X-Men: Days of Future Past featured old man Wolverine, Sentinel attacks, and a couple of giant battles featuring coordinated X-Men attacks — the sort of stuff we’ve been wanting from an X-Men film for a long time. And still, the best part of the movie was the one we all underestimated. Quicksilver, played by Evan Peters, looked pretty uninspired when we saw mere costume photos. But Peters nailed this version of the character, and his big action sequence is a standout not just in this film, but in the 2014 summer lineup.
Now, a behind the scenes video shows how some of the Quicksilver effects were achieved. More of it was done in-camera than people might realize, and so this is a treat to watch. (Germain mentioned this in Superhero Bits yesterday, but we figured that might not show it off to enough people.) Read More »
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Our favorite movies are gifts that keep on giving. Presents to be opened time and time again, whether that means watching them at home, then on the big screen, or showing to friends, family, and your children. Then you may get a cool piece of merchandise, a collectible, learn an interesting piece of trivia you never knew. The amount of ways you can enjoy your favorite movies over the years is innumerable, and thats why they’re our favorites.
Ghostbusters is one of those movies for a lot of us. This year, we’ve been celebrating a lot. It’s the 30th anniversary of the Ivan Reitman classic and besides theatrical reissues, big art shows, new merchandise and talk of a sequel, we now have some cool new information on the chariot of the Ghostbusters: The Ecto-1. Stephen Dane, the man who designed the car, is part of a video where he discusses the origins of the car and reveals some alternate looks at it too. It’s a must watch, followed by a must read interview, chock full of new information about the Ghostbusters Ecto 1. Check it out. Read More »
A truly great shot is one you’ll never notice. It tells a story with no apparent effort, putting the audience right in the space needed to get ideas across with no interference between lens and eye. Filmmakers can take obvious pride in their attention-getting compositions. But I’d wager the shots for which many directors, cinematographers and crews feel the most pride are the ones that audiences never realize are incredibly difficult. One great example is very intricate Back to the Future opening shot.
There’s a lot of great stuff in Back to the Future, but I wouldn’t be surprised if many people have never thought about how challening the opening shot might have been. The /Film readership is a savvy bunch, many of you filmmakers and/or deep enthusiasts of the art of film, so it may be no surprise that the BTTF opening is a beast of a shot. Regardless, there’s something to be learned from dissecting how it was done. In a new interview, the film’s special effects supervisor Kevin Pike explains just how they did that long Back to the Future opening shot. Read More »
In Tusk, Justin Long plays a douchebag podcaster who travels to Canada in search of a story, and gets a hell of a lot more than he bargained for. The film is nuts, because it veers from horror to comedy in broad strokes. The end credits of the film (no spoiler) actually play some of the audio from the podcast that spawned the film, and that’s kind of the rosetta stone for deciphering the film’s disparate tones. This Tusk featurette is also a good thing to watch before seeing the movie, because it will help you understand just how seriously (or not) Kevin Smith approached the story. Read More »
Transformers: Age of Extinction hits Blu-ray and home video next week, and Paramount has given us an exclusive behind the scenes clip to premiere. I introduce the clip in a lead-in I shot over a year ago from the Hong Kong set constructed in Detroit Michigan. The clip shows how Jack Reynor learned stunt driving for his role as Shane Dyson. Paramount has also released some other behind the scenes clips from the Michael Bay film; watch those as well after the jump.
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We’re accustomed to thinking that any given sci-fi film is going to be mostly CG, perhaps thanks to the legacy left by the Star Wars prequels and many films that followed. But some still use a great deal of practical makeup and effects work. James Gunn’s Guardians of the Galaxy is one good example. The under-seen Edge of Tomorrow, from Doug Liman, is another. In the behind the scenes footage below you’ll see how Tom Cruise and Emily Blunt wore their bulky power suits during shooting, and how they threw themselves around the sets to create the film’s impressive battle sequences. Watching these Edge of Tomorrow practical effects is captivating enough that I’d love to see a cut of the film with all digital work removed. Read More »
Paramount Home Video recently released Star Trek: The Compendium which collects JJ Abrams‘ Star Trek and Star Trek Into Darkness, alongside a collection of new extra features. One of the extras is the Star Trek Into The Darkness blooper reel, which is now available to watch online. Watch the hilarious six-minute Star Trek Into The Darkness blooper reel now embedded after the jump.
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Posted on Thursday, September 4th, 2014 by Angie Han
It’s not hard to imagine why Ridley Scott would want to make Exodus: Gods and Kings. It’s an epic tale for the ages, with plenty of opportunities to show off dazzling visuals and stunning performances. But if you want to hear Scott explain his attraction to the material in his own words, a new featurette has you covered.
The new video takes a peek behind the scenes of Exodus: Gods and Kings, highlighting the impressive scale of the project. Everything about this project looks massive — the sets, the cast, the scope of the story, even the racial controversy it has attracted. Check out the Exodus Gods and Kings behind the scenes featurette after the jump.
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