Posted on Thursday, September 25th, 2014 by Angie Han
For fans of David Fincher and/or Gillian Flynn, Gone Girl became a must-see the second it was announced. But for those still on the fence — or, alternately, for those who are so eager they just need something to tide them over until the movie actually opens — Fox has tons of new marketing material to share.
Among them are the first Gone Girl clip, four new Gone Girl TV spots, and the full streaming Gone Girl soundtrack. Bury yourself in Nick and Amy’s twisted world after the jump.
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A truly great shot is one you’ll never notice. It tells a story with no apparent effort, putting the audience right in the space needed to get ideas across with no interference between lens and eye. Filmmakers can take obvious pride in their attention-getting compositions. But I’d wager the shots for which many directors, cinematographers and crews feel the most pride are the ones that audiences never realize are incredibly difficult. One great example is very intricate Back to the Future opening shot.
There’s a lot of great stuff in Back to the Future, but I wouldn’t be surprised if many people have never thought about how challening the opening shot might have been. The /Film readership is a savvy bunch, many of you filmmakers and/or deep enthusiasts of the art of film, so it may be no surprise that the BTTF opening is a beast of a shot. Regardless, there’s something to be learned from dissecting how it was done. In a new interview, the film’s special effects supervisor Kevin Pike explains just how they did that long Back to the Future opening shot. Read More »
Posted on Tuesday, September 23rd, 2014 by Angie Han
There’s still no word on when Stretch might make its way to theaters or VOD, but in the meantime director Joe Carnahan has been doling out delightful tidbits for us to enjoy. The more he reveals, the stranger this film looks, and we definitely mean that as a compliment.
The latest Stretch scene may just take the cake, though. It involves an epic profanity-laced rant from David Hasselhoff, who is apparently none too pleased with Patrick Wilson‘s lack of respect. Hit the jump to watch the new Stretch clip featuring David Hasselhoff, plus a few more scenes.
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Posted on Thursday, September 18th, 2014 by Angie Han
Genndy Tartakovsky has been working on bringing the world’s most famous spinach enthusiast to the big screen for a few years now, and today he finally revealed a little peek in the form of some Popeye animation test footage.
As he stresses, “it’s not a clip, it’s not a trailer, it’s nothing from the actual movie, the voices are all temp.” But he describes it as “just something that kind of represents what we want to do,” so it still offers a pretty great idea of what he has in store for us. Watch the Popeye test footage after the jump.
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In Tusk, Justin Long plays a douchebag podcaster who travels to Canada in search of a story, and gets a hell of a lot more than he bargained for. The film is nuts, because it veers from horror to comedy in broad strokes. The end credits of the film (no spoiler) actually play some of the audio from the podcast that spawned the film, and that’s kind of the rosetta stone for deciphering the film’s disparate tones. This Tusk featurette is also a good thing to watch before seeing the movie, because it will help you understand just how seriously (or not) Kevin Smith approached the story. Read More »
Transformers: Age of Extinction hits Blu-ray and home video next week, and Paramount has given us an exclusive behind the scenes clip to premiere. I introduce the clip in a lead-in I shot over a year ago from the Hong Kong set constructed in Detroit Michigan. The clip shows how Jack Reynor learned stunt driving for his role as Shane Dyson. Paramount has also released some other behind the scenes clips from the Michael Bay film; watch those as well after the jump.
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We’re accustomed to thinking that any given sci-fi film is going to be mostly CG, perhaps thanks to the legacy left by the Star Wars prequels and many films that followed. But some still use a great deal of practical makeup and effects work. James Gunn’s Guardians of the Galaxy is one good example. The under-seen Edge of Tomorrow, from Doug Liman, is another. In the behind the scenes footage below you’ll see how Tom Cruise and Emily Blunt wore their bulky power suits during shooting, and how they threw themselves around the sets to create the film’s impressive battle sequences. Watching these Edge of Tomorrow practical effects is captivating enough that I’d love to see a cut of the film with all digital work removed. Read More »
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Posted on Tuesday, September 16th, 2014 by Angie Han
Sequels, spinoffs, and reboots aplenty after the jump.
- Samurai Cop 2 is happening with Tommy Wiseau
- Caity Lotz will return for The Pact 2
- Mark Ruffalo offers a Now You See Me 2 update
- The third Sharknado will hit Washington DC
- Ghostbusters producer Joe Medjuck talks threequel
- Woman in Black 2 will open in January 2015
- Watch another Drumline: A New Beat preview
- See another trailer for the Veronica Mars spinoff
- Conjuring spinoff Annabelle gets a creepy TV spot
- Get your first look at Transporter Legacy
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