Posted on Wednesday, July 25th, 2012 by Angie Han
When Hugo opened late last year, critics and audiences were bowled over by its masterful use of 3D. But it’s doubtful even the most diehard Martin Scorsese fan was as impressed as neuroscientist Bruce Bridgeman, who quite literally saw the world differently after watching the movie.
The 67-year-old man had lived his entire life “stereoblind,” or unable to perceive depth correctly. In the first moments of watching Hugo in 3D, however, something clicked. Bridgeman was surprised to notice the characters leaping out from the screen, in a way he’d never seen before. And better yet, the effect stayed with him long after he walked out of the theater. Read on after the jump.
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Here are two pieces of news that would have raised an eyebrow on April Fools Day but, after some research, actually appear to be true.
First up, Carnival Cruise Line is hosting a cruise themed around the Saw movies. That’s not a misspelling or a mistake. Yes, the violent, brutal horror film series that invented the phrase “torture porn” is the theme of a cruise that’ll leave New York City in August, travel around Canada and along the way, have Saw themed parties, screenings, events, signings and much more.
Second, James Cameron is among a select group of investors who will be revealing next week what’s being described as “a new space venture with a mission to help ensure humanity’s prosperity.” The company will combine space exploration and natural resources to create an entire new industry. Of course he is.
Read more about each after the jump. Read More »
Posted on Monday, March 19th, 2012 by Angie Han
Daniel Radcliffe‘s days wearing Harry Potter’s world-famous round specs may be over, but in one of his first post-Hogwarts roles, he’s donning another iconic pair. Specifically, Radcliffe’s put on Beat poet Allen Ginsberg‘s tortoiseshell glasses for John Krokidas‘ Kill Your Darlings, a fact-based drama about the early days of the Beat Generation. With filming now underway, the first photos of Radcliffe and co-star Dane DeHaan in costume have hit the web. Hit the jump to get a glimpse.
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And then they wonder why ratings are falling and interest is waining. Last year, a big hubbub was created when famous street artist Banksy wanted to come to the Oscars in a monkey mask to preserve his legendary anonymity. He wasn’t even sure if he wanted to come at all but the Academy of Motion Picture Arts and Sciences, who nominated the artist’s film for Best Documentary Feature, told him he couldn’t attend if he dressed like that.
This year, Sacha Baron Cohen is one of the leads of Martin Scorsese’s Hugo, the film that leads all others with 11 nominations. Rumors had begun circling that he might use the red carpet oppurtunity to dress in full costume and promote his summer release The Dictator, in which he plays the vile leader of a small country. This wasn’t confirmed, it was just a rumor.
The Academy has reportedly now responded to those rumors by pulled Baron Cohen’s tickets, all but banning him from Sunday’s awards. Read more after the jump, including an update. Read More »
It doesn’t take a serious student of American politics to take quick stock of men who have jumped from entertainment to politics. Ronald Reagan went from actor to California Governor to being one of the most popular United States Presidents. (Most popular on the conservative side, anyway.) Arnold Schwarzenegger went from bodybuilding to acting to Governor of California; Jesse Ventura transformed himself from a wrestler to Governor of Minnesota. There are many more, but you get the idea.
Could the next political transformation be waiting in the form of Dwayne ‘The Rock’ Johnson? Read More »
Posted on Thursday, January 19th, 2012 by Angie Han
Given that Michel Hazanavicius‘ The Artist and Martin Scorsese‘s Hugo are both about the joys of filmmaking and film-watching, it’s a little ironic that incidents at recent screenings of the two pictures seem to highlight some of the ways that the modern moviegoing experience can go terribly wrong.
In the UK, customers demanded refunds upon realizing that The Artist, a tribute to silent films, was itself a silent film. Meanwhile, one unlucky New York audience had the ending of Hugo ruined by advertisements that suddenly began playing over the movie. Read more after the jump.
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50/50: A great 2011 movie and also the odds George Lucas gives that a person would survive if they were in a lead refrigerator during a nuclear blast.
We refer, of course, to the now infamous scene early in Steven Spielberg‘s 2008 film Indiana Jones and the Kingdom of the Crystal Skull where Jones shields himself from a nuclear blast inside a refrigerator. The scene is so outrageous (or enraging, depending on who you talk to) the phrase “nuke the fridge” replaced Happy Days’ “jump the shark” as the way to describe a moment where a story finally goes from being good to bad.
In a New York Times article, one you’re going to be reading a lot about in the coming days, Lucas takes responsiblity for the scene and says, nay, insists there’s a 50/50 chance, if nuking the fridge was real, Indiana Jones could have survived. But is that what’s really important, George? Read more below. Read More »
This is a strange one. While fictional characters in the Marvel Universe — the heroes at least — typically argue a position that says mutants and humans are not really different, and should be afforded the same rights, in the real world the company’s position is somewhat contrary.
In the non-fictional world, our world, Marvel is taking the position that mutants are not humans at all. But this isn’t an ideological or a moral stance. Instead, it is a financial one. Toys manufactured in other countries and imported into the US are subject to taxes, but those taxes are lower if the toys represent non-human characters. That has led to Marvel lawyers arguing that an action figure representing, say, Wolverine, is actually “representing animals or other non-human creatures (for example, robots and monsters).” This argument leads to a good conversation on the questions of humanity and acceptance that have long been part of the X-Men storyline. Read More »
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