Let’s say it: Bond is the Warmest Color. OK, that’s out of the way. Bond 24 is set to shoot in just over a month under the direction of Sam Mendes, and now we may have the first official new cast member. Léa Seydoux, of Blue is the Warmest Color and Mission: Impossible – Ghost Protocol (above), will reportedly have a prominent role in the film. Read More »
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In LFO, an amateur scientist develops a technique for hypnotizing people using a specific sound frequency. He puts this into action using his neighbors as subjects, and things get weird, as you’d expect. Fittingly for a trailer for a film about manipulation via sound, there is no dialogue here — this LFO trailer is all machine-made sound and atmosphere. There’s not much indication of the film’s sense of humor here, as this trailer is all about the weird. But that’s a good place to start.
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Often the release of a red-band trailer means that we’re going to see way too much from a film that is still weeks from release. But in the case of this Stretch red-band trailer, it shows off stuff from a movie you can watch right now. Universal may have decided that Joe Carnahan‘s late-night whackadoo adventure wasn’t a theatrical bet on which it wanted to gamble, but the movie is on digital outlets and VOD right now. So you can see Patrick Wilson as a limo driver, Chris Pine as a rich kook, Ed Helms as, well, a ghost, I guess, and a whole bunch of other people too.
This trailer embraces being adults-only; it’s got violence, cursing, nudity, and a lot of weird stuff. It isn’t safe for work, but it might just be as crazy as the film. Read More »
This new trailer for Bad Turn Worse opens with a reference to crime fiction writer Jim Thompson, and the reference to the guy who wrote The Getaway and The Killer Inside Me sets the tone for a story that indeed seems to go deep into dark territory. There are a few kids (Jeremy Allen White, Logan Huffman, and Mackenzie Davis) and one very bad man played with grinning malice by Mark Pellegrino. Put those people together with the lure of easy illicit money and things get really messy. Check out the excellent new Bad Turn Worse trailer below. Read More »
I’m getting to the point where I love the one-minute and even the 30-second trailer. Take Nightcrawler, a film which looks truly great, and about which I’ve heard nothing but good things since it started doing the festival rounds a few weeks ago. Dan Gilroy‘s tale of seedy Los Angeles news reporting boasts a lead performance from Jake Gyllenhall that has become the must-see turn of fall 2014. But I want to see it in the movie, not necessarily in the trailer, and the last long Nightcrawler trailer felt like it showed too much.
Enter this new Nightcrawler teaser. It’s a 30-second look at the film — basically a TV spot, except that it comes from Regal Cinemas. Regardless, it’s a condensed look that might get your blood flowing, but doesn’t feel as if it is giving the movie away. There’s also a new and final poster, excerpted above and shown in full below.
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Gore Verbinski is a good director who might just need the proper project to spark him back to life after The Lone Ranger. Steve Carell is an actor transitioning from one career phase to another, thanks to Foxcatcher (above). The idea of the two of them working together on a thriller is pretty intriguing, and that’s just what’s happening on an as-yet untitled new film that New Regency is putting together right now.
What details we have on that are below, but there’s more: Verbinski and New Regency are actually putting together a package of three films the director might do in fairly quick succession.
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In the thriller Before I Go to Sleep, a conceit a bit like the one at the heart of Memento is in play. Specifically, Nicole Kidman plays a woman recovering from a severe trauma, who experiences total amnesia upon waking each morning. Anything she learns during the day goes away at night, including the identities of her husband (Colin Firth) and her doctor (Mark Strong) and all the details of the accident that took her memory. Check out the Before I Go to Sleep trailer below.
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I’ve always loved hearing filmmakers discuss movies. We’ve often printed interviews where we ask filmmakers about their favorite films and the /Filmcast has tried to bring on directors to review the latest big screen movies. That hasn’t been as constant of a feature as David Chen and I originally planned, because as it turns out, people in the movie industry generally don’t like to publicly bas other filmmaker’s projects and we generally only got yeses from those directors who had a positive take on the film at hand. But I’ve always enjoyed hearing filmmakers discuss the movies they love and the current state of cinema.
Richard Kelly, writer/director of Donnie Darko, Southland Tales, and The Box, has always made his opinions and himself very accessible (actually, I almost wish he wouldn’t have explained the intentions and meanings behind his films, as they serve better as mysteries with no definitive answer). And this week, like many of us, he saw David Fincher‘s latest film Gone Girl and wrote a bit about it on his blog. Find out more about the Richard Kelly Gone Girl review, after the jump.
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