simple terms.
Walt Disney Animation has posted a roughly 10-minute video diving into their image rendering engine called Hyperion, explaining how the software uses a technique called path tracing to calculate how light will bounce off any given object in a scene. It’s a very fascinating and well-explained technique that will have you looking at Disney movies in a whole new light (no pun intended).
Watch the Walt Disney Animation guide after the jump! Read More »
Just recently we heard that a price increase was coming to Netflix, but that it would slowly be rolling out over the next ten years as the company encourages users to upgrade to the high-definition streaming plans.
However, there’s a more immediate change to Netflix coming for those who use the streaming service by way of an application to their TV. It’s being called a “major update,” but in reality it’s just the first significant update to the TV app since it was completely overhauled back in 2013. It’s nothing earth-shattering, but it will make watching Netflix on your TV slightly more convenient.
Learn more about the Netflix TV app update after the jump! Read More »
If you thought that Jedi GoPro video we recently posted was a cool new way to experience a galaxy far, far away, wait until you see this fanmade trailer for a proposed Star Wars virtual reality game.
A company called Hammerhead VR created this trailer for Star Wars VR, a game intended to be played on the Oculus Rift, the virtual reality headset that will end up changing the way we play video games forever.
Watch the Star Wars Oculus Rift trailer after the jump! Read More »
Though it hasn’t become quite as widespread as the recent iteration of 3D movies, there has definitely been a rise in 4D entertainment in movie theaters. Whether it’s 4DX or D-Box movies, some audiences are interested in experiencing movies with a seat that moves, shakes and vibrates with the action on the big screen. And now a tech company wants to bring that experience into your house.
French company Immersit has a new prototype device (with the same name as the company) that will turn your couch into a 4D ride simulator for movies and video games, and apparently it works pretty well.
Learn more about the Immersit 4D home entertainment system below! Read More »
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With the advancement of technology happening at an exponential rate, it seems like almost anything is possible, especially on the big screen. Special effects are more advanced than they’ve ever been, allowing entire cities and civilizations to be destroyed with the click of a mouse (all right, it’s a little more complicated than that). But is that a good thing?
A new video essay, called The Weta Effect, offers the hypothesis that the reason people seem to not be as impressed by blockbusters and their special effects over the past decade is that special effects look too polished now. Technology allows the creation of such unrealistic characters, creatures and locations in such a realistic way, that it’s become harder to suspend out disbelief to accept them as they are. Does that make sense?
Find out more by watching the Weta Effect video below! Read More »
Reading Star Wars Bits ain’t like dusting crops, boy. Here’s what we have from a galaxy far, far away today:
- The Force Awakens production designer at San Diego Comic-Con
- Behind the Scenes of the Star Wars Weekends creative campaign
- Details and cover art from deluxe edition of Star Wars Battlefront
- Details on some tracks from The Force Awakens score
- George Lucas and Kathleen Kennedy mourn passing of Christopher Lee
- Weird Al Yankovic records an a capella version of his song Yoda
- Secret Cinema’s Empire Strikes Back event is now open
- Star Wars Rebels characters join Disney Infinity 3.0
- Rumored details on locations, aliens and more in Star Wars: Rogue One
- New shots of Star Wars: The Force Awakens Black Series Stormtrooper
- Industrial Light & Magic working on Star Wars virtual reality experience
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Quentin Tarantino is a standard-bearer for the preservation of film in filmmaking, from the use of celluloid rather than digital when shooting a movie to the projection of film prints at his “no digital allowed” New Beverly Theatre in Los Angeles. Tarantino shot his latest film, The Hateful Eight, in the elite 70mm format — in fact, he used an even more rare variant of the 70mm format, called Ultra Panavision 70, which results in a very wide image.
Having gone to all that effort to shoot the film in a rare format, Tarantino evidently wants to exhibit the film in the same large format. A new report says that he has helped put 70mm projectors equipped with the proper anamorphic gear into fifty theaters worldwide. Read More »
Showtime has finally announced their stand alone streaming service which allow viewers to enjoy every episode of every season of the pay cabler’s original series and select movies without a cable subscription. The Showtime streaming service will undercut HBO’s streaming service HBO Now. Fine out the details, after the jump.
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