There’s not a letter or decimal point missing in that headline. Makeup artist Robin Mathews, who is nominated for an Oscar for her work on Dallas Buyer’s Club, achieved the film’s impressive look on a budget of only $250 — that’s two hundred and fifty bucks for the whole thing, not just one scene or character. The other side of that budget is something more difficult to quantify; it’s a balance of time and effort, of experimentation and nights and weekends spent playing with technique rather than resting.
Mathews gives some details about the work below. Read More »
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Posted on Monday, February 17th, 2014 by Angie Han
Tom Hardy stayed mostly under the radar in 2013, but that was only because he was so busy shooting. He’s back in a big way this year with three releases, the first of which, Locke, hit Sundance last month and is now headed for a spring release.
Written and directed by Steven Knight, the taut thriller follows a dude taking phone calls in his car. Which doesn’t sound all that exciting, I know, but reviews from the festival circuit say otherwise. Hit the jump to watch the trailer.
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February 2013 was a bittersweet month for the visual effects house Rhythm & Hues. Due to the increased cost of effects-based work in Hollywood and the competitive nature of the business, they were forced to declare bankruptcy, fire hundreds of people and close up shop. Two weeks later, the company was given the Academy Award for Best Visual Effects for their work in Ang Lee’s Life of Pi. The closing spawned tons of protests around Hollywood. How could the best visual effects house not be making any money?
That question has become a fundamental issue within Hollywood, and Rhythm & Hues employees used the unique and upsetting occasion to make a short documentary called Life After Pi. The trailer is out now and the full length short will be released online February 25. Eventually, it’ll be used in a feature length documentary called Hollywood Ending which explores “why the movie capital of the world is forcing filmmakers to leave.” Read More »
Last summer Ben Wheatley‘s film A Field in England started to see release, with a simultaneous drop in theaters, on disc, and on cable and VOD in the UK. It went on to play festivals and finally opened in the US last week. Along with the film’s UK release last year was a “digital masterclass” on the making of the movie — a thirty-minute behind the scenes doc that is really terrifically detailed. This isn’t fluffy filler, but rather a nuts and bolts look at making an indie movie with relatively few resources. It’s fantastic stuff, but loaded with spoilers (naturally) about the film.
So now is a great time to point it out to you once more, as the film is in release pretty much everywhere at this point. Below you’ll find a good deal of behind the scenes footage, and links to even more. Read More »
While we wait for Terry Gilliam‘s new film The Zero Theorem to hit theaters in the US (which will happen… sometime) we’ve got a few new tidbits for you to check out. One is a “making-of” featurette on that film, showing some of the means with which Gilliam, his crew, and stars Christoph Waltz, Melanie Thierry, Lucas Hedges, Ben Whishaw, Tilda Swinton, David Thewlis, and Matt Damon brought the story’s weird vision to life.
Even as that movie moves towards theaters, Gilliam is really going back to shoot The Man Who Killed Don Quixote once more. He’s scorned the idea of using Kickstarter to finance the film when asked about such an idea in the past, but now seems to be more open to the process. Quotes on that are below, too. Read More »
Posted on Tuesday, February 11th, 2014 by Angie Han
A decade after they played misfit buddies in School of Rock, Jack Black and Mike White are preparing to play longtime pals again in The D-Train. Instead of guiding cute kids to promising futures, however, they’ll be trying to track down a washed-up actor played by James Marsden. Hit the jump for more details on the new project.
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Produced by Terrence Malick, The Better Angels tells a slightly different “young Mr. Lincoln” story than the one we’re used to. The film, written and directed by A.J. Edwards (who worked for Malick on films such as The Tree of Life and To the Wonder) has a very obvious visual influence from the film’s producer, and a strong cast that includes Jason Clarke, Diane Kruger, Brit Marling, Wes Bentley and Braydon Denney.
Does it all come together? Reviews out of Sundance were mixed, with some praising the aesthetic and mood, and others opining that the film never measures up to its aspirations. A teaser trailer will give you some idea of what’s in store; check it out below. Read More »
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I’m not going to waste time setting this up — what we have here is a trailer for a movie in which people and animals are attacked by zombie beavers. The trailer is not safe for work, because zombie beavers. (And, ok, some language and blood and so on.) But watch the whole thing, because the last shot of this Zombeavers trailer is pretty great. Read More »