When our own Peter Sciretta visited the set of Justice League a months ago, director Zack Snyder and his team had an obvious mission: they were dead-set on getting the people who didn’t care for Batman v Superman: Dawn of Justice to get excited for the latest superhero team-up. Between that set visit and the footage screened at Comic-Con, we were seeing glimpses of a less serious-minded, more fun comic book movie, one with things like banter between characters and the occasional smile. So while I remain skeptical, I’m certainly willing to give the DC Extended Universe another shot. I like the DC comic book world too much to become completely disinterested! And despite not caring for Batman v Superman, I still enjoy most of Zack Snyder’s movies and think that he may have a terrific Justice League movie lurking inside of him.
So, does a new sizzle reel of behind-the-scenes footage from the film alter my thoughts at all? Will it alter yours? Let’s answer that question right now!
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Just last week we learned that the suit that Chadwick Boseman wears as Black Panther was created entirely in post-production by visual effects. Directors Anthony & Joe Russo confirmed that the look they wanted the suit to have on camera simply wasn’t possible to create practically without having a suit that would have been much more torturous than the suit that was worn on set (which was already rather inconvenient to wear, especially in the hot heat of Atlanta, Georgia where much of the movie was shot).
Now we can see how visual effects were used to bring Black Panther’s suit to the big screen in the way that Anthony & Joe Russo wanted. A visual effects reel from the company Cinesite gives us a glimpse into the level of details that went into creating the suit, as well as Hydra’s Siberian base where the other super soldiers were being stored, and the Spider-Man centric end credits scene. Read More »
We’ve previously shown you The Bayhem, a custom RED camera that was created for director Michael Bay. Today we want to introduce you to the Baybuster, a custom car rig created for the filmmaker that allows him to get crazy car flips. If Michael Bay had his own tricked out Mad Max-style Batmobile, the Baybuster would be it. Hit the jump to watch some videos showing the Baybuster in action.
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What’s the point of showing up on a talk show if you don’t have a movie, tv show or music album to promote? It seems like almost everything these days is timed for the sole purpose of spiking the social shares and trying to create an explosion of buzz in the real world. Movie promotion usually comes in two waves, with the release of a film theatrically, and then later around the home video release. After that, we usually don’t see more material from a film because film studios believe there isn’t a point. But now in the world of cinematic universes and not just franchises but brands that stretch into the far reaches, maybe they see a reason?
I recently discovered that Universal Pictures has been updating the Jurassic Park youtube account with new content on almost a daily basis. The new content is anything from featurettes that originally appeared on the home video release, to behind the scenes b-roll footage, to rough-cut dailies, previs and more. Now I know you might not be as big of a fan of Jurassic World as I am, but I think you might be able to find some enjoyment in the wealth of content that has been released. I’ve always found it frustrating how much footage is captured during the making of a film, yet only a small percentage of it makes it to the home video release. I hope more movie studios can learn from this.
Hit the jump to check out some of the highlights from the Jurassic World behind the scenes footage.
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Production on the new Jumanji is underway over in the jungles of Hawaii. Kevin Hart just recently posted a first look at our main characters played by himself, Dwayne Johnson, Karen Gillan and Jack Black. Now it’s Hart’s Central Intelligence co-star’s turn to share a behind-the-scenes look at the movie that was initially thought to be reboot, but is actually a sequel. In fact, it sounds like it’s more of a legacy-quel since the movie will pay tribute to Robin Williams’ character in some capacity.
In addition, Jumanji 2 has added some new cast members, including Flight of the Conchords and What We Do In The Shadows star Rhys Darby, and Karen Gillan revealed a tease about why her character is so scantily clad in the dangerous jungle. See all that and Dwayne Johnson’s Jumanji 2 set video after the jump. Read More »
What happened when filmmaker Michael Bay read an article about “The World’s Loneliest Dog?” The action director decided to give her a role in his latest film, Transformers: The Last Knight. The homeless epileptic Staffordshire Bull Terrier named “Freya” had been passed over for adoption at the Freshfields Animal Rescue Centre more than 18,000 times over six years, despite being a “very loving dog.” See the video of Freya making her big screen debut alongside Academy Award-winner Anthony Hopkins after the jump.
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When you’re dealing with the end of the world, things can get deadly serious. But as you will see on the set of X-Men: Apocalypse, even in the face of grave danger, the cast makes plenty of time to get wacky. Bloopers are always an amusing part of the filmmaking process, but when then outtakes feature characters in full superhero wardrobe, they’re just that much more entertaining.
If you ever wanted to see Oscar Isaac dance in the creaky Apocalypse suit, Michael Fassbender flirt with James McAvoy, or Jennifer Lawrence elbow someone in the face, you can see all that and more in the X-Men Apocalypse bloopers reel after the jump. Read More »
Posted on Wednesday, September 14th, 2016 by Jacob Hall
I’m a sucker for visual effects breakdown reels in general, but I’m really a sucker for Game of Thrones visual effects breakdown reels because they showcase just how much of HBO’s fantasy drama is quietly enhanced by intelligent, often invisible special effects. Sure, everyone knows those dragons are CGI, but your eyes don’t always catch the numerous set extensions. You probably don’t even realize that the sky has been replaced and the lightning digitally modified in many scenes.
And as one VFX reel reveals, a great deal of the violence is brought to life through some surprisingly effective trickery, combining digital and practical elements in a seamless fashion.
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There is no doubt that Mad Max: Fury Road was not only one of the best blockbusters of last year, but one of the best films of 2015 in general. George Miller crafted a sequel that was simple yet riveting, seamlessly combining digital and practical effects to create some of the best action the big screen has ever seen. And what’s truly impressive is that even without the visual effects to enhance the film, the footage from production is still absolutely epic.
A new video has surfaced online featuring a slew of raw footage from pre-production and behind the scenes shows that the action from Mad Max: Fury Road still rivals most blockbusters even when it’s not finished. In the footage after the jump, there are no digital enhancements or computer generated effects used at all. Watch the footage from Mad Max Fury Road without visual effects and try not to get too pumped. Read More »
You’d be hard-pressed to find a casual filmgoer who could name you any visual effects company other than Industrial Light & Magic. Thanks to the company’s relationship with the Star Wars saga, the special effects creators easily the most recognizable name in their business, followed closely by Weta Workshop, due to their ties to The Lord of the Rings and The Hobbit. Now the special effects house has released a visual effects reel showing off the incredibly detailed and extensive work they did on Star Wars: The Force Awakens.
Yes, even though plenty of behind the scenes videos and interviews leading up to the release of The Force Awakens showed off all the practical setpieces, aliens, vehicles and more, there were still plenty of digital effects needed to bring the Star Wars sequel to life. Check out The Force Awakens visual effects reel after the jump and be wowed by the work ILM did for this movie. Read More »