Michael Bay, once again, is his own worst critic.
In 2011, the action director used the word “crap” to describe the mystical storyline of Transformers: Revenge of the Fallen. (Read the full quote here.) At the time, he was confident the third film, Transformers: Dark of the Moon, would be better. Fast forward to 2013 and, discussing the upcoming fourth Transformers installment, Transformers: Age of Extinction, Bay has once again criticized his previous work, this time saying the third film was “a bit too goofy.” Read More »
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There are many misconceptions about IMAX. What films are shot in the format? What films are exhibited in the format? Why are some screens certain sizes and others so much smaller? One fact is, with The Hunger Games: Catching Fire now in theaters, it’s officially the first time two studio features shot in IMAX have been released in the same year. To mark the occasion, we spoke to Hugh Murray, the SVP of Film Production at IMAX as well as Adam Davis, the Executive Director of Corporate Communications at IMAX, to discuss some of these misconceptions and talk about the innovations and choices being made, both in Catching Fire, and at IMAX in general. Read More »
The Hunger Games: Catching Fire isn’t your typical blockbuster sequel. Yes it’s bigger and better than the original movie. The stakes have been raised and new characters are added. But what makes Catching Fire unique is how it’s infused with a gravitas most major Hollywood entertainment lacks. At every single turn, the plight of the citizens of Panem is felt as they face the cruel tyranny of the Capitol, adding layers of pathos and tension to everything we see. Couple that with the impressive IMAX visuals and a more surprising story, and Catching Fire joins that rare breed of sequels that improve on the original. Read More »
This weekend, The Hunger Games: Catching Fire is going to be the #1 movie at the box office. That’s a fact. The only question is exactly how much it’s going to make. $100 million? $150 million? $200 million? Fans are so rabid about the film, the sky is the limit. And while the majority of that number will be from traditional movie theaters, a percentage will be from IMAX too. In fact, director Francis Lawrence was so insistent Catching Fire be bigger than the original film, he shot the entire Games sequence with IMAX film cameras.
Having now seen the film twice, I can report the IMAX sequence is just under 50 minutes in length. While that’s not the most IMAX footage ever contained in a Hollywood film (Christopher Nolan holds that record with The Dark Knight Rises and its 72 minutes of footage) no feature film has ever had that much footage in a continuous sequence. Read More »
Christopher Nolan and IMAX have become almost synonymous. The director uses the large format like no one else, shooting several of his films with IMAX film cameras to make them feel simultaneously bigger and more intimate. He’s the only director shooting true IMAX who uses it both for his big action scenes and emotional close-ups. No one pushes the IMAX format like Mr. Nolan.
Now he’s pushing it even further. A member of Nolan’s VFX team tweeted (then removed) an image of a Learjet with an IMAX camera installed in the nose. It’s being used to capture photography for Interstellar, Nolan’s 2014 space film starring Matthew McConaughey. Check it out below. Read More »
Next month’s release of The Hunger Games: Catching Fire has an interesting parallel to the film itself. When the original movie came out, expectations were high but impressive results raised them even higher. Because of that success, the release of the second film has fans and executives alike expecting nothing short of a mega-blockbuster. Sounds a lot like the film’s characters. Katniss and Peeta were thrust into the spotlight out of obscurity but after ultimate victory, their second trip to the arena is magnified one hundred fold.
To film something with huge expectations both on, and off, screen, director Francis Lawrence reportedly spend about $50 million more than Gary Ross did on the original film. One of those budget bumps was because of filming with IMAX cameras and, below, you can read about the budget and see the new IMAX poster. Read More »
A genius filmmakers has a brilliant idea. But there are problems: it’s going to cost untold millions of dollars to realize, and he has no clue how to make it happen. Enter a great producer.
This is what happened with Alfonso Cuaron‘s latest film, Gravity. From the outset, the small space-set movie was incredibly ambitious. No one knew exactly how to make it feel and look like the action was happening in space. So even with two A-list stars attached, the movie was a gamble. It took the watchful eye of a man Warner Bros. truly trusted. That man was David Heyman, the producer primarily responsible for bringing a little franchise called Harry Potter to the studio and making them billions. He’d previously worked with Cuaron on Harry Potter and the Prisoner of Azkaban and was Cuaron’s first phone call when looking for someone to help make his near impossible vision a reality.
/Film had the opportunity to speak to Heyman about this gargantuan task. We asked how Cuaron approached him, how he approached the studio, how you budget a film that is literally inventing technology and what one tiny change took two and half months right under the wire. Check it out below. Read More »
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Posted on Tuesday, October 1st, 2013 by Angie Han
It’s not too early to start making plans for the Quarter Quell. Tickets for The Hunger Games: Catching Fire went on sale today, though the film won’t open for another several weeks.
To mark the occasion, IMAX released a new trailer encouraging audiences to see it big, while Entertainment Weekly unveiled not one but four different covers devoted to the film, featuring stars Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, and Sam Claflin. Check ‘em out after the jump.
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