Posted on Tuesday, November 4th, 2014 by Angie Han
Around this time last year, Hans Zimmer was telling press he saw “so many good reasons” not to do the score for Batman v Superman: Dawn of Justice. Even after he eventually came around, he admitted that he was struggling to give the new Batman his own sound, distinct from the one he’d created for Christopher Nolan’s Dark Knight movies. But now it looks like he’s come up with a solution for the Batman v Superman score.
The composer revealed in a recent interview that he’s bringing in some additional reinforcements in the form of Junkie XL, who he says will “take care of Batman.” Hit the jump for more on Hans Zimmer’s Batman v Superman plan.
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Posted on Tuesday, October 21st, 2014 by Angie Han
So many sequels, so little time. So let’s get to it. After the jump:
- Channing Tatum isn’t so sure about 23 Jump Street
- Magic Mike XXL could be in 3D (but probably won’t be)
- Adam McKay is still planning to make Step Brothers 2
- Producer Malek Akkad has a Halloween 3 update
- Rumor has it Frank Grillo will lead Skyline 2
- Jason Reitman offers a suggestion for Ghostbusters 3
- See the Lorde-curated soundtrack list for Mockingjay
- Billy Boyd will sing the final Hobbit credit song
- Check out the new banner for Horrible Bosses 2
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Part of the reason Nicolas Winding Refn‘s film Drive took on an unusual life was the film’s skillful use of music. Beyond the original electronic compositions from Cliff Martinez (The Knick, Only God Forgives), the heartbeat of the very quiet film was provided by pop and electronic songs from Kavinsky and Chromatics. Music was a more important aspect of Drive than is the case in many other films, and the movie probably wouldn’t have enjoyed the same cultural impact without those sounds.
So naturally, there’s a plan to re-score Drive with entirely different pop songs. This will be (for now) a one-time only broadcast in the UK. Get the info on the new Drive soundtrack below and see a trailer for the broadcast. Read More »
Paul Thomas Anderson‘s new film Inherent Vice premiered at the New York Film Festival over the weekend, and along with the first reviews and reactions to the film, we’ve got a lot more information about the Thomas Pynchon adaptation. The Inherent Vice soundtrack has been revealed, and that’s great. And then there’s a lot of other info that came out of the festival.
For one, you can now watch the 30-minute press conference for the film featuring Anderson and many members of the film’s crowded cast. That’s a good treat, but also contains a lot of talk about a film that most of us haven’t yet seen.
More friendly to those who want to preserve the experience of watching the film is the rundown of the film’s soundtrack, and an accompanying playlist featuring all the tracks. There are a couple great tracks from Can, and an unreleased Radiohead song called ‘Spooks.’ (The Radiohead song is represented in the playlist by a live version.) Read More »
The fact that Marvel’s Guardians of the Galaxy was such a big box office hit was a huge surprise on its own. It was only eclipsed by the success of its soundtrack. The Guardians of the Galaxy soundtrack hit #1 on the Billboard charts and is certified Gold, with sales over 500,000. Pretty impressive for an album consisting only of previously released songs. In fact, it’s the first such album to ever hit #1.
Now, the Guardians of the Galaxy soundtrack gets taken up a notch. Mondo is releasing it on vinyl with art by the awesome Tyler Stout. The Guardians of the Galaxy vinyl is currently available for pre-order and comes with a randomly inserted handbill.
Below, see the front and back cover art as well as all the handbills. Read More »
Posted on Thursday, September 25th, 2014 by Angie Han
For fans of David Fincher and/or Gillian Flynn, Gone Girl became a must-see the second it was announced. But for those still on the fence — or, alternately, for those who are so eager they just need something to tide them over until the movie actually opens — Fox has tons of new marketing material to share.
Among them are the first Gone Girl clip, four new Gone Girl TV spots, and the full streaming Gone Girl soundtrack. Bury yourself in Nick and Amy’s twisted world after the jump.
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Posted on Monday, September 22nd, 2014 by Angie Han
It was only a few years ago that Trent Reznor and Atticus Ross began composing scores, but already they’ve come to feel like a staple of David Fincher‘s films. The dynamic duo are at it again this year with Gone Girl, and in keeping with the twisted feel of the movie the first track released from the Gone Girl soundtrack is eerie and kind of off-putting. In a good way.
Hit the jump for the Gone Girl soundtrack preview, plus a big gallery of new high-res pics from the thriller.
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The films of Edgar Wright are known for their eclectic musical choices, but it’s the pop song choices that are typically revered. The scores are highly underrated, to the extent the score for Wright’s first film, Shaun of the Dead, has never been available anywhere in any format.
That changes this weekend at MondoCon in Austin, TX. Mondo will release the Shaun of the Dead score by Daniel Mudford & Pete Woodhead on vinyl as part of a carnival style, record-tossing booth. There are two editions, too, both with cover art by Jock.
But that’s not all. Previously announced, Mondo will release LPs of Nathan Johnson‘s score to Rian Johnson‘s Looper and Alex North‘s abandoned score for 2001: A Space Odyssey. Both have art by Jay Shaw.
Below, check out looks of all the LPs and read more information about them. Read More »