Updated: We have added more concept art at the end of this post from July 14th 2014.
I love looking at concept art. Often the art created to inspire the movies is more incredible than the films themselves (for example, look at some of the beautiful concept art created for the Star Wars prequels). The Aaron Sims Company were hired to create some concept art for Matt Reeves‘ Dawn of the Planet of the Apes, and have put some of their work online for all to admire.
ASC worked closely with Weta on both films to design all of the main and ancillary ape characters from the ground up. In the Rise of the Planet of the Apes, they sculpted a bust for Caesar to ensure a hyper-realistic feel. In Dawn of the Planet of the Apes, ASC worked on aging the apes and creating the apes’ ceremonial look, which includes face paint and other ornamentation taken from nature.
While the Dawn of the Planet of the Apes concept art features some shots of the Apes living and hunting in the wild, I was more taken by the portrait work focusing on the faces of Koba, Caesar, Cornelia, and Maurice. One big revelation is that the Apes almost wore primitive clothing. Check out the Dawn of the Planet of the Apes concept art after the jump.
Read More »
Please Recommend /Film on Facebook
More so than pretty much any movie this summer, you’re going to walk out of Matt Reeves‘ Dawn of the Planet of the Apes and think, “How the HECK did they do that?” The combination of technical expertise mixed with dramatic artistry is absolutely magnificent and, somehow, a huge step up from the already-impressive Rise of the Planet of the Apes. Mix those elements with a complex, emotional story of acceptance, family and prejudice, add in a ton of huge action, and you’ve got one of the best films of the summer.
As for that question of “How,” author Matt Hurwitz has your answers in the new book Rise of the Planet of the Apes and Dawn of Planet of the Apes: The Art of the Films. Out July 8, it’s filled with concept art and behind the scenes images from both films and, below, we’ve got some exclusive early glimpses. Check out the Rise and Dawn of the Planet of the Apes concept art below. Read More »
The Dinobots are what it’s all about in Transformers: Age of Extinction. From the film’s earliest iterations, the idea to bring in the fan favorite characters was at the center of the film’s construction. They then became the focus of the marketing and were the reward in the theater once they finally show up in Michael Bay‘s long movie.
When designing something that important, of course, what we see on screen is never the only version. It’s the final version after months and months of concepts, designs, approvals and denials. One of the artists involved, Wesley Burt, uploaded a bunch of Transformers 4 Dinobots concept art to Facebook and, below, you can see alternate versions of the characters. Read More »
Edge of Tomorrow, directed by Doug Liman and starring Tom Cruise and Emily Blunt, is a terrific summer movie. It leaps off from a seemingly derivative premise (Groundhog Day meets Starship Troopers) to create excellent action sequences and a couple of solid characters. The script is surprisingly restrained, the alien enemies are unusual and memorable, and the whole film is funny — a lot more funny than the stern ad campaign let on.
A new set of concept art — well, an old set of art newly released to the public — doesn’t give much of a hint to the film’s sense of humor, but it does show off the evolution of the story’s aliens and tech designs. There are some great shots here of the flailing, lightning-quick Mimic aliens. And there are a few of the human soldiers tasked with preventing them from taking Earth as their new playground. While you may have seen the film’s powered exoskeletons in trailers and posters, you can now see how one early design might have transformed some of the human armor into something like the Batpod (above). See much more art below. Read More »
Posted on Wednesday, June 11th, 2014 by Angie Han
Pixar set Finding Nemo director Andrew Stanton to helm the sequel Finding Dory some time ago. Now, as the project chugs along, Stanton is getting a little extra help. Veteran Pixarian Angus MacLane (Toy Story of Terror) has been set as the Finding Dory co-director, as revealed by Stanton himself.
Meanwhile, Pete Docter has dished out some fresh details on the next Pixar release, Inside Out, along with some new art and a logo. Read all about Inside Out and Finding Dory after the jump.
Read More »
Posted on Wednesday, June 4th, 2014 by Angie Han
It may have felt like every mutant ever conceived had a cameo in X-Men: Days of Future Past, but in fact there were a few that didn’t quite make the cut. One of those was Jubilee, a fan-favorite comic book character who’s never been a major player in the movies.
Thanks to some revealing concept art, though, we now have an idea of what she could have looked like. Hit the jump to get a peek at her dystopian style — along with some discarded designs for characters we did see, like Iceman, Blink, and Bishop.
Read More »
The Sentinels, those mutant-hunting robots, are a staple of X-Men stories going all the way back to 1965. They have evolved dramatically over the years as artists and writers refine and re-evaluate their conception of the ‘bots, and how they relate to other characters. They take a pretty huge leap forward in X-Men: Days of Future Past, both visually, and in terms of their capabilities. There’s a certain visual relationship to the old X-Men character Nimrod, and also to another character, with the reasons for that latter one made explicit in the film. Below, we have a collection of Sentinel concept art develop from Days of Future Past, showing some of the page to screen evolution. Read More »
After Close Encounters of the Third Kind became a hit, Columbia Pictures wanted a sequel. Director Steven Spielberg did not, but the one thing he wanted less than a sequel was for Columbia to make one without him. So he set about developing a much darker, horror-tinged film that would act as a follow-up to Close Encounters. It was originally called Watch the Skies (which was also an early Close Encounters title) and eventually referred to as Night Skies. John Sayles scripted, and Rick Baker was hired to design the alien concepts.
Rick Baker has been posting images of his designs on Twitter, and they’re wonderful to see. Several will look very familiar, too. Because while Night Skies was never made, concepts from the film ended up in several other Spielberg projects. E.T. adopted several big ideas from Night Skies, and films such as Poltergeist and Gremlins took concepts and pointers. (A theater marquee seen in Gremlins also advertised Watch the Skies.) See more below. Read More »
Cool Posts From Around the Web: