Fast and the Furious producer Chris Morgan is rebooting their Universal movie monsters into a connected Universal Monsters cinematic universe that begins with Alex Kurtzman‘s The Mummy. I know it’s easy to write off another reboot, and another studio trying to copy the success of Marvel’s connected universe, but this looks really promising. The first teaser trailer was unleashed during tonight’s episode of The Walking Dead. Watch The Mummy Teaser trailer now after the jump.
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Production on Transformers: The Last Knight has officially wrapped, and we know that because the official Twitter account for the film franchise has just posted a video announcing the completing of shooting. The video contains a bunch of stills from the set, as well as behind the scenes footage of Michael Bay directing, and some of the stars in action on set. If that’s not enough for you, tomorrow will bring the first trailer for the fifth installment of the toy-based action franchise.
Check out the Transformers The Last Knight photos and video after the jump. Read More »
As of this moment, 20th Century Women is my favorite movie of the year. Mike Mills‘ (Beginners) latest film is warm, compassionate, honest, and funny. It’s easily the director’s most accomplished feature to date. While watching 20th Century Women, there are themes that call to mind his previous features. Time is a crucial component of Mills’ work, and in 20th Century Women, he focuses on a very particular and relatable time in most peoples’ lives.
Below, watch the 20th Century Women featurette.
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Posted on Saturday, December 3rd, 2016 by Jacob Hall
A few years ago, Guardians of the Galaxy felt like a big left turn and a risk for Marvel Studios. In retrospect, its critical accolades and massive box office felt predestined – this is what happens when a filmmaker as offbeat and clever as director James Gunn is allowed to play in the superhero movie sandbox.
The first full trailer for the sequel, the appropriately titled Guardians of the Galaxy Vol. 2, has arrived and I’d be lying if I said I wasn’t overjoyed to see this motley crew of universe-saving a-holes again.
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A Monster Calls is a heartbreaking movie. When J.A. Bayona‘s (The Impossible) latest film premiered at the Toronto Film Festival, in a nice bit of promotion, tissue boxes were handed out to those in attendance. That was a good call because the film certainly made our own Angie Han choke up once or twice. She praised the drama as a “five-hankie sobfest, a ruthlessly effective tearjerker even by cancer drama standards,” despite a few scenes she found too manipulative.
Below, watch A Monster Calls featurette, which shows how the story came about and evolved.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we crusade for civil rights using the Internet, get excited over a five-plus hour movie about four women living in Japan, I find a French Robert Downey Jr. lookalike, we try to get to the moon with power tools, we remember VHS board games through a little horror, and we get to know the Big Apple a little better. Read More »
Posted on Friday, December 2nd, 2016 by Angie Han
Before you start doling out superlatives for the year in movies, you’ll want to check out what I’m pretty sure is still one of the most unsettling cinematic experiences of 2016. The Eyes of My Mother creeped the hell out of audiences at Sundance at the start of the year, and has spent the past several months traumatizing the rest of festival circuit with its odd blend of startling beauty and quiet but visceral brutality. Now, at long last, it’s available for everyone to see. But if you’re still not quite convinced, allow an exclusive The Eyes of My Mother featurette to make its pitch. Click through to watch. Read More »
While many are looking ahead a couple weeks to the release of Rogue One: A Star Wars Story in just two weeks, some may be looking forward to getting absolutey crazy with a raunchy, R-rated holiday comedy, and Office Christmas Party will try to come through next week.
A new trailer for the comedy from Blades of Glory directors Josh Gordon and Will Speck has just arrived, and while it shows more of the party shenanigans that happen in an office in downtown Chicago, it also shows more of the outside happenings, including Jennifer Aniston assaulting some guy, and Karan Soni (the cab driver from Deadpool) trying to get a hooker from Jillian Bell (22 Jump Street).
Watch the new Office Christmas Party trailer after the jump. Read More »
Cool Posts From Around the Web:
At the end of the summer, we got a glimpse of Surf’s Up 2: WaveMania, a sequel to the 2007 animated comedy that followed a young penguin named Cody Maverick (Shia LaBeouf) as he took part a big surfing competition. This time, Cody Maverick is hitting the waves again, voiced by someone completely new, as he joins a whole new crew of surfers who just so happened to be voiced by WWE superstar wrestlers John Cena, Undertaker, Triple H, Paige and Vince McMahon.
Now a new Surf’s Up 2 trailer has arrived, showing us exactly why this is a straight-to-DVD and VOD title instead of getting a theatrical release. Read More »
Posted on Friday, December 2nd, 2016 by Jacob Hall
André Øvredal‘s The Autopsy of Jane Doe was one of my favorite movies at Fantastic Fest 2016 and one of the best horror films I’ve seen in a year that has been very kind to the genre. It will be released on VOD platforms on December 20, 2016 and in select theaters on December 21, 2016. If you like good horror movies that value performances and mood and character as much as they value scares, you should go out of your way to see it. If it’s playing in a theater near you, it’s worth the price of admission. This is such an audience movie.
And if you’ve already decided to see it, I’d recommend skipping the latest trailer, which tips its hand a little too much and teases a few too many of the film’s finest scares.
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